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FIR against the viral Priya Prakash Varrier’s video song for hurting Muslim sentiments

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FIR against the viral Priya Prakash Varrier's video song for hurting Muslim sentiments

Muslim sentiments have allegedly been hurt by the lyrics of the song ‘Manikya Malaraya Poovi’, the song featuring Priya Prakash Varrier who became an internet sensation overnight with her wink and raised eyebrow.

A couple of Hyderabad residents have lodged a case against Omar Lulu, the director of the upcoming Malayalam film ‘Oru Adaar Love’ over the lyrics of the song ‘Manikya Malaraya Poovi’, claiming that when translated to English, it hurts the sentiments of Muslims as it makes derogatory references to the Prophet. They have demanded that either the song is removed from the film or the lyrics are changed.

The complaint was lodged by Zaheer Ali Khan and Muqeeth Khan, residents of Falaknuma in Hyderabad. “When I first saw the viral video I fell in love it. I watched it so many times and shared it many times. I wanted to know the meaning of the song so I got the original Malayalam lyrics and translated it online and also took help of some people. I found that the song referred to the romance between the Prophet and his wife Khadija. It is inappropriate and an insult to the Prophet. I showed it our elders and we decided to lodge a complaint. I am not against the film or the actors. I am not against the film’s release also. We are only protesting against this song because it hurts sentiments of Muslims,” Muqeeth said, talking to The Indian Express.

“Following the complaint, we took legal opinion and subsequently a case under IPC section 295A (hurting religious sentiments) has been registered against the film’s director, Omar Lulu,” said Assistant Commissioner of Police (Falaknuma division) Syed Fayaz reported news agencies.

The police will take the opinion of some Islamic clerics on this after getting a translation of the song, he said. “We will proceed based on their opinion… If the song has really hurt the sentiments then definitely action will be initiated against those involved,” the ACP said.

‘Manikya Malaraya Poovi’ is a famous mappila paattu (a native genre popular among the Muslim community) that was originally composed by Thalassery K Refeeque to the lyrics penned by PMA Jabbar. The song in the movie has been produced by music composer Shaan Rahman and actor-playback singer Vineeth Sreenivasan — the duo behind global hit song ‘Jimikki Kammal’. ‘Oru Adaar Love’, starring Siyadh Shajahan, Priya Prakash Varrier, and Noorin Shereef, is slated for release on March 1 this year.

The upcoming movie, written and directed by Omar Lulu, tells the story of plus two (Class 12) students and has newcomers in the cast. The first song of ‘Oru Adaar Love’ became viral on social media and got millions of views within few hours of its release because of Malayalam actor Priya Prakash Varrier’s cute expressions, mischievous smile and wink. Overwhelmed with her instant stardom, Priya said “I do not know how to react. I did what I was asked to do and never expected it to be such a hit.” “Thank you for all the love,” Priya, who idolises Nayaantara, tweeted.

Modest in her stardom, Priya told the media that while she was roped in for a small part in the movie initially, she has come to know now that the film’s makers are considering doing some changes to the script so as to give her a more prominent role after all the publicity that she has got now. ‘Oru Adaar Love’ is a romantic Comedy and has Siyadh Shahjahan and Noorin Shereef sharing space with Priya.

Priya Prakash Varrier is a first-year student studying commerce at Vimala College in Thrissur, Kerala.

Entertainment

Yashraj Mukhate collaborates with Amit Trivedi for Mann Dhaaga song

In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi. He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga.

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Amit Trivedi is known for his soulful compositions which weave profound lyrics, captivating music lovers. His songs spark a deep desire in aspiring artists to collaborate with him. Music producer and You Tuber Yashraj Mukhate had immense admiration for Trivedi’s artistry. In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi.

He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga. He wrote that he had been listening to the entire Dev D Album carefully in 2012. And he kept listening to it on loop for 3 weeks. He continued to listen to Amit Trivedi compositions in Aisha, Kai Po Che, Udaan, Lootera, Queen, Fitoor continuously. He said he could not stop himself and became a big fan of the music director. He said he started dreaming of meeting his idol one day and collaborating with him.

He recalled that he had to download songs from songs.pk and listen to them. He said the songs kept running inside his mind all through the day. He added that he even remembered Amit Trivedi’s ad jingles word for Fanta, Frooti, Dish TV and all of them.

Mukhate said he always dreamed of meeting Amit Trivedi and wanted to thank him for giving this experience. The post has gone viral on social media with 96,445 likes till now. Large number of social media user commented on the social media post where one user Parth said the Yashraj Mukhate was truly an inspiration. One user said his dedication had brought him to level. One user said a man should make all his dreams come true by going through one hustle at a time.

