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BAFTA 2025: Payal Kapadia’s All We Imagine as Light nominated for Best Foreign Film

At the BAFTA Film Awards, the film earned a nomination in the Best Film Not in the English Language category.

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Payal Kapadia’s film All We Imagine As Light has made India proud by receiving a nomination at the BAFTA Awards. At the BAFTA Film Awards, the film earned a nomination in the Best Film Not in the English Language category. The nominations were announced on Wednesday by actors Mia McKenna-Bruce and Will Sharpe.

While Payal’s film was longlisted in three categories—Best Director, Best Original Screenplay, and Best Film Not in the English Language—it ultimately secured only one nomination. Payal missed out on nominations for Best Director and Best Original Screenplay. Competing against All We Imagine As Light in the same category are Emilia Perez, The Seed of the Sacred Fig, I’m Still Here, and Kneecap.

Previously, Payal Kapadia was nominated for Best Director at the Golden Globe Awards but lost to Brady Corbet for his work on The Brutalist. All We Imagine As Light was also nominated for Best Film Not in the English Language at the Golden Globes, but lost to Emilia Perez.

All We Imagine As Light tells the poignant story of two Malayali nurses, Prabha and Anu. Prabha’s life takes an unexpected turn when her estranged husband sends her a surprise gift, while Anu grapples with finding a private place for intimacy with her lover.

Directed by Payal Kapadia, the film features performances by Kani Kusruti, Divya Prabha, Chhaya Kadam, and Hridhu Haroon. The film launched its awards campaign after winning the Grand Prix award at the Cannes Film Festival in May and is now available for streaming on Disney+ Hotstar in India, where it premiered on January 3.

Significantly, All We Imagine As Light is only the seventh Indian film to be nominated in this category and the first in over a decade since Ritesh Batra’s The Lunchbox (2013), starring Irrfan Khan and Nimrat Kaur.

The first Indian film to receive a nomination in this category was Salaam Bombay! (1988), directed by Mira Nair, who also earned India its second nomination with Monsoon Wedding (2001). Other Indian films that have received nominations over the years include Sanjay Leela Bhansali’s Devdas (2002), Asif Kapadia’s The Warrior (2002), and Rakeysh Omprakash Mehra’s Rang De Basanti (2006).

The BAFTA Film Awards will be streamed live and exclusively in India on Lionsgate Play on February 16.

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Kumkum Bhagya actor Sanchita Ugale dies by suicide near Mumbai at 22

Television actor Sanchita Ugale, known for Kumkum Bhagya and Wagle Ki Duniya, died by suicide at her residence near Mumbai. Police have launched an investigation.

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Sanchita Ugale

Television actor Sanchita Ugale, known for her appearances in Kumkum Bhagya, Wagle Ki Duniya and Dilwali Dulha Le Jayegi, died by suicide at her residence in Nalasopara East near Mumbai on June 14. She was 22.

According to police officials, the incident took place at her home in Achole village, Nalasopara East. Authorities said Ugale had locked herself inside her bedroom and was later found hanging from a ceiling fan. Family members and local residents rushed her to a hospital, where doctors declared her dead.

Police have registered an Accidental Death Report (ADR) and launched an investigation into the circumstances surrounding her death. Officials said inquiries are underway and the exact reason behind the incident has not yet been established.

Career across television, OTT and films

Ugale had built a growing presence in the entertainment industry through television, streaming projects and films. Apart from Kumkum Bhagya and Wagle Ki Duniya, she played a lead role in Dilwali Dulha Le Jayegi. She also appeared in OTT projects such as Crime Aaj Kal and Silence 2.

The actor was also associated with the film Chhaava, which contributed to her growing recognition among audiences.

Last social media post draws attention

Following news of her death, social media users shared and commented on Ugale’s final Instagram post, which had been uploaded hours before the incident. The post showed the actor in traditional attire lip-syncing to a classic Bollywood song. Fans expressed shock and grief after learning of her death.

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Ram Charan’s Peddi opens to mixed reviews despite strong performances and music

Peddi has received mixed reviews, with Ram Charan’s performance and AR Rahman’s music earning praise while criticism has focused on the film’s screenplay and writing.

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Peddi movie review

Ram Charan’s much-awaited Telugu sports drama Peddi hit theatres on June 4 and has generated significant discussion among critics and audiences. Directed by Buchi Babu Sana, the film marks Charan’s return to the big screen in a rural sports-based story that combines action, emotion and village politics.

Early reviews have highlighted Ram Charan’s committed performance as one of the film’s strongest assets. Critics have particularly appreciated his transformation and screen presence, with many describing the role as one that allows the actor to showcase both emotional depth and mass appeal.

Another aspect receiving widespread praise is the music and background score composed by A. R. Rahman. Several reviewers and audience members have pointed to the soundtrack and score as key elements that elevate important moments throughout the film.

However, reviews have been more divided on the film’s writing. Critics have argued that while the film contains emotionally effective sequences and well-mounted sports moments, the screenplay often follows familiar genre conventions and lacks the consistency needed to fully realise its ambitions.

The film also stars Janhvi Kapoor, Shiva Rajkumar, Jagapathi Babu and Boman Irani in important roles. Audience reactions on social media have generally described the film as an entertaining watch despite its shortcomings, with praise directed at the performances and technical departments.

Despite the mixed critical response, Peddi has opened strongly at the box office, supported by robust advance bookings and enthusiastic fan celebrations across Telugu-speaking regions.

Peddi Official Trailer:

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Dhurandhar raw and uncut version set for digital premiere on two major streaming platforms

In a major surprise for action film fans, the raw and uncut version of Dhurandhar is launching tomorrow across both Netflix India and JioHotstar with uncensored footage and multiple audio tracks.

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Dhurandhar

Indian cinema enthusiasts are in for an unexpected treat as the highly anticipated unfiltered version of the blockbuster film Dhurandhar is officially heading to digital platforms. In a surprising double-platform strategy, the raw and uncut cut of the action-packed movie is scheduled to begin streaming on both Netflix India and JioHotstar.

The sudden announcement from the streaming platforms has sparked significant buzz across social media. While much of the recent digital speculation has centered around the streaming schedule for the sequel, media updates have confirmed that this specific raw release applies to the franchise’s first installment. Starting tomorrow, viewers in India will be able to watch the unfiltered version of the movie in multiple regional languages, including Hindi, Telugu, and Tamil, complete with intense gore sequences and raw dialogues that were previously trimmed.

Dual-platform digital release brings uncensored action

The announcement has cleared up initial confusion among fans who were anticipating updates regarding the franchise. While international audiences have seen varied streaming distributions for the franchise, viewers within India will uniquely get access to the first film’s “undekha” (unseen) cut simultaneously on two separate streaming applications.

The standard digital premiere for the second installment, Dhurandhar 2, remains locked for June 4, 2026, on JioHotstar and will mirror the standard censored cut that was showcased during its theatrical run. However, for fans seeking an uncompromising, high-octane cinematic experience, the original film’s extended, raw edition arrives online tomorrow on both competing streaming services.

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