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Veera Dheera Sooran review: Vikram anchors a gritty thriller with restrained brilliance

Veera Dheera Sooran is a tense, one-night action thriller where Vikram impresses as a man forced to revisit his violent past to protect his family.

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Vikram in Veera Dheera Sooran movie still

Veera Dheera Sooran, directed by SU Arun Kumar, emerges as a compelling blend of realistic storytelling and mainstream masala action. Fronted by a powerful performance from Vikram, the film unfolds over a single tense night, marked by urgent pursuits, simmering conflicts, and a past that refuses to stay buried.

Set against the vivid backdrop of Madurai, the film draws structural comparisons to earlier one-night thrillers, yet stands apart in execution. It introduces its central characters without conventional build-up, weaving their arcs through smart visual storytelling. Suraj Venjaramoodu’s Kannan, SJ Suryah’s Arunagiri, and Prakash Raj’s Periyavar play crucial roles in the game of survival that gradually pulls Vikram’s Kaali back into a world of violence.

Kaali, a family man with a dark past, is brought back into the fold when threats to his loved ones reawaken the violent persona he had long suppressed. His arc mirrors that of a reluctant anti-hero, drawing comparisons to global icons like John Wick. However, the attempt to balance his intense action sequences with his role as a devoted husband and father results in a tonal dissonance that weakens the stakes.

One of the standout elements of Veera Dheera Sooran is the restrained yet expressive performance from Vikram, who imbues Kaali with a mix of pain, purpose, and precision. His chemistry with Dushara Vijayan’s Kalaivaani adds emotional depth, especially during flashback scenes that explore their relationship. Kalaivaani, though assertive in her own right, still exists within a framework controlled by Kaali’s choices.

Technically, the film shines with Theni Eswar’s cinematography, which uses shadows and light to intensify the nocturnal tone. The background score by GV Prakash Kumar enhances several scenes, although the music lacks consistency and some sequences overstay their welcome.

The film’s pacing falters at times, and certain characters—like Venkat, played by Baalaji—are written in ways that highlight their irrelevance, which the makers seem self-aware about. However, the well-choreographed stunt scenes and a tightly written script that delves into themes of revenge and goodwill keep the narrative gripping.

Veera Dheera Sooran is not just a star vehicle; it’s a showcase of what can happen when a capable director like Arun Kumar focuses on the actor, not the celebrity. Vikram rises to the occasion, reaffirming his versatility and depth as a performer. Even when the film stumbles, it never stops being engaging.

Entertainment

Musician Bhagirath Bhatt breaks silence on Bigg Boss 20 entry, says not going

Musician and sitarist Bhagirath Bhatt has clarified that he will not participate in Bigg Boss 20, citing his preference for calm music and peaceful surroundings.

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Bhagirath Bhatt

Sitarist and music composer Bhagirath Bhatt has clarified that he will not be participating in Bigg Boss 20, putting an end to speculation about his possible entry into the reality show.

Bhatt addressed the questions he had been receiving from followers on social media and thanked them for their interest. However, he made it clear that he is not part of the upcoming season.

Bhagirath Bhatt explains why he is not joining Bigg Boss 20

In an Instagram Story, Bhatt said that he does not think he is suited to a show like Bigg Boss. He explained that his personality is more aligned with calm and peaceful surroundings.

The musician said he is not someone who can shout or create unnecessary noise and described himself as a believer in calm music. He added that peaceful music has always been a source of inspiration for him.

His clarification came after his name had been circulating in discussions about possible contestants for Bigg Boss 20.

Bhagirath Bhatt’s work in films and series

Bhagirath Bhatt is known for his work as a sitarist and music composer. According to the report, he has worked on films including Padmaavat, Bhool Bhulaiyaa 3 and Border 2.

He has also been associated with projects such as Bandish Bandits and Heeramandi.

Meanwhile, the makers of Bigg Boss 20 are yet to officially reveal the complete contestant list. The new season is scheduled to premiere on September 6 at 9 PM.

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Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

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Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

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Entertainment

Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

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Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

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