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Dobaaraa review: A reel of reviews

Bankrolled by Shobha Kapoor, Ekta Kapoor, Sunit Khetrapal, and Gaurav Bose, Dobaara was already released on June 23 at London Indian Film Festival.

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Dobaaraa review

Anurag Kashyap’s mystery drama Dobaaraa starring Taapsee Pannu and Pavail Gulati hit the theatres on Friday. It is the Hindi remake of the 2018 Spanish film Mirage.

Dobaaraa also stars Rahul Bhat, Himanshi Choudhry, Aarrian Sawant, Nassar, Saswata Chatterjee, Sukant Goel, Medini Kelamane, and Myra Rajpal in titular roles. Bankrolled by Shobha Kapoor, Ekta Kapoor, Sunit Khetrapal, and Gaurav Bose, the film was already released on June 23 at London Indian Film Festival.

The plot of the film revolves around a woman who gets an opportunity to save the life of a 12-year-old boy who witnessed a death during a thunderstorm that took place 25 years ago, by connecting through the television set during a similar storm in the present.

Dobaaraa reviews are already out and going by tweeple reaction, Taapsee Pannu’s film got mixed reactions. Apart from the Twitter review, the critics’ verdict for Dobaaraa is also out. Here’s what leading news websites have to say about the film.

Read Also: Fabulous Lives of Bollywood Wives is back with another instalment and tweeple are unsure what to feel about it

Dobaaraa review by NDTV

Saibal Chatterjee, in his review, gave 3 out of 5 stars to Dobaaraa. He called Anurag Kashyap’s directorial a nimbly-crafter time-loop thriller that banks on pivotal performance by Taapsee Pannu.

“What is especially striking about Dobaaraa is that it makes no major concessions to the audience by resorting to overt explication of the phenomenon that triggers the female protagonist’s predicament although, admittedly, parts of the film are rather easy to decipher,” reviewed NDTV.

Dobaaraa review by Firstpost

Anna MM Vetticad gave 2.5 stars out of 5 to Taapsee Pannu’s film. The headline read, ‘Anurag Kashyap, Taapsee Pannu’s time-travel saga is mildly engaging when not verbose.’

“Like Mirage, Dobaaraa too is muddled about the Que sera, sera (Whatever will be, will be) element in its philosophy because of an apparent determination to feature a relatable romance in every parallel sphere that Antara enters,” reviewed Firstpost.

Dobaaraa review by Free Press Journal

For Rohit Bhatnagar, Taapsee Pannu’s starrer is a stylised thriller and an enticing tale of a parallel world.

“Taapsee is a good performer but her monotony kills the mood, however, the plot is so interesting that you hardly get time to distract yourself to realise an A-lister face is the torchbearer of the film,” reviewed Free Press Journal.

Dobaaraa review by The Quint

Giving 3.5 stars to the film, Pratikshya Mishra compared its score background with the film Shor Police and called the film engaging in its complexity.

“This time-loop thriller is building a jigsaw puzzle around the audience, waiting for them to connect the pieces while assuring them that it will all come together eventually. Dobaaraa isn’t without flaws: what Antara’s character has in urgency, she lacks in emotion,” reviewed The Quint.

Dobaaraa review by Bollywood Hungama

Bollywood Hungama gave 2 stars to Dobaaraa and said the second half of the film lacks buzz and niche which might take a huge toll on its box office prospects.

“Anurag Kashyap’s direction is decent. Despite the complex narrative, he ensures that the audiences don’t get confused about where the film is heading,” reviewed Bollywood Hungama.

Dobaaraa review by The Indian Express

Shubhra Gupta, in her review, wrote the Taapsee Pannu-starrer never feels like an Anurag Kashyap film and it comes off too choppy and muddled.

“The time-travel mystery, an official remake of the 2018 Spanish film ‘Mirage’, also plays with our heads. Is it possible to go back in time, and change things around? Can multiple versions of us exist, at the same time, in parallel universes?” reviewed Shubhra Gupta.

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Entertainment

120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan akhtar

Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Family man

Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Entertainment

Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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