Entertainment

Joker: Folie à Deux review: A Masterpiece of Tragedy and Theatrics

It masterfully turns fantasy into reality, refusing to indulge the audience’s desire for escape.

Published

1 year ago

October 11, 2024

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By Inderjit Badhwar

For those seeking the heart-pounding chaos of Gotham—the car chases, explosions, and violent mayhem that punctuated Joker: Folie à Deux’s 2019 predecessor—you’re bound to feel cheated. This film shuns the devilish spectacle, the apocalyptic laughter, and numbing bloodletting that made audiences reel last time. Instead, Joker takes a different path—one that draws you into a theatrical allegory, where sorrow lurks behind every scene like the unspoken melancholy of Busby Berkeley’s gals, whose smiles mask tears behind the brass and drums. It’s a film that will break your heart if you’re willing to look beneath the surface.

Most critics who have panned this work have utterly missed its genius. They’ve approached it as another instalment of the Batman universe or a Marvel spin-off, never realising they should have been viewing it through a Bergmanesque or Kafkaesque lens.

This is not a superhero movie; it is a meditation on despair. In fact, even with its colour palette, the film strikes the mind in grainy black and white, resonating with the heavy weight of reality and the tragedy that lies at its core.

Tragedy reigns in every frame. From the grimy, passionless prison where Joker awaits trial for his previous murders, to his imploding visage as he engages in cramped and joyless lovemaking with Harley Quinn in a dingy cell, the mood is one of relentless gloom. As the film unfolds, we understand one central truth: Joker is already dead. Joaquin Phoenix’s face in the opening shots tells us this immediately—the rest of the movie exists to prove why this is so. It’s not a question of fate; it’s an exploration of inevitability.

This film becomes a tug-of-war—not just between Joker and the world around him—but between director Todd Phillips, Joaquin Phoenix, and the audience. Phillips and Phoenix push a painful reality down the throats of viewers and characters alike, while the world around them begs for fantasy. It’s as though the cast itself, along with the audience, yearns for the Joker of old—the virile, immanent figure who once offered Gotham’s downtrodden an escape, a chance at vengeance, a wild ride through the storm. But that Joker is gone.

Fantasy, it turns out, is what many wanted—and critics, too, missed the film’s central theme of “fantasy as entertainment.” The repeated number, “That’s Entertainment,” becomes the leitmotif, a sardonic nod to an audience desperate to maintain illusion. The powerful Joker of the previous film offered this fantasy. He was an avenging angel, the ultimate escape hatch for Gotham’s wretched—their abused and neglected, whose collective pain he embodied. He thrilled the wealthy, the beautiful people, the theatre-going elite, who saw in him a Marvel comic made flesh.

Even Harley was captivated by this illusion, but unwittingly, she played the role of femme fatale. In love, Joker became Fleck once again, irreversibly human. And this was his fatal flaw. Joker could never survive as a human. His love for Harley shattered the very fantasy he had created, and in doing so, he signed his own death warrant. The human Fleck had to die, tried and convicted not only for his crimes but for betraying those who longed for him to remain the Joker—the untouchable, the fantastical. Even Harley, in the end, turns her back, revealing that she, too, was just another devotee of the illusion.

This film is an extraordinary piece of art, driven by Joaquin Phoenix’s near-flawless artistry and supported by brilliant character performances from an impassioned cast. It masterfully turns fantasy into reality, refusing to indulge the audience’s desire for escape.

Go see it. Joker is not entertainment for entertainment’s sake—it is art, designed to rip away our comforting illusions and force us into deeper reflection. This is not a film that indulges the tooth fairy; it crushes her underfoot, daring us to see the world as it truly is.

Entertainment

Border 2 box office collection day 12 crosses Rs 286 crore, eyes Rs 300 crore milestone

Border 2 box office collection reaches Rs 286.75 crore after 12 days, putting the Sunny Deol-led film close to the Rs 300 crore milestone.

Published

2 weeks ago

February 4, 2026

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Sunny Deol’s Border 2 continues its impressive run at the domestic box office, edging closer to the Rs 300 crore mark by the end of its second week. The war drama, which hit theatres on January 23, has shown consistent collections since its release.

On its second Tuesday, the film earned an estimated Rs 5.75 crore, taking its total earnings to Rs 286.75 crore after 12 days.

Border 2 box office performance so far

The film matched its Monday earnings on February 3, adding Rs 5.75 crore to its tally. With this, Border 2 has managed to hold firm on weekdays, a sign of sustained audience interest.

The film delivered a robust opening week, collecting Rs 224.25 crore, supported by the extended Republic Day holiday period.

Second weekend boosts collections

The second weekend provided another lift to the film’s box office numbers. Friday saw collections of Rs 10.75 crore, followed by Rs 17.75 crore on Saturday. Sunday emerged as the strongest day of the weekend, contributing Rs 22.5 crore to the total.

Monday, which coincided with Republic Day, turned out to be the film’s highest single-day performer so far, with earnings touching Rs 59 crore.

With its current pace, Border 2 has already surpassed the opening weekend figures of Ranveer Singh’s Dhurandhar.

