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Ekta Kapoor, Pooja Bhatt, celebrities condemn Poonam Pandey for faking death, says worst publicity stunt

Poonam Pandey confirmed that she faked her own death to raise awareness about cervical cancer. Pooja Bhatt, Ekta Kapoor, Rahul Vaidya slammed her.

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Actor model Poonam Pandey’s death news has created stir on social media after she admitted that her recent social media post about her death due to cervical cancer was a shocking publicity stunt meant to raise awareness about the disease.

A number of celebrities have voiced, their thoughts, and called it a worst publicity stunt. The actor has came under severe criticism from fellow celebrities like Ekta Kapoor, Bhuja Bhatt, Prince Narula, Rahul Vaidya, Sofia Hayat, and others have taken to Instagram and celled her out.

Taking to social media, producer Ekta Kapoor said, this is awareness of which vaccine not to use. She also said the company that encouraged such an insensitive campaign should be sued.

Pooja Bhatt expressed her shock at Poonam Pandey’s alleged death yesterday. She offered condolences to her family. But Pooja Bhatt was horrified to see that Poonam faked her own demise. She deleted her earlier tweet and said Poonam’s actions were deeply disgraceful and disservice.

Singer and former Big Boss contestent Rahul Vaidya said, now that Poonam is alive, he can surely say RIP PR/ marketing team. The singer also critised the new low of creating a sensational/viral campaign.

Bigg Boss 15 fame Rajiv Adatia said in response to the controversy, Poonam Pandey disgusting. Slamming her, he said, what type of awareness are you attempting to prove? He said, that’s improper and disgusting to do for publicity as well. Subsequently, he posted a video in which he claimed this was stupidity rather than awareness.

Writer-Producer Tahira Kashyap said, she witnessed the lowest of lows today. Alternating feelings of shock, disbelief, anger, and trigger. She questioned that what are we becoming into? What is the significance of breaking news? For what price? She said, So offended by the cheesy PR gimmick. She did not mentioned Poonam’s name as she said, ignoring the name only because the individual is unworthy of any significance at all.

Meanwhile, on February 2, Poonam Pandey’s team posted about her death citing that the actor passed away after battling from cervical cancel. Today taking to Social media Poonam posted another video saying that is alive and she faked her news to raise awareness about cervical cancer.

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Why Dhurandhar on Netflix runs shorter than its original theatrical cut

Dhurandhar’s Netflix release sparked confusion over its shorter runtime. The difference is linked to muted dialogue and an updated theatrical cut.

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Dhurandhar

Dhurandhar has finally made its much-awaited debut on Netflix, just days after the Ranveer Singh-starrer completed a blockbuster theatrical run across India. While the film crossed Rs 1,000 crore domestically and went past Rs 1,300 crore worldwide, its OTT release has triggered confusion and criticism over its shorter runtime.

Several viewers took to social media early Friday, claiming that a “censored” version of Dhurandhar was streaming on Netflix. The runtime displayed on the platform is 3 hours and 25 minutes, nearly nine minutes shorter than the film’s originally reported duration of 3 hours and 34 minutes.

What caused the runtime difference

The confusion stems from changes made after the film’s initial theatrical release. According to the revised censor certificate, Dhurandhar now has an approved runtime of 3 hours 28 minutes and 56 seconds. This updated version replaced the earlier cut in cinemas starting January 1.

The revision followed directions to mute two specific words and one dialogue referring to the Baloch community. These changes were implemented without removing scenes, resulting in a marginally shorter runtime.

What viewers noticed on Netflix

Audiences streaming the film on Netflix observed muted portions during a scene involving Sanjay Dutt’s character, SP Chaudhary Aslam. In the original version, the dialogue included a direct reference to a former Baloch police partner. In the revised cut now available on Netflix, those references are muted, while English subtitles offer a generalised translation without naming the community.

Some viewers also pointed out that the film appears to play slightly faster on the platform, contributing to the perception that content had been trimmed.

Is Netflix streaming a censored cut

Industry insiders have clarified that Netflix is carrying the final theatrical version approved by the authorities. As an OTT distributor, the platform uploads films exactly as provided by the producers. The version streaming online is the same revised cut that has been screening in theatres since January.

Importantly, the film’s intense and graphic depiction of violence remains unchanged in the OTT version.

In short, Dhurandhar on Netflix is not a specially edited or censored cut for streaming. It is the updated theatrical version, adjusted for muted dialogue and presented with a slightly faster frame rate.

Following its OTT release, audiences can now look ahead to the sequel, Dhurandhar: The Revenge, scheduled for release on March 19, 2026.

