English हिन्दी
Connect with us

Entertainment

Sanjay Dutt’s old video on Mardaangi shocks a new generation

Sanjay Dutt’s definition of Mardaangi reminded tweeple of Andrew Tate.

Published

on

By Utkarsh Tripathi

Sanjay Dutt’s old ad video has resurfaced on Twitter which has drawn massive flak as some tweeple compared him to the infamous Andrew Tate.

In the video, Dutt could be heard putting forth his views on how to be a man, as well as remarking how men nowadays are falling for makeup and pink colour, which is supposed to be the colour for women, and failing to keep their masculinity.

The actor’s video has triggered trolling where tweeple have compared him with the social media influencer, Andrew Tate, as one user wrote that Sanjay Datt was India’s Andrew Tate before Andrew Tate was even born.

Read:

Who is Andrew Tate?

Andrew Tate, who rose to prominence on social, is notoriously known for his misogynistic and stereotypical views about women. Andrew Tate is a former kickboxer and has come to become a public figure on the internet. Until recently, Tate’s Social Media, including Youtube, has been taken down in light of his content being misogynistic and inappropriate for the audience.

Former UFC fighter, Andrew Tate, has created a niche audience for himself over the years. His masculinity ideals have translated into conditioning boys and men to adopt similar views, which many speculate to be harmful to the younger generation as well as to the preceding one.

Andrew Tate’s financial status as well as his projected lifestyle on social media has helped him assume the role of a somewhat guru and made him a pretty influential voice. Tate’s views have echoed the preconceived notion of victim blaming a rape victim, which is still a notion in many countries. He also went on to endorse violence against women in many of his videos.

Social media platforms have taken stringent action by taking down his profile and condemning the content which was put out by him.

In light of this, an old video of actor, Sanjay Dutt’s old ad video, has now gained attention on the internet where Dutt could be seen selling ideas of how to be a man, as well as remarking how men nowadays are into makeup and failing as a man. The actor, in the video, all urged them to stop being feminine.

Sanjay Dutt being compared to Andrew Tate

Sanjay Dutt in the old ad video could be seen saying that there is a problem with men lately and adds that it shows in their lifestyle as there are too many men walking around with waxed legs and shaved chests, he also added that men have been spending more time in the spa than in the gym, implying that only women do such things.

The Shamshera star even goes on to object to how men have been into cooking and wearing colourful clothes, implying that these activities are way too feminine.

A Twitter handle had recently written that Sanjay Dutt was the Andrew Tate before Andrew Tate was even born. This is fairly true but the timing of both the prominent figures to be equated isn’t completely fair to the actor Sanjay Dutt, considering how views and opinions aren’t immutable and it has been a while since Sanjay Dutt’s advertisement was shot.

Andrew Tate should be receiving more flak for his views as compared to Sanjay Dutt as he is still clinging to these orthodox views even now when women have not only outshone men in every field but are also leading countries.

However, tweeple took a hilarious turn to Sanjay Dutt’s manly ideals as they tweeted:

Entertainment

Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

Published

on

Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

Continue Reading

Entertainment

Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

Published

on

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

Continue Reading

Entertainment

Kriti Sanon’s Raksha Bandhan ad draws criticism over modern festive look

Kriti Sanon’s Raksha Bandhan advertisement has sparked an online debate, with some social media users questioning her contemporary festive outfit and the campaign’s concept.

Published

on

Kriti Sanon’s latest festive appearance has triggered a debate on social media after the actor featured in a Raksha Bandhan advertisement wearing a contemporary outfit.

In the advertisement, Kriti Sanon is seen in an off-white bralette-style blouse paired with a cape and a draped skirt. While the actor has previously experimented with contemporary interpretations of traditional fashion, some social media users criticised her look in the festive campaign.

The criticism was directed particularly at the choice of outfit for a Raksha Bandhan-themed advertisement, with several users questioning whether the look was appropriate for the occasion.

Advertisement’s pet dog sequence also draws reactions

The concept of the advertisement also became a point of discussion online. In the campaign, Kriti is seen tying a traditional rakhi on a dog after the pet barks at her.

The advertisement presents the ritual as a way of including the pet in the family’s Raksha Bandhan celebrations. However, several social media users questioned the decision to include the dog in the festive ritual.

Some commenters accused the brand of making a mockery of Indian festivals, while others said they disagreed with the overall concept of the advertisement.

Social media users criticise Kriti Sanon’s festive look

Kriti Sanon’s outfit became one of the main talking points among those criticising the advertisement. Some users described the outfit as inappropriate for a Raksha Bandhan campaign.

One social media user wrote that Kriti was tying rakhi in a “bra kinda attire” and questioned the use of such an outfit during the festival.

Another commenter compared the treatment of Raksha Bandhan with other festivals and criticised the advertisement’s presentation of the celebration.

Other reactions focused on traditional elements associated with Raksha Bandhan. One user questioned the absence of a puja thali and tilak while also criticising Kriti’s outfit.

A separate comment objected to the inclusion of the dog, arguing that the campaign was not representative of the traditional spirit of Raksha Bandhan.

These comments reflect the views of individual social media users and do not establish a broader consensus about the advertisement.

Kriti Sanon yet to respond to criticism

The Raksha Bandhan advertisement continues to receive mixed reactions on social media. While some users have criticised the actor’s outfit and the campaign’s concept, Kriti Sanon is yet to respond to the criticism.

The debate comes as brands increasingly use contemporary interpretations of traditional festivals in advertising, with the campaign’s presentation becoming a subject of discussion among social media users.

Continue Reading

Trending

© Copyright 2022 APNLIVE.com