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Yearender 2022: Success of RRR, KGF 2, Kantara, Vikram, and others dominated Bollywood?

As we move forward, let’s evaluate Bollywood in 2022.

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Kantara

The curtains are almost down on 2022 but the show seems to will itself on. The year was much-awaited as Bollywood was rooting for its big releases after two years of the country being in lockdown mode with the pandemic. But Hindi cinema had the most challenging time impressing audiences.

Many major releases including Ayan Mukerji’s Brahmastra, Aamir Khan’s Laal Singh Chaddha, Gowtam Tinnanuri’s Jersey, and others pushed their launch dates to escape the lockdown impact. But they ended as a lost cause. While Bollywood failed to break records, South Indian films ruled the box office. 

Several regional films saw the audience lapping it up, including diehard Hindi viewers. The year saw new grounds as SS Rajamouli’s pan-India film RRR roared at the box office. Following this came Prasanth Neel’s KGF Chapter 2, Kamal Haasan’s Vikram, and other blockbuster films when Bollywood failed to read the audiences’ pulse despite starring A-listers like Ranveer Singh in Jayeshbhai Jordaar, Shahid Kapoor in Jersey, Vijay Devarakonda in Liger, Aamir Khan in Laal Singh Chaddha, Ranbir Kapoor in Shamshera, and Hrithik Roshan along with Saif Ali Khan in Vikram Vedha and how could one not mention the recent bomb, Rohit Shetty’s film Cirkus starring Ranveer Singh.

As we evaluate the passing year, let’s take a look at regional films that did better than Hindi films.

RRR

The SS Rajamouli film starring Ram Charan, NT Rama Rao Jr, Shriya Saran, and Samuthirakani in the lead roles hit the theatres on March 24. It also featured Bollywood’s Alia Bhatt and Ajay Devgn who played a key role in the promotions making it a blockbuster hit. Alia Bhatt was seen promoting RRR along with SS Rajamouli, Ram Charan, and NTR Jr in all major cities including Hyderabad, Delhi, Chennai, and Mumbai.

Credit goes to the marketing team who made use of its Hindi cast Bhatt and Devgn and made sure the film reaches a wider audience.

For those unversed, RRR is the most expensive Indian film to date made on a budget of a whopping Rs 550 crore. Reports say RRR made Rs 240 crore worldwide on its first day in theatres breaking the record for the highest opening day collection by an Indian film. The film not only became the highest-grossing film in Andhra Pradesh and Telangana but also became the third Indian film and the first Telugu film to be nominated at the Golden Globes in the Best Non-English Language Film category and for the Best Original Song.

Speaking to Screendaily, SS Rajamouli said “I’m trying to find out why Westerners like the film so much. From what I’ve read on social media, it’s a mix of unapologetic superheroism and the unexpected movement from action to romance, comedy, dance and action. But this is how we tell stories in India. There’s something for everyone.”

The film’s success was not only because of its star cast or the director. From the well-written script to catchy music, Rajamouli didn’t go wrong with any element accountable for making a film a hit. And Naatu Naatu song being shortlisted in the Best Original Song Category at the 95th Academy Awards is its testimony.

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KGF: Chapter 2

After RRR, this Kannada film directed and written by Prashanth Neel took over the theatres. Featuring Yash, Sanjay Dutt, Raveena Tandon, Srinidhi Shetty, and Prakash Raj in prominent roles, KGF: Chapter 2 went on floors on April 14 in five languages including Kannada, Hindi, Telugu, Tamil, and Malayalam.

The period action thriller shattered records and became the second highest-grossing film in India, the highest-grossing Indian film in 2022, and the third highest-grossing Indian film worldwide. Reports say KGF: Chapter 2 was produced on a budget of Rs 100 crore which is the most expensive Kannada film in history. The film collected Rs 1,200-1,250 crore globally.

On the failure of Bollywood, KGF 2 star Yash, while speaking to Film Companion, said he doesn’t want Kannada people to put any other industry down as even the Kannada industry faces the same problem.

“I don’t want the people of Karnataka to put any other industry down, because we have faced the same problem when everyone treated us the same way. We have worked hard to get that respect. After that, we cannot start disrespecting anyone. We should respect everybody. Respect Bollywood. Forget this north and south,” Yash said.