Border 2 review

In a review, film critic Saibal Chatterjee noted that Border 2 succeeds in highlighting the courage of soldiers while also touching upon their emotional vulnerabilities. The film explores themes of separation, loss, fear, and hope, presenting moments of heroism amid personal struggles.

About the film

Directed by Anurag Singh, Border 2 features an ensemble cast including Sunny Deol, Diljit Dosanjh, Varun Dhawan, and Ahan Shetty. Set against the backdrop of the 1971 India-Pakistan war, the film is positioned as a spiritual successor to the 1997 classic Border.

Entertainment

Why Dhurandhar on Netflix runs shorter than its original theatrical cut

Dhurandhar’s Netflix release sparked confusion over its shorter runtime. The difference is linked to muted dialogue and an updated theatrical cut.

Published

3 weeks ago

January 30, 2026

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Dhurandhar has finally made its much-awaited debut on Netflix, just days after the Ranveer Singh-starrer completed a blockbuster theatrical run across India. While the film crossed Rs 1,000 crore domestically and went past Rs 1,300 crore worldwide, its OTT release has triggered confusion and criticism over its shorter runtime.

Several viewers took to social media early Friday, claiming that a “censored” version of Dhurandhar was streaming on Netflix. The runtime displayed on the platform is 3 hours and 25 minutes, nearly nine minutes shorter than the film’s originally reported duration of 3 hours and 34 minutes.

What caused the runtime difference

The confusion stems from changes made after the film’s initial theatrical release. According to the revised censor certificate, Dhurandhar now has an approved runtime of 3 hours 28 minutes and 56 seconds. This updated version replaced the earlier cut in cinemas starting January 1.

The revision followed directions to mute two specific words and one dialogue referring to the Baloch community. These changes were implemented without removing scenes, resulting in a marginally shorter runtime.

What viewers noticed on Netflix

Audiences streaming the film on Netflix observed muted portions during a scene involving Sanjay Dutt’s character, SP Chaudhary Aslam. In the original version, the dialogue included a direct reference to a former Baloch police partner. In the revised cut now available on Netflix, those references are muted, while English subtitles offer a generalised translation without naming the community.

Some viewers also pointed out that the film appears to play slightly faster on the platform, contributing to the perception that content had been trimmed.

Is Netflix streaming a censored cut

Industry insiders have clarified that Netflix is carrying the final theatrical version approved by the authorities. As an OTT distributor, the platform uploads films exactly as provided by the producers. The version streaming online is the same revised cut that has been screening in theatres since January.

Importantly, the film’s intense and graphic depiction of violence remains unchanged in the OTT version.

In short, Dhurandhar on Netflix is not a specially edited or censored cut for streaming. It is the updated theatrical version, adjusted for muted dialogue and presented with a slightly faster frame rate.

Following its OTT release, audiences can now look ahead to the sequel, Dhurandhar: The Revenge, scheduled for release on March 19, 2026.

Entertainment

Border 2 box office collection day 1 crosses Rs 30 crore

Border 2 opens to Rs 30 crore on day one, becoming the biggest opener for Varun Dhawan, Ahan Shetty and Diljit Dosanjh.

Published

4 weeks ago

January 24, 2026

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Border 2 has made an impressive start at the Indian box office, collecting Rs 30 crore on its opening day. The war drama, headlined by Sunny Deol along with Varun Dhawan, Ahan Shetty and Diljit Dosanjh, opened to largely positive audience and critical response.

According to industry tracking data, the film recorded an overall occupancy of 32.1 per cent on day one. Night shows contributed the highest footfall, indicating strong word-of-mouth towards the end of the day.

Strong show count and urban traction

Border 2 was screened in nearly 6,000 shows across the country on its opening day. Major centres reported heavy traction, with over 1,000 shows in Mumbai and more than 1,500 shows across the Delhi-NCR region. Trade sources noted that urban circuits played a key role in pushing the film past the Rs 30 crore mark.

The opening performance places Border 2 ahead of Dhurandhar, which collected Rs 28 crore on its first day despite having a similar nationwide show count. Dhurandhar later saw consistent growth over its opening weekend, a trend that Border 2 is also expected to follow.

Career-best opening for key cast members

Border 2 has emerged as the biggest opening-day film in the careers of Varun Dhawan, Ahan Shetty and Diljit Dosanjh. For Varun Dhawan, the film marks his first box office success since Bhediya in 2023. Ahan Shetty, who made his debut with Tadap in 2021, has registered his first theatrical hit with the war drama.

For Sunny Deol, however, Border 2 does not surpass the opening records of Gadar 2, which remains his highest-grossing film with a worldwide collection of Rs 686 crore.

Dhurandhar sees slowdown after Border 2 release

Meanwhile, Dhurandhar’s box office run has slowed following the release of Border 2. The film reportedly earned under Rs 1 crore for the first time in nearly 50 days, reflecting the impact of the new release.

Directed by Anurag Singh and produced by JP Dutta and Nidhi Dutta, Border 2 also features Sonam Bajwa and Mona Singh in prominent roles.