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Blind review: Sonam Kapoor’s film fails to hold audience, netizen says its boring

Sonam Kapoor’s return to Bollywood and OTT debut are both in this movie.

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Sonam Kapoor

Indian filmmakers have long been captivated by Korean dramas. However, none of us have been very pleased by their haughty remake attempts. Sonam Kapoor joined the bandwagon with her film, Blind, just as Salman Khan’s Radhe (2021) and Riteish Dedhmukh’s Ek Villain (2014) couldn’t compare to The Outlaws and the iconic Korean drama, I Saw the Devil, respectively. But it hardly captures the authenticity of the 2011 release of the same-named original Korean film.

Shome Makhija’s film Blind was released on JioCinema on July 7. Sonam Kapoor’s return to Bollywood and OTT debut are both in this movie, but she couldn’t have picked a worse project for it.

Sonam Kapoor is introduced as Gia, a Scottish police officer, in the opening scene of the story. They fight after being forced to pick up her brother from a performance, which leads to a collision. Gia loses her vision when her brother is dying. In a related tale, young females in the city are going missing. When the villain, Purab Kohli, tries to kidnap Gia as well, the two meet in person one day. At night, he observes a blind girl searching for a taxi on her own. He preys on women, and he has the ideal one in mind. The game of cat and mouse between Gia and the psychotic serial killer begins at this point. Gia does not allow her infirmity to prevent her from apprehending her wicked adversary.

It appears reliable on paper. In an unfamiliar nation, a blind woman lives alone with her wonderful guide dog. Just knowing that a crazed killer is chasing her is enough to make you uneasy. But Shoma Makhija’s lethargic direction weakened the movie. You’re not afraid of the victims.

When the murderer is pursuing Gia and Shubham Saraf within the orphanage, there is no sense of urgency. You merely know what will occur next. Gia’s initial telephone chat with the psychopath could have been a powerful sequence, however, it is handled in a rather uninteresting way.

As soon as the film was released netizens started posting their reactions. People took to different social media handles and said the film is boring. Some also said Sonam’s character could be made more powerful and strong.

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Vijay’s last film Jana Nayagan poised for massive opening, Rs 100 crore business expected on Day 1

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Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.

If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.

Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.

Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).

The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.

Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.

As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.

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FIFA World Cup final halftime show divides fans despite stars

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FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.

The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.

FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.

However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.

Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.

FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.

As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.

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Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine

Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.

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The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.

Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.

Pushpa 2 earns screenplay and costume design honours

Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.

The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.

Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition

Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.

Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).

Committee Kurrollu wins Best Telugu Film

Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.

Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.

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