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Cinema’s Fading Charm

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Cinema's Fading Charm

[vc_row][vc_column][vc_column_text]Cinema's Fading CharmOr why I fell out of love with movies

By Khalid Mohamed
There’s something majorly amiss. That tribal rite of going to the movies just isn’t the same anymore. Never mind, the fancy price of tickets or the 200 bucks for pops of corn.
It’s just that the romance of submitting myself to the wonderful people and their conflicts on the screen just doesn’t make me laugh… or cry… with the same purity of feelings today.
BBC reviewer Alistair Cooke, once upon a time the most influential voice on cinema, had said, “A film critic should be someone who can’t stay away from films or a man who never goes at all. I leave you to guess as to which class I belong.”
Today, I find myself as someone who’s in between, a cinemaholic who hits the bar only on a Friday. Not so long ago, it used to be 7 x 7 a week.
Now I brooded over that (a bit) and arrived at a few prime reasons for losing my ‘religion’, or for diminishing my devotion:

Where are the technocrats? Even a rankly lousy film would have some redeeming feature. Ravikant Nagaich’s Farz, Suraksha and oodles of espionage thrillers would be as believable as a Rs 25 note. Yet Nagaich’s technical inventiveness was mind-blasting. Mukul S Anand would hack out predictable Bachchan extravaganzas but again, stylewise he was the asli bhai of all the directors in the showtown of the 1970s. His screenplays were messy but his direction, wah-wah. Today where are the comparable technocrats? Sanjay F Gupta? Don’t make me laugh.[/vc_column_text][vc_column_text]Just not interested: An upcoming turnip can be smelt from weeks ahead. There was no earthly reason—except in the strict line of reviewing duty—to sample Mohenjo Daro once its promos promised the misshapen things to come. And though, I’m a major fan of B-graders—which often have more heart than the biggies—I can no longer drag myself to the Sunny Leone twists-and-grinders.

Time time ki baat hai: The movies may have become briefer and the number of songs has reduced drastically supplanted as they are in the background score. A film’s finale of fisticuffs, shoot-outs and miscellaneous showdowns doesn’t stretch on for a millennium.  But for the super big-budget movies, others wrap up in two hours-flat. So why do I still keep looking at my wrist watch, eyeing the exit door? To think Love in Simla boasted of 11 songs, and it’s a pleasure even on DVD. Today, it could be Love in Honolulu with just one song and three remixes, but I’d bin it after half a viewing.

Crores roar? It’s all about loving your Rs 100 crores. But huh, whenever, Whenever I’ve tracked a mega-blockbuster in its second-week runs, the audience has been as scant as a receding hairline. Doesn’t feel quite right about watching a humongous hit with just a couple of necking couples in the last row. Feels lonely.

Multiplexes, a mixed blessing: So the clarity of the projection and sound are infinitely superior to the surviving single screen movie halls. But at the plexes, the images can be dingy and the full-on sound can drive you to an ENT specialist. Ouchhh. Believe it or yelp, mice leap through the aisles even in the swishiest of the plexes.[/vc_column_text][vc_column_text]Gourmet dinners, no thank you: At the prohibitively-costly, souped-up multiplexes. Take Delhi’s Director’s Cut auditorium, butlers will fetch you sushi and desi trays. Now how about those viewers who just want to watch the movie, without burping and clattering about with forks and knives? I must have annoyed countless multi-waiters, on pleading, “I can’t see the screen. You’re not invisible.” Post-demonetisation, the dinners are paid for by credit and debit cards, an intricate chore subtracting that simple old pleasure of just watching a movie without making it a dining-out experience. Cell phone conversations, SMS’es and WhatsApping on blindingly bright cell screens, aah no point protesting any more, is there?

3-D, no thanks: All my friends who are assorted nuts about the movies, agree. Watching a movie with heavy glasses isn’t our idea of fun. Even on becoming Zen about the glasses, the picture quality is hazy and lacks lustre. There was no choice but to go through the drill for Avatar, Tintin, Spiderman and practically every cartoon flick from the Hollywood eye-zapping clinic.

Result: there’s something majorly amiss about going to the movies. Am I alone in thinking this way? Hope not.[/vc_column_text][/vc_column][/vc_row]

Book reviews

Walking On The Razor’s Edge: The path of the seeker

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The Power of Karma Yoga by Gopi Chandra Das (Jaico Books) is an attempt to unravel the mystique of the Bhagavad Gita in the contemporary context. Is Lord Krishna’s counsel to Arjuna still relevant in today’s time and social space ? How can the timeless teachings of Lord Krishna be adopted by people struggling to cope with the stresses and challenges of modern life? Is there a key teaching which can be easily adopted by stress-torn people? These and many more questions are answered by the author in his easy-to-read style.

The basic premise is that the stress is a function of identity; identity with ego or with role-playing. We all play roles in life: in the family, the office and in the social sphere. These roles demand close identification and exact their cost by way of fear, frustration and failures.

The way out is to ease one’s sense of identity with one’s temporal roles. At the metaphysical level, it means keeping oneself in a detached state from one’s ego. This requires sustained spiritual discipline, but automatically yields to mental distancing with mundane roles as well. No wonder the Katha Upanishad compares the spiritual path to a razor’s edge.

