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Australian company takes employees on 2 weeks trip to Bali, tweeple ask how to apply for vacant position

From flights to the hotel to meals, Australia based digital marketing Soup agency provides its staff lavish paid holiday in Bali

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Several companies provide bonuses to motivate their employees. Some organise parties and others gift their employees. But an Australian-based digital marketing agency, Soup went a step ahead by taking its employees on a holiday trip to Indonesia’s Bali. From flights to the hotel to meals, the company took all the expenses of the trip.

The firm also dropped a small clip of the vacation with its employees on their official social media handles, where they can be seen enjoying pool parties, hiking, riding scooters, doing yoga, and having cocktails by the pool.

The video has gained thousands of views and likes in no time. Sharing the video, the digital marketing agency wrote, a wrap-up of Bali – the first working holiday as a team.

Read Also: TV anchor Rohit Ranjan files plea in Supreme Court against FIRs lodged for doctored Rahul Gandhi video

Take a look at the video of an Australian company that took its employees to Bali, Indonesia:

https://www.instagram.com/reel/CekLJHBJwwX/?utm_source=ig_web_copy_link

When the news came in limelight, Tweeple started appreciating the company’s gesture towards its workers.

One of the users from India wrote that big companies in India also need to adopt this culture as soon as possible. While another user wanted to apply to the company.

Another user sarcastically wrote in Hindi that India main to badi companies ka bass chale to employees ke ghar ke bartan bhi bikwa de, trip kya khak le jayenge ( Indian companies would have sold its employees utensils if they could. They do not have the guts to take their employees on a trip).

Meanwhile, earlier in May, a casino in Las Vegas gave a big surprise to its almost 6,000 employees by giving each of them $5,000 (Rs 3.86 lakh) as a bonus.

VIRAL: Muslim family performed last rites of their Hindu employee iBihn ar

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Entertainment

Usha Nadkarni reflects on living alone at 80, abusive childhood and sacrifices behind her acting career

Veteran actor Usha Nadkarni reflects on living alone since 1987, her abusive childhood, motherhood and the struggles behind her successful acting career.

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Veteran actor Usha Nadkarni, known for her memorable performances in Marathi and Hindi films, television and theatre, has opened up about the personal struggles that shaped her life. From surviving an abusive childhood to living alone for decades and balancing motherhood with a demanding acting career, the 80-year-old actor shared intimate details of her journey in recent and past interviews.

Despite the hardships, Nadkarni says she continues to work and live independently in Mumbai while embracing the life she has built over nearly seven decades in the entertainment industry.

Usha Nadkarni says she has lived alone since 1987

Speaking in a recent interview with Rajshri Marathi, Nadkarni revealed that she has been living alone since 1987. With her son now settled overseas and her siblings no longer alive, she has gradually become comfortable with solitude.

She recalled that she initially feared staying alone and would ask the building’s security guard to accompany her to her apartment. Over time, however, those fears disappeared.

The veteran actor also spoke candidly about ageing and mortality, saying she occasionally thinks about death because she lives alone but does not fear it. She added that she believes death comes differently for everyone and has accepted that reality.

Her son was raised by her mother during her busiest years

Nadkarni also reflected on her personal life, sharing that she separated from her husband many years ago. She said there is no bitterness between them and that she has maintained cordial relations with his family over the years.

She explained that her son spent much of his childhood with her mother while she remained occupied with Marathi theatre and acting commitments. In an earlier interview, she had revealed that he also stayed at her brother’s house because it offered more space.

Looking back, Nadkarni shared that her son still tells her she only gave birth to him and that his real mother was actually his grandmother, who raised him during those formative years.

Actor recalls growing up with a violent father

Nadkarni has also spoken publicly about the difficult environment in which she grew up. She described her father, an Air Force officer, as a man with a violent temper whose anger often left the family frightened.

According to the actor, even minor household matters, such as an untidy newspaper or improperly arranged schoolbooks, could trigger angry outbursts.

She also recounted an incident in which she tried to protect her brother from being beaten and was injured on her arm after her father attacked her with a curved farming blade. Despite the injury, she went ahead with a stage performance the following day.

Family opposed her dream of becoming an actor

The actor said her passion for acting began in childhood, but pursuing that ambition was far from easy.

She recalled first confiding in her mother, hoping for support, but instead faced strong opposition. According to Nadkarni, her mother threw her belongings out of the house, forcing her to stay with a friend for nearly a week before eventually returning home.