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Book reviews

The Sattvik Kitchen review: Relook at ancient food practices in modern times

If you are the one looking to embrace healthy food habits without compromising on modern delicacies, then this book is a must read!

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The cacophony of bizarre food combinations across the streets of India has almost taken over the concept of healthy food practices. Amid this, yoga guru Dr Hansaji Yogendra’s The Sattvik Kitchen, published by Rupa, is a forthright work that takes you back to ancient food practices and Ayurveda.

As the subtitle reads, The Art and Science of Healthy Living, the book endows a holistic approach to ayurvedic diet along with modern evidence based nutrition. From Basil-Broccoli Soup to Sprouted Green Gram Salad and Strawberry Oats Smoothie to Mixed Dal Parathas, the book not only provides you with the recipes but also stresses on healthy cooking tips together with nutritional benefits. 

Besides, Dr Hansaji Yogendra’s book emphasizes on the traditional methods of food preparation and the advantages of using traditional cookwares like iron and copper vessels. The narrative portrays a balanced approach, knitting traditional wisdom with contemporary scientific understanding.

The author, through her book, sheds light on the principles of Ayurveda and highlights the metamorphic potential of adopting ancient food practices. She explains how our body reacts to food in terms of timing, quantity, manner of consumption and seasonal considerations. The book adeptly reintroduces ancient home remedies tailored to address various contemporary health issues. 

Dr Yogendra, in her book, decodes the importance of nutritional knowledge to optimize both immediate and long-term health outcomes. It provides deep insights to understanding the intricate relationship between food choices and overall well-being, weaving Ayurveda with practical perception. 

The book not only celebrates food philosophy but also offers a practical view into weight loss, well-being, and the profound impact of dietary choices on both physical and emotional aspects of our lives.

If you are the one looking to embrace healthy food habits without compromising on modern delicacies, then this book is a must read! The book is a roadmap to navigate the challenges of the modern day kitchens. 

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Book reviews

The Deccan Powerplay review: Bashing Chandrababu Naidu and his legacy

Amar Devulapalli’s book The Deccan Powerplay cornersthe TDP strongman with every petty incident exaggerated a la Baahubali 

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Mike Marqusee’s War Minus The Shooting is a seminal book on cricket and its influence on culture and politics in the Indian sub-continent during the 1996 Cricket World Cup. Amar Devulapalli’s book The Deccan Powerplay, published by Rupa, sounds like a similar exercise with its clear subtitle, “Reddy, Naidu and the Realpolitik of Andhra Pradesh“. The ambitious sounding subtitle crumbles under the weight of belied expectations of a scholarly treatise on the political interplay between the Reddys, the Kammas and the erstwhile united Andhra Pradesh. One can blame it on one’s own hopes and excuse the author of the lapse since the book has just three people to discuss: YS Rajsekhara Reddy, N. Chandrababu Naidu and Y.S. Jagan Mohan Reddy.

The chief protagonists here are YSR and his son, the incumbent Chief Minister of bifurcated Andhra Pradesh, Jagan Mohan Reddy. The lone villain, and one crafty as a fox if ever there was one, is Chandrababu Naidu. The book devotes a chapter to the corruption cases against Naidu, for which he was arrested in September 2023.

In crafting the narrative, the other heavyweights of Telugu country are discussed in passing, as peripheral players. N.T. Rama Rao does get the starring role, as befits the Telugu star of yesteryear and the founder of the Telugu Desam Party. But even this is fleeting. The Congress, which ruled the state till bifurcation, is portrayed as a faction-infested animal — so what if YSR stayed in the party both as loyal soldier as well as a seasoned yet dynamic general?

The book sets out to demolish the halo surrounding Naidu as the man who brought Information Technology majors to Hyderabad, nay Cyberabad, by beating Bengaluru. His breaking with NTR is depicted as a shrewd, calculated gambit to displace the TDP founder, who was also his father-in-law. 

The book is replete with this and more Naidu nitpicking. Naidu took no bullshit from politicians or journalists. He gave it back to the scribes when needed, apart from his favourite media groups, one of the reasons they were not very happy kowtowing to him, 

as the book suggests. Instead they would make ostentatious bows to any political alternative merely for being less brusque than the now-out-on-bail former CM. 

The book picks apart every claim Naidu ever made and portrays him as an opportunist. The problem with this is possibly because Naidu preceded Jagan Mohan as the rump AP’s last CM and had presumably used every trick in his arsenal to discredit the younger contender.

With Assembly elections due this year, this book reads like a party pamphlet and comes across as a political weapon among the undiscerning. An Instagram handle could have been more useful to this end. But for such a grandly-titled book: the anticlimax is swift and painful.

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