Lord Krishna sought to instil this detached perspective in Arjuna by underlining the perishable nature of the body and the transitory nature of the world. However, the key is to strike a balance between total detachment and total attachment. The golden mean is attained by letting go with discrimination. If we detach too much, it will become difficult to perform our duties; if we cling too much, the material will become a millstone. The idea is to be in the world and yet not be of it. As the Persian saint Abu Said said, “To buy and sell and yet never forget God.”

Detachment, however, doesn’t mean irresponsibility. On the contrary, it means working with utter responsibility; with a sense that the job at hand is a moment to glorify the divine. It is not only work for work’s sake; work is taken up as a tool for self-realization. This is more deeply grasped if we acknowledge that the Gita is not only a handbook of divine knowledge or spiritualised action but essentially a guidepost for the man treading the path of enlightenment.

Sri Aurobindo says: “The Gita is not a weapon for dia­lectical warfare; it is a gate opening on the whole world of spiritual truth and experience, and the view it gives us embraces all the provinces of that supreme region. It maps out, but it does not cut up or build walls or hedges to confine our vision.”

Or as Paramahansa Yoganananda puts it: Gita sheds light on any point of life in which the devotee finds himself in.

Delving yet further, Gopinath explains in the book that letting go is made easy by the practice of apagriha, or being unattached to desires with conscious control on attachment-driven strivings. In the process, one’s motive gets transformed from want-driven to purpose-driven. The aim, at the highest level, being self-realization: the acme of spiritual strivings. For all material strivings ought to be in essence spititual strivings.

When we shift from want-driven to purpose-driven action, the need for personal validation ceases. In our quest for a spiritual-centric action mode, yagna plays an important role. The concept of yagna is transposed from a religious fire-rite to diurnal mundane acts in which personal motives are quenched. As the borderline between the spiritual and the material gets increasingly dissolved, the quest for enlightenment becomes the summum bonum of life.

The direction and blessings of a sadguru is also needed in this eternal quest for soul freedom. In the ultimate sense, the material life and its duties become a stepping stone for a higher life which man embraces to achieve the state of kaivalya. The book lucidly interweaves real-life stories with philosophical concepts, which make for interesting reading.

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Entertainment

Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Justin Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai.

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Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Global popstar Justin Bieber brought the energy at Anant Ambani and Radhika Ambani’s pre-wedding sangeet on July 5 in Mumbai. The soon to be married couple (wedding in July 12th) was spotted enjoying themselves as Bieber belted out his hits. While glimpses from the night went viral earlier, Bieber has now shared unseen photos and videos from his memorable trip to India.

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The heartwarming pictures show Justin Bieber bonding with Anant Ambani and Radhika Merchant and their family. In one picture Justin stands with Anant and Radhika, all three dressed festively for the sangeet ceremony. Another photo captures a casual moment where Justin Bieber is seen chatting with Akash Ambani on a couch while Anant and Radhika are posing with him.

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The group also posed for a larger picture that included Shloka Mehta and Anand Piramal. The final photos show Justin Bieber and Anant Ambani engaged in a friendly conversation, solidifying the warm atmosphere of the visit. Justin’s trip to India started on Friday morning with his arrival in Mumbai.

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That night Bieber transformed the Jio Convention Centre into a party zone with his hit songs and celebrities like Salman Khan and Alia Bhatt grooved along with him. Videos circulating on social media show Justin Bieber dancing with Orry and receiving a hug from Alaviaa Jaffrey( daughter of Javed Jaffrey). According to reports Justin Bieber has been paid $10million for this special performance.

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https://www.instagram.com/p/C9Fu5I5oxBm

Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai. The singer made the guests groove on his songs Baby, Love Yourself, Peaches, Where Are You Now and Sorry. Bieber’s fresh off his triumphant return to the stage once again set the internet ablaze with his electrifying performance at Anant and Radhika’s sangeet ceremony.

https://www.instagram.com/p/C9Fv2nuI1_e

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Entertainment

Yashraj Mukhate collaborates with Amit Trivedi for Mann Dhaaga song

In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi. He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga.

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Amit Trivedi is known for his soulful compositions which weave profound lyrics, captivating music lovers. His songs spark a deep desire in aspiring artists to collaborate with him. Music producer and You Tuber Yashraj Mukhate had immense admiration for Trivedi’s artistry. In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi.

He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga. He wrote that he had been listening to the entire Dev D Album carefully in 2012. And he kept listening to it on loop for 3 weeks. He continued to listen to Amit Trivedi compositions in Aisha, Kai Po Che, Udaan, Lootera, Queen, Fitoor continuously. He said he could not stop himself and became a big fan of the music director. He said he started dreaming of meeting his idol one day and collaborating with him.

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He recalled that he had to download songs from songs.pk and listen to them. He said the songs kept running inside his mind all through the day. He added that he even remembered Amit Trivedi’s ad jingles word for Fanta, Frooti, Dish TV and all of them.

https://www.instagram.com/p/C35NUIVNz5h/

Mukhate said he always dreamed of meeting Amit Trivedi and wanted to thank him for giving this experience. The post has gone viral on social media with 96,445 likes till now. Large number of social media user commented on the social media post where one user Parth said the Yashraj Mukhate was truly an inspiration. One user said his dedication had brought him to level. One user said a man should make all his dreams come true by going through one hustle at a time.

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