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Border 2 box office collection day 1 crosses Rs 30 crore

Border 2 opens to Rs 30 crore on day one, becoming the biggest opener for Varun Dhawan, Ahan Shetty and Diljit Dosanjh.

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Sunny Deol in Border 2

Border 2 has made an impressive start at the Indian box office, collecting Rs 30 crore on its opening day. The war drama, headlined by Sunny Deol along with Varun Dhawan, Ahan Shetty and Diljit Dosanjh, opened to largely positive audience and critical response.

According to industry tracking data, the film recorded an overall occupancy of 32.1 per cent on day one. Night shows contributed the highest footfall, indicating strong word-of-mouth towards the end of the day.

Strong show count and urban traction

Border 2 was screened in nearly 6,000 shows across the country on its opening day. Major centres reported heavy traction, with over 1,000 shows in Mumbai and more than 1,500 shows across the Delhi-NCR region. Trade sources noted that urban circuits played a key role in pushing the film past the Rs 30 crore mark.

The opening performance places Border 2 ahead of Dhurandhar, which collected Rs 28 crore on its first day despite having a similar nationwide show count. Dhurandhar later saw consistent growth over its opening weekend, a trend that Border 2 is also expected to follow.

Career-best opening for key cast members

Border 2 has emerged as the biggest opening-day film in the careers of Varun Dhawan, Ahan Shetty and Diljit Dosanjh. For Varun Dhawan, the film marks his first box office success since Bhediya in 2023. Ahan Shetty, who made his debut with Tadap in 2021, has registered his first theatrical hit with the war drama.

For Sunny Deol, however, Border 2 does not surpass the opening records of Gadar 2, which remains his highest-grossing film with a worldwide collection of Rs 686 crore.

Dhurandhar sees slowdown after Border 2 release

Meanwhile, Dhurandhar’s box office run has slowed following the release of Border 2. The film reportedly earned under Rs 1 crore for the first time in nearly 50 days, reflecting the impact of the new release.

Directed by Anurag Singh and produced by JP Dutta and Nidhi Dutta, Border 2 also features Sonam Bajwa and Mona Singh in prominent roles.

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Dhurandhar box office collection crosses Rs 1,000 crore worldwide in 21 days

Dhurandhar has crossed Rs 1,000 crore worldwide within 21 days, becoming the highest-grossing Indian film of 2025 so far.

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Dhurandhar

Dhurandhar continues its strong theatrical run, achieving a major milestone at the global box office. The Ranveer Singh-led film has crossed the Rs 1,000 crore mark worldwide within 21 days of its release, reinforcing its position as the highest-grossing Indian film of 2025 so far.

Released on December 5, the film has shown sustained momentum both in India and overseas, outperforming other major releases of the year and entering the elite Rs 1,000 crore club.

Strong worldwide and domestic performance

According to figures shared by the makers, Dhurandhar has earned Rs 1006.7 crore globally in just three weeks. With this, it has gone past earlier big releases of the year, including Kantara Chapter 1 and Chhaava, to set a new benchmark in worldwide collections.

In the domestic market, the film has posted equally impressive numbers. Over its first 21 days, Dhurandhar collected more than Rs 650 crore in India. The film earned Rs 28.60 crore on Day 21, which coincided with Christmas, further boosting its overall tally.

A closer look at the India collections shows a strong week-wise performance. The film opened with Rs 218 crore in its first week, followed by Rs 261.50 crore in the second week. Between Days 15 and 20, it added Rs 160.70 crore. With the Day 21 earnings included, the total net domestic collection stands at Rs 668.80 crore, placing it among the biggest box office successes of the year and pushing it closer to the Rs 700 crore mark in India.

Entry into top domestic earners list

With its current numbers, Dhurandhar has also secured a spot among the top ten highest-grossing Indian films based on domestic net collections. The film has overtaken Ranbir Kapoor’s Animal to claim the ninth position on the list, underlining its exceptional run in theatres.

Cast, direction and sequel announcement

Headlined by Ranveer Singh, Dhurandhar features an ensemble cast that includes Akshaye Khanna, Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun and Rakesh Bedi. The film is directed by Aditya Dhar, whose storytelling and the performances of the cast have been key factors behind its box office success.

The makers have already confirmed a sequel, which was hinted at in the post-credit scene. The follow-up film is scheduled to release on March 19, 2026, and will hit theatres in Hindi, Tamil, Telugu, Kannada and Malayalam.

With its record-breaking global earnings and continued strong performance in India, Dhurandhar is set to close 2025 as one of the most successful Indian films in recent years.

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