Reflecting on those years, she said societal opinions did not stop her from following her dream. Nadkarni noted that she first performed on stage while studying in the fourth standard and continues acting even at the age of 80.

Career built on determination

Over nearly 70 years, Usha Nadkarni has established herself as one of the most respected actors in Marathi and Hindi entertainment.

She has previously acknowledged that there were periods when she accepted projects primarily for financial reasons, even when she felt she was not receiving the professional respect she deserved. Despite those challenges, she has continued to remain active in films, television and theatre, building a career defined by perseverance and resilience.

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Veteran actor Pradeep Rawat, known for Ghajini and Lagaan, dies at 74 after cancer battle

Veteran actor Pradeep Rawat, celebrated for his roles in Ghajini, Lagaan and Mahabharat, died at the age of 74 while undergoing treatment for cancer.

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Veteran actor Pradeep Rawat, best known for his performances in Ghajini, Lagaan and the television epic Mahabharat, died on Tuesday evening while undergoing treatment for cancer. He was 74.

Rawat breathed his last at around 6 pm. He had initially been admitted to Kokilaben Dhirubhai Ambani Hospital in Mumbai before being shifted to a cancer hospital in Bhiwandi around 10 days ago for further treatment. He is survived by his wife and son, Vikramaditya.

Yashpal Sharma pays tribute

Actor Yashpal Sharma paid tribute to Pradeep Rawat through a post on his Instagram handle following the veteran actor’s demise.

Career spanning more than three decades

Pradeep Rawat built a successful acting career across Hindi, Telugu, Tamil, Kannada and Malayalam cinema over more than three decades.

He gained widespread recognition for portraying the ruthless antagonist in the 2005 Tamil film Ghajini. The performance earned him the opportunity to reprise the same role alongside Aamir Khan in the Hindi remake released in 2008.

Before Ghajini, Rawat had shared screen space with Aamir Khan in the 2001 film Lagaan.

Many television viewers also remember him for portraying Ashwatthama, the son of Dronacharya, in BR Chopra’s iconic television series Mahabharat. Although he made his film debut with Meri Jung in 1985, the television role brought him widespread recognition.

Memorable performances across languages

Throughout his career, Rawat appeared in several notable films, including Sarfarosh, The Hero: Love Story of a Spy, Stalin, Veeram, 1: Nenokkadine, Loukyam, Nenu Sailaja, Sarrainodu, Nene Raju Nene Mantri, Aayirathil Iruvar, Market Raja MBBS and Miss Match.

A significant milestone came with SS Rajamouli’s Sye (2004), which marked his debut in Telugu cinema.

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Nana Patole’s feet-washing video sparks BJP attack, Congress leader responds

A Guru Purnima video showing Congress leader Nana Patole’s feet being washed has sparked a political controversy in Maharashtra, drawing criticism from the BJP and a strong response from Patole.

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A video showing senior Congress leader Nana Patole’s feet being washed during a Guru Purnima event has triggered a political controversy in Maharashtra, with the BJP criticising the ritual and the Congress leader defending it as a family tradition.

The viral clip shows Mr Patole seated on a sofa while two men wash his feet, shower flowers on him and place fruits near his feet as part of the ceremony. The incident quickly drew attention on social media and prompted sharp reactions from political leaders.

BJP calls it ‘Congress culture’

Reacting to the video, Maharashtra minister and BJP leader Chandrashekhar Bawankule said the incident reflected the “culture of Congress leaders”.

He said such acts only invite criticism and negative publicity, adding that Congress leaders should learn from similar controversies instead of repeating them.

Nana Patole defends Guru Purnima ritual

Responding to the criticism, Mr Patole rejected the allegations and said he neither instructed nor compelled anyone to perform the ritual.

According to the Congress leader, the ceremony took place on Guru Purnima when two younger members of his family voluntarily chose to honour him as their Guru.

He said they insisted on performing the ritual as a mark of respect.

Congress leader hits back at BJP

Mr Patole also countered the BJP’s criticism, saying the party had no authority to lecture others on culture and traditions.

In an apparent reference to the alleged Ram temple donation theft case, he remarked that those who “loot donation funds” should not advise others on cultural values.

The exchange has added to the political sparring between the BJP and the Congress in Maharashtra, with the viral video continuing to generate debate on social media.

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