Vikram

The Kamal Haasan-Vijay Sethupathi film was released theatrically on June 3 after a long delay due to Covid restrictions. Directed and written by Lokesh Kanagaraj, the film was shot on a budget of Rs 120-150 crore and earned Rs 420-Rs 500 crore after its release and became the second highest-grossing Tamil film and fifth highest-grossing Indian film of 2022, and the fourth highest-grossing Tamil film of all time.

Vikram was released in Tamil, Telugu, Malayalam, Kannada, and Hindi and received rave reviews for its cinematography, writing, cast, and action sequences. The film’s trailer was released in May and crossed over 1.2 crore views within 24 hours of its release, reports said.

Sita Ramam

Sita Ramam is a poetic and poignant love story that will give you a sense of the 60s-70s romance caught on film in Indian cinema. Starring Dulquer Salmaan and Mrunal Thakur, the film became a critical and commercial success and earned more than Rs 91.4 crore at the box office.

Directed by Hanu Raghavapudi, the film faced a ban in Kuwait, Oman, Qatar, Bahrain, Saudi Arabia, and the United Arab Emirates for allegedly hurting religious sentiments. However, the simple-hopeless romantic film, but not cliche, earned praise.

This Telugu-period romance was also compared with the classic Hindi romantic film Veer-Zara starring Shah Rukh Khan, Preity Zinta, and Rani Mukherjee.

Kantara

Kantara was the cherry on the cake for Kannada cinema that couldn’t suppress a triumphant smile with the success of KGF: Chapter 2. Rishab Shetty’s direction and writing became the talk of the town when Kantara hit theatres on September 30, unveiling the Bhoota Kola tradition.

The film emerged as a huge commercial success and became the second-highest-grossing Kannada film of all time and the second-highest-grossing Kannada film of 2022. After the success of its Kannada version, the makers announced its dubbed Telugu, Hindi, Tamil, and Malayalam versions as well. The domestic net collections of all the versions crossed Rs 200 crore in 30 days, reports said.

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Kantara also found itself in a plagiarism controversy as Thaikkudam Bridge, a popular music band from Kerala, accused the makers of lifting their tune. Given the social media age, Thaikkudam Bridge slammed Kantara on Instagram levelling serious plagiarism charges for a blatant infringement of copyright laws as the song Varaha Roopam in Kantara had been allegedly copied from their song, Navarasam.

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Nonetheless, Rishab Shetty’s directorial impacted a wider audience and the Karnataka State Government announced a monthly allowance for Bhoota Kola performers over 60 years of age.

Ponniyin Selvan: I

Mani Ratnam’s epic historical action drama, Ponniyin Selvan: I starred Vikram, Aishwarya Rai Bachchan, Jayam Ravi, Aishwarya Lekshmi, Trisha, Karthi, Jayaram, Sobhita Dhulipala, Prabhu, Vikram Prabhu, R Sarathkumar, Prakash Raj, R Parthiban, Rahman, and Lal in lead roles.

The multi-starrer film was made on a budget of Rs 500 crore. Although it received mixed reactions from both critics and the audience, it became the highest-grossing Tamil film of 2022, the fourth-highest-grossing Tamil film of all time, and the 15th-highest-grossing Indian film of all time.

Mani Ratnam also confirmed Ponniyin Selvan: II which will be released theatrically after 6-9 months of PS1.

As is very visible, not even one Bollywood film did the numbers like regional films in 2022. The year, however, proved to be a success for Alia Bhatt as her film with Sanjay Leela Bhansali, Gangubai Kathiawadi which released in March was the lone Bollywood hit, she continued with her other successes in RRR, Brahmastra, and Darlings on Netflix.

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Other films that made some noise at the box office were Vivek Agnihotri’s The Kashmir Files, Bhool Bhulaiya 2, and the most recent Drishyam 2.

Now, the concern is whether Bollywood will make a comeback next year or go further down. 2023 has a lot on its plate for Bollywood with big releases like Shah Rukh Khan and Deepika Padukone’s Pathaan, Prabhas’s Adipurush, Siddharth Malhotra’s Mission Majnu, Salman Khan’s Kisi Ka Bhai Kisi Ki Jaan, Karan Johar’s Rocky Aur Rani Ki Prem Kahani, Luv Ranjan’s Tu Jhooti Main Makkar, Rajkumar Hirani’s Dunki, Ajay Devgn’s Bholaa, Kartik Aaryan’s Shehzada, Salman Khan’s Tiger 3, Varun Dhawan’s Bawaal, and others.

