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“The marginalised have no fear of the unknown”

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Bose with the writer

[vc_row][vc_column][vc_column_text]The versatile RAHUL BOSE feels that the stories of India’s new rugby girls resonate with the incredible journey of Poorna Malavath, the second youngest person to scale Everest. In a freewheeling interview with SUJIT BHAR, he explains his reasons

Rahul Bose isn’t one of your regular, humdrum heroes that stalk Bollywood. He is short, he has a bald patch that he doesn’t much care about really, he is a sportsperson – he has played international level rugby for India for 11 long years – and he does those off-beat movies that are dismissed in Bollywood as art-movies. Well, Bose is a hatke character, you see, a hatke hero.

Yes, he wears really good Ray Bans and mouth-wateringly elegant Jimmy Choos, and shirts that are pretty much Bollywood-ish, but I have seen him in casual Tees, and in jerseys, muddied up and scraggy. Rugby isn’t for the faint-hearted, or for Bollywood anyway.

So he makes this movie about a real life hero, Poorna, who has climbed the highest mountain in the world, Everest, and she did it with sheer optimism and a prayer in her heart, punched with oodles of determination. Somewhere, I thought, Bose found synergy. That was the start.

I met Bose at the Calcutta Football and Rugby Club (CC&FC) to talk about rugby, when the film Poorna came up. He was visibly excited. But before we delve into the interview, let us get some statistics straight. Malavath Purna, our heroine, became the youngest female ever to climb Everest, when she stood on the top of the world on May 25, 2014. But she missed becoming the youngest person to ever have climbed Everest, by, believe it or not, 20 days! Four years before Poorna, almost to the day (May 22, 2010), American Jordan Romero had become the youngest person when he climbed Everest with his father at 13 years 10 months and 10 days.

So who cares? What Bose looked at was not just the final feat – which was in itself stupendous – but at the entire road leading to that. No American can ever match that for sure.

Back to Bose and the interview. While talking about rugby in India, and the increasing presence of women, especially tribal women, in the somewhat rough sport, Bose digressed. “I can compare this with my heroine in my film Poorna,” he said. “In them (the adivasi women rugby players) I see Poorna’s resolve… Coming from a place where leave alone mountains, even hills are difficult o come by, and to go all the way to Everest and climb it, becoming the youngest female ever in history to climb the highest peak…”

Bose is not one who talks about his film first. He talks about the person who made this film possible, his real life heroine. “It is an astonishing tale, even Bollywood probably could not have written it. Poorna was 13 when she climbed Everest. Can you believe it? This film takes you from her small hut in Telangana to Bhongir Fort outside Hyderabad, to Darjeeling and Sikkim, to Nepal, and then to the top of Everest. We have, unarguably, some of the best footage from the summit of Everest you’ve ever seen. I won’t reveal how we did it.”

So it was, that Bose was looking for a real life hero, and he got the best. He finds resonance in the tribal girls playing rugby. “I can compare… I have written and directed the film, and I have acted in it. Just a tribal girl, quite like my rugby heroines, but the level of her determination is astounding. No hurdle is a hurdle for her.”

A still from the movie

A still from the movie

So what drew you to Poorna?

“You see, to be poor is one setback. To be a girl is another. Then to be an adivasi is a third challenge. A 13-year-old adivasi girl might have been able to climb Everest if she were from the Northeast and grown up in a gritty, mountainous region. But Telangana is as flat as my forehead, you see. Poorna is astonishing, single-minded and determined. She thought of only two things when she reached the summit – “Sir”, her mentor, RS Praveen Kumar, and all the tribal girls who could now hope to reach great heights. In the film, she is being played by Aditi Inamdar, also from Telangana.”

It is a sort of rule of thumb for Bose, who is always scouring the countryside for new talent for rugby. Go to the base, there you will find gritty life. Mountaineering needs as much discipline and grit.  “These are the types of girls and boys we look for in the interiors of our villages and amid adivasis. Those who have no fear of the unknown and those who have lived in poverty long enough to realise that there is so much more out there… And if you could show them how to dream, you just can’t stop them.”

The way Bose promoted the movie was also unique. “The first thing I did was approach schools to screen it for all students. These will be paid, but can be paid at subsidised rates. That will carry the message much further and, more importantly, to the right people, the young ones. That is where I need the message to go.”

He did that, and the initial response was amazing: over 200 schools readily agreed and then more schools came in. Before it reached the theatres, it was already a rage among the youngsters. That was what Bose wanted to achieve. “If more youngsters are empowered by this, if more come to sports, and to difficult sports like mountaineering, then it will be good for the young of the country,” he concluded.[/vc_column_text][/vc_column][/vc_row]

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Book reviews

Walking On The Razor’s Edge: The path of the seeker

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The Power of Karma Yoga by Gopi Chandra Das (Jaico Books) is an attempt to unravel the mystique of the Bhagavad Gita in the contemporary context. Is Lord Krishna’s counsel to Arjuna still relevant in today’s time and social space ? How can the timeless teachings of Lord Krishna be adopted by people struggling to cope with the stresses and challenges of modern life? Is there a key teaching which can be easily adopted by stress-torn people? These and many more questions are answered by the author in his easy-to-read style.

The basic premise is that the stress is a function of identity; identity with ego or with role-playing. We all play roles in life: in the family, the office and in the social sphere. These roles demand close identification and exact their cost by way of fear, frustration and failures.

