Happy Father’s Day 2022: Top 5 Bollywood films on fatherhood
The most precious relationship will always be between a parent and children. Having a father who stands by your side, encourages you, and protects you is no less than a blessing. However, parenthood is more than that, and here are five Bollywood films that best portray the father-child bond.
The most precious relationship will always be between a parent and their children. Having a father who stands by your side, encourages you, and protects you is no less than a blessing. However, parenthood is more than that, and here are five Bollywood films that best portray the father-child bond. These films depict the various aspects, soulfulness, and emotions that come with becoming a father. So, readers, immerse yourself in the emotions of parenthood and learn what it takes to be a father.
Amitabh Bacchan in Piku
Shoojit Sircar’s Piku deals with a much different and mature father-daughter bond. Piku played by Deepika Padukone and his father’s relationship is different but precious from any other story. Being based on Bhaskor Banerjee’s (played by Amitabh Bacchan) significant problem, the movie very beautifully dealt with the daughter’s emotions towards his father. And unlike other Bollywood dads, Bhaskor’s feminist ideology was what made the movie a must-watch. Piku will always be a wholesome movie with a refreshing take on parenting.
Naseeruddin Shah in Masoom
Naseeruddin Shah’s character of DK from Masoom was a role ahead of its time. The movie dealt with so many aspects of life that tingled in one story. The movie revolves around DK, whose life is clouded by the presence of his son and the guilt of infidelity. However, the way the movie moves forward and shows every emotion of fatherhood is what makes it worthy to be on this list. Moreover, not just Masoon but Naseeruddin Shah has played some brilliant roles as a father and showed a different aspect of fatherhood in Bollywood films like Zindagi Na Milegi Dobara and Gehrayiyan. These roles have pushed the boundary of what being a father actually means.
Irrfan Khan in Angrezi Medium
Angrezi Medium is a comedy-drama about a father played by late actor Irrfan Khan, who is determined to help his daughter, played by Radhika Madan in achieving her dream of studying in London. And just like any other middle-class family, Angrezi Medium also shows gaps in their relationship, as they are in any father-daughter relationship. But the beauty of this bond is that, despite being restricted to words or emotions, it doesn’t lessen the connection of this beautiful bond, and a movie like Angrezi Medium makes sure to highlight it.
Anupam Kher in Wake Up Sid
The movie, based on the journey of self-discovery, also shows the beautiful bond between a father and his son. Never before has the father-son equation played out so well in any film. Ram Mehra (Anupam Kher) who’s a successful entrepreneur and is also appalled by his only son Siddharth Mehra’s (Ranbir Kapoor) ignorance and non-serious ways. Leading to the road of hard work and self-discovery is when Sid realises the true emotion of parenthood. The one scene where he presents his first cheque to his father and then the conversation they have later is everything. Ram Mehra’s soft embrace of his long-lost son and Sid’s changed approach towards his mother is what makes Wake Up Sid special.
Pankaj Kapoor in Gunjan Saxena
No matter how many films portray the father-daughter relationship, there will always be space for more. The Bollywood film Gunjan Saxena: The Kargil Girl, based on the life of the first Indian woman to join the Indian Air Force, is not only for those who are looking for inspiration but also for those who understand family emotions and bonds. The film beautifully portrays Gunjan’s relationship with her father and also tells the world how if a father stands strong behind his daughter, she will achieve great heights. Gunjan Saxena, who herself is a fearless, motivated, and determined individual, looks for her dad in trouble. Moreover, she’s able to fulfil her life-long dream only because it was his father who always stood as a pillar of strength and support for her.
Musician Bhagirath Bhatt breaks silence on Bigg Boss 20 entry, says not going
Musician and sitarist Bhagirath Bhatt has clarified that he will not participate in Bigg Boss 20, citing his preference for calm music and peaceful surroundings.
Sitarist and music composer Bhagirath Bhatt has clarified that he will not be participating in Bigg Boss 20, putting an end to speculation about his possible entry into the reality show.
Bhatt addressed the questions he had been receiving from followers on social media and thanked them for their interest. However, he made it clear that he is not part of the upcoming season.
Bhagirath Bhatt explains why he is not joining Bigg Boss 20
In an Instagram Story, Bhatt said that he does not think he is suited to a show like Bigg Boss. He explained that his personality is more aligned with calm and peaceful surroundings.
The musician said he is not someone who can shout or create unnecessary noise and described himself as a believer in calm music. He added that peaceful music has always been a source of inspiration for him.
His clarification came after his name had been circulating in discussions about possible contestants for Bigg Boss 20.
Bhagirath Bhatt’s work in films and series
Bhagirath Bhatt is known for his work as a sitarist and music composer. According to the report, he has worked on films including Padmaavat, Bhool Bhulaiyaa 3 and Border 2.
He has also been associated with projects such as Bandish Bandits and Heeramandi.
Meanwhile, the makers of Bigg Boss 20 are yet to officially reveal the complete contestant list. The new season is scheduled to premiere on September 6 at 9 PM.
Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim
Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.
Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.
The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.
Shabana Azmi on Sunny Deol’s Muslim character
Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.
She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.
Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.
What Shabana Azmi said about the film’s reception
Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.
According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.
She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.
Batwara 1947 vs Awarapan 2 at the box office
The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.
The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.
Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.
Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.
Aasha Jaiswal Singh’s death confirmed by son
Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.
He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.
According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.
Aasha Jaiswal Singh was known for Meena Kumari mimicry
Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.
Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.
Her death marks the loss of an artist remembered for combining acting with mimicry and social work.
Aasha Jaiswal Singh’s final rites held in Mumbai
The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.
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