Entertainment

Dhurandhar box office day 17: Ranveer Singh film crosses Rs 555 crore, enters all-time top 10

Dhurandhar crosses Rs 555 crore at the Indian box office on day 17, overtaking Animal and entering the all-time top 10 films list.

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Dhurandhar

Ranveer Singh-starrer Dhurandhar continues its strong theatrical run, pushing closer to the Rs 600 crore mark at the domestic box office. On its 17th day, the film entered the all-time top 10 Indian films list, overtaking several major blockbusters released in recent years.

According to figures reported by media tracking platforms, Dhurandhar earned around Rs 38.50 crore on Sunday, taking its total domestic net collection to approximately Rs 555.75 crore.

Dhurandhar overtakes Animal, Pathaan and Gadar 2

With its latest earnings, Dhurandhar has surpassed Ranbir Kapoor’s Animal, which had collected Rs 553 crore during its lifetime run in India. The film has now secured the tenth position among the highest-grossing Indian films domestically.

The Ranveer Singh-led project has also gone past the lifetime collections of Sunny Deol’s Gadar 2 (Rs 525 crore) and Shah Rukh Khan’s Pathaan (Rs 543 crore). Notably, Dhurandhar achieved these milestones without relying on dubbed versions, unlike several films ahead of it on the list.

Strong opening and sustained momentum

Released in cinemas on December 5, Dhurandhar opened on an impressive note, collecting Rs 103 crore in its first weekend. The film earned Rs 28 crore on Friday, followed by Rs 32 crore on Saturday and Rs 43 crore on Sunday.

The momentum continued during the weekdays, with collections of Rs 23.25 crore on Monday and Rs 27 crore on Tuesday. With similar earnings on Wednesday and Thursday, the film closed its first week at Rs 207.25 crore.

The second weekend saw a further surge, with Saturday collections touching Rs 53 crore and Sunday adding another Rs 58 crore. Weekday earnings remained steady, helping the film cross the Rs 500 crore mark comfortably within its third week.

Cast, release and sequel plans

Directed by Aditya Dhar, Dhurandhar features Ranveer Singh in the lead role, alongside Akshaye Khanna, Arjun Rampal, Sanjay Dutt, R Madhavan, Sara Arjun and Rakesh Bedi in key roles. The makers have already confirmed that a sequel to the film is slated for theatrical release on March 19 next year.

With no major signs of slowdown so far, Dhurandhar remains on track to further strengthen its position among the highest-grossing Indian films of all time.

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Veteran Malayalam actor and filmmaker Sreenivasan passes away at 69

Veteran Malayalam actor, screenwriter and director Sreenivasan died at 69 in Kochi, drawing tributes from across Kerala’s film and political circles.

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Srinivasan

Veteran Malayalam cinema actor, screenwriter and director Sreenivasan died on Saturday morning at the age of 69, marking the end of an era in the state’s film industry. He breathed his last at a government hospital in Tripunithura near Kochi after developing breathing difficulties while travelling for dialysis.

Sreenivasan had been dealing with prolonged health issues and had undergone heart surgery in 2022. According to hospital authorities, he passed away around 8.30 am. His body was later shifted to his residence, and it will be kept at Ernakulam Town Hall for public homage before the last rites are held at his home.

A life rooted in cinema and social satire

Born on April 6, 1956, at Pattiam in Kannur district, Sreenivasan studied economics before moving to Chennai to pursue film studies. He made his acting debut in 1976 and gradually emerged as one of the most influential creative voices in Malayalam cinema.

Over the decades, he became widely known not just for his performances but also for his sharp and socially aware screenplays. His writing career took off in the 1980s and included several collaborations with leading filmmakers of the time. Many of his works, especially political and social satires, continue to be referenced in public discourse.

Sreenivasan made his directorial debut in 1989 with a film that later earned a Kerala State Film Award and came to be regarded as a classic. He also directed a National Film Award-winning film in the late 1990s, in which he played the lead role. His political satire released in the early 1990s received a state award for best story and remains one of the most discussed films in Malayalam cinema.