The way out is to ease one’s sense of identity with one’s temporal roles. At the metaphysical level, it means keeping oneself in a detached state from one’s ego. This requires sustained spiritual discipline, but automatically yields to mental distancing with mundane roles as well. No wonder the Katha Upanishad compares the spiritual path to a razor’s edge.

Lord Krishna sought to instil this detached perspective in Arjuna by underlining the perishable nature of the body and the transitory nature of the world. However, the key is to strike a balance between total detachment and total attachment. The golden mean is attained by letting go with discrimination. If we detach too much, it will become difficult to perform our duties; if we cling too much, the material will become a millstone. The idea is to be in the world and yet not be of it. As the Persian saint Abu Said said, “To buy and sell and yet never forget God.”

Detachment, however, doesn’t mean irresponsibility. On the contrary, it means working with utter responsibility; with a sense that the job at hand is a moment to glorify the divine. It is not only work for work’s sake; work is taken up as a tool for self-realization. This is more deeply grasped if we acknowledge that the Gita is not only a handbook of divine knowledge or spiritualised action but essentially a guidepost for the man treading the path of enlightenment.

Sri Aurobindo says: “The Gita is not a weapon for dia­lectical warfare; it is a gate opening on the whole world of spiritual truth and experience, and the view it gives us embraces all the provinces of that supreme region. It maps out, but it does not cut up or build walls or hedges to confine our vision.”

Or as Paramahansa Yoganananda puts it: Gita sheds light on any point of life in which the devotee finds himself in.

Delving yet further, Gopinath explains in the book that letting go is made easy by the practice of apagriha, or being unattached to desires with conscious control on attachment-driven strivings. In the process, one’s motive gets transformed from want-driven to purpose-driven. The aim, at the highest level, being self-realization: the acme of spiritual strivings. For all material strivings ought to be in essence spititual strivings.

When we shift from want-driven to purpose-driven action, the need for personal validation ceases. In our quest for a spiritual-centric action mode, yagna plays an important role. The concept of yagna is transposed from a religious fire-rite to diurnal mundane acts in which personal motives are quenched. As the borderline between the spiritual and the material gets increasingly dissolved, the quest for enlightenment becomes the summum bonum of life.

The direction and blessings of a sadguru is also needed in this eternal quest for soul freedom. In the ultimate sense, the material life and its duties become a stepping stone for a higher life which man embraces to achieve the state of kaivalya. The book lucidly interweaves real-life stories with philosophical concepts, which make for interesting reading.

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Entertainment

Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Justin Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai.

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Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Global popstar Justin Bieber brought the energy at Anant Ambani and Radhika Ambani’s pre-wedding sangeet on July 5 in Mumbai. The soon to be married couple (wedding in July 12th) was spotted enjoying themselves as Bieber belted out his hits. While glimpses from the night went viral earlier, Bieber has now shared unseen photos and videos from his memorable trip to India.

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The heartwarming pictures show Justin Bieber bonding with Anant Ambani and Radhika Merchant and their family. In one picture Justin stands with Anant and Radhika, all three dressed festively for the sangeet ceremony. Another photo captures a casual moment where Justin Bieber is seen chatting with Akash Ambani on a couch while Anant and Radhika are posing with him.

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The group also posed for a larger picture that included Shloka Mehta and Anand Piramal. The final photos show Justin Bieber and Anant Ambani engaged in a friendly conversation, solidifying the warm atmosphere of the visit. Justin’s trip to India started on Friday morning with his arrival in Mumbai.

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That night Bieber transformed the Jio Convention Centre into a party zone with his hit songs and celebrities like Salman Khan and Alia Bhatt grooved along with him. Videos circulating on social media show Justin Bieber dancing with Orry and receiving a hug from Alaviaa Jaffrey( daughter of Javed Jaffrey). According to reports Justin Bieber has been paid $10million for this special performance.

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Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai. The singer made the guests groove on his songs Baby, Love Yourself, Peaches, Where Are You Now and Sorry. Bieber’s fresh off his triumphant return to the stage once again set the internet ablaze with his electrifying performance at Anant and Radhika’s sangeet ceremony.

https://www.instagram.com/p/C9Fv2nuI1_e

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Entertainment

Yashraj Mukhate collaborates with Amit Trivedi for Mann Dhaaga song

In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi. He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga.

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Amit Trivedi is known for his soulful compositions which weave profound lyrics, captivating music lovers. His songs spark a deep desire in aspiring artists to collaborate with him. Music producer and You Tuber Yashraj Mukhate had immense admiration for Trivedi’s artistry. In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi.

He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga. He wrote that he had been listening to the entire Dev D Album carefully in 2012. And he kept listening to it on loop for 3 weeks. He continued to listen to Amit Trivedi compositions in Aisha, Kai Po Che, Udaan, Lootera, Queen, Fitoor continuously. He said he could not stop himself and became a big fan of the music director. He said he started dreaming of meeting his idol one day and collaborating with him.

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He recalled that he had to download songs from songs.pk and listen to them. He said the songs kept running inside his mind all through the day. He added that he even remembered Amit Trivedi’s ad jingles word for Fanta, Frooti, Dish TV and all of them.

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Mukhate said he always dreamed of meeting Amit Trivedi and wanted to thank him for giving this experience. The post has gone viral on social media with 96,445 likes till now. Large number of social media user commented on the social media post where one user Parth said the Yashraj Mukhate was truly an inspiration. One user said his dedication had brought him to level. One user said a man should make all his dreams come true by going through one hustle at a time.

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