Tributes pour in from across Kerala

Several political leaders and film personalities expressed deep grief over his passing. Kerala Chief Minister Pinarayi Vijayan described the death as an irreparable loss to Malayalam cinema, calling Sreenivasan a versatile talent who excelled in every sphere of filmmaking. He said the filmmaker had a rare ability to portray the life of the common man through humour and satire, even while challenging long-standing conventions.

Opposition leader V D Satheesan termed Sreenivasan a multifaceted genius who brought powerful social messages to the screen with extraordinary simplicity. CPI(M) state secretary M V Govindan said Sreenivasan would remain an eternal inspiration for his ability to present serious themes in an engaging manner rooted in everyday life.

Filmmaker Sathyan Anthikkad, a long-time collaborator and friend, recalled that despite his declining health, Sreenivasan remained mentally sharp and deeply reflective until the end.

Family and personal life

After settling in Kochi, Sreenivasan was also known for practising organic farming near his residence. He is survived by his wife Vimala and their two sons, Vineeth Sreenivasan and Dhyan Sreenivasan, both of whom are active in the Malayalam film industry.

With his passing, Malayalam cinema loses a voice that consistently blended humour, realism and social commentary, leaving behind characters and dialogues that continue to resonate with audiences.

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OTT and theatrical releases this week: new films and series to watch from December 19 to 26

From crime thrillers and disaster dramas to romantic films and comedy shows, here’s everything releasing on OTT platforms and in theatres this week.

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friday ott release

As the holiday season kicks in, a packed slate of fresh OTT and theatrical releases is set to entertain audiences this week. From crime thrillers and disaster dramas to comedy shows and romantic films, viewers have multiple options across platforms and cinemas. Here is a detailed look at what’s releasing between December 19 and December 26, based strictly on available information.

Major OTT releases this week

Several high-profile web series and films are making their digital debut across platforms, spanning genres like thriller, drama, comedy and fantasy.

Mrs Deshpande (December 19)
An Indian adaptation of the French thriller La Mante, this series stars Madhuri Dixit as a convicted serial killer imprisoned for years. The story takes a turn when a copycat killer surfaces, forcing the police to seek her assistance to crack the case.

Raat Akeli Hai: The Bansal Murders (December 19)
This standalone sequel revisits Inspector Jatil Yadav, who finds himself probing a complex murder. As the investigation progresses, layers of greed, betrayal and dark family secrets come to light.

Four More Shots Please Season 4 (December 19)
The final season focuses on the four central characters confronting personal truths and growth. The narrative tracks their emotional journeys as they reassess choices, relationships and identities.

A Time For Bravery (December 19)
The film follows a nervous psychoanalyst sentenced to community service after a traffic accident. Assigned to counsel a depressed police officer, the unlikely duo soon gets caught in a dangerous criminal conspiracy linked to national security.

The Great Flood (December 19)
Set against what appears to be Earth’s final day, this disaster drama depicts a massive global flood. The story centres on survivors trapped inside a sinking high-rise building as water levels rise rapidly.

The Great Indian Kapil Show Season 4 (December 20)
Returning after a short break, the new season brings back familiar faces with fresh sketches, aiming to appeal to viewers across age groups.

Sicily Express (December 22)
This series follows two Sicilian nurses working in Milan who discover a magical dumpster portal allowing instant travel between Milan and Sicily. Their plan to run a secret commuter service leads to unexpected misadventures.

Ghost Adventures: House Calls – Season 2 (December 24)
The paranormal series documents investigators visiting real homes where families report unexplained experiences, aiming to identify and understand unusual activity.

Harry Potter: Wizards of Baking – Season 2 (December 25)
Set on actual movie locations, this season challenges bakers to create desserts inspired by iconic moments from the Harry Potter films, with hosts and guest appearances from the franchise.

Hustlers, Gamblers, Crooks – Season 2 (December 26)
The series presents real-life stories of risk, cons and high-stakes decisions, narrated by the people who lived through them.

Films releasing in theatres

Two notable films are hitting cinema screens on Christmas Day, offering contrasting genres.

Tu Meri Main Tera Main Tera Tu Meri (December 25)
Marketed as a Christmas romance, the film stars Kartik Aaryan and Ananya Panday. It follows two individuals who discover love during personal journeys of self-discovery, while navigating family expectations and modern relationships.

Anaconda (December 25)
The film tracks two friends dealing with midlife crises who travel to the Amazon rainforest to remake their favourite childhood movie. Their plans spiral into a survival ordeal when they encounter a giant anaconda.

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