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Joker: Folie à Deux review: A Masterpiece of Tragedy and Theatrics

It masterfully turns fantasy into reality, refusing to indulge the audience’s desire for escape.

Published

2 years ago

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By Inderjit Badhwar

For those seeking the heart-pounding chaos of Gotham—the car chases, explosions, and violent mayhem that punctuated Joker: Folie à Deux’s 2019 predecessor—you’re bound to feel cheated. This film shuns the devilish spectacle, the apocalyptic laughter, and numbing bloodletting that made audiences reel last time. Instead, Joker takes a different path—one that draws you into a theatrical allegory, where sorrow lurks behind every scene like the unspoken melancholy of Busby Berkeley’s gals, whose smiles mask tears behind the brass and drums. It’s a film that will break your heart if you’re willing to look beneath the surface.

Most critics who have panned this work have utterly missed its genius. They’ve approached it as another instalment of the Batman universe or a Marvel spin-off, never realising they should have been viewing it through a Bergmanesque or Kafkaesque lens.

This is not a superhero movie; it is a meditation on despair. In fact, even with its colour palette, the film strikes the mind in grainy black and white, resonating with the heavy weight of reality and the tragedy that lies at its core.

Tragedy reigns in every frame. From the grimy, passionless prison where Joker awaits trial for his previous murders, to his imploding visage as he engages in cramped and joyless lovemaking with Harley Quinn in a dingy cell, the mood is one of relentless gloom. As the film unfolds, we understand one central truth: Joker is already dead. Joaquin Phoenix’s face in the opening shots tells us this immediately—the rest of the movie exists to prove why this is so. It’s not a question of fate; it’s an exploration of inevitability.

This film becomes a tug-of-war—not just between Joker and the world around him—but between director Todd Phillips, Joaquin Phoenix, and the audience. Phillips and Phoenix push a painful reality down the throats of viewers and characters alike, while the world around them begs for fantasy. It’s as though the cast itself, along with the audience, yearns for the Joker of old—the virile, immanent figure who once offered Gotham’s downtrodden an escape, a chance at vengeance, a wild ride through the storm. But that Joker is gone.

Fantasy, it turns out, is what many wanted—and critics, too, missed the film’s central theme of “fantasy as entertainment.” The repeated number, “That’s Entertainment,” becomes the leitmotif, a sardonic nod to an audience desperate to maintain illusion. The powerful Joker of the previous film offered this fantasy. He was an avenging angel, the ultimate escape hatch for Gotham’s wretched—their abused and neglected, whose collective pain he embodied. He thrilled the wealthy, the beautiful people, the theatre-going elite, who saw in him a Marvel comic made flesh.

Even Harley was captivated by this illusion, but unwittingly, she played the role of femme fatale. In love, Joker became Fleck once again, irreversibly human. And this was his fatal flaw. Joker could never survive as a human. His love for Harley shattered the very fantasy he had created, and in doing so, he signed his own death warrant. The human Fleck had to die, tried and convicted not only for his crimes but for betraying those who longed for him to remain the Joker—the untouchable, the fantastical. Even Harley, in the end, turns her back, revealing that she, too, was just another devotee of the illusion.

This film is an extraordinary piece of art, driven by Joaquin Phoenix’s near-flawless artistry and supported by brilliant character performances from an impassioned cast. It masterfully turns fantasy into reality, refusing to indulge the audience’s desire for escape.

Go see it. Joker is not entertainment for entertainment’s sake—it is art, designed to rip away our comforting illusions and force us into deeper reflection. This is not a film that indulges the tooth fairy; it crushes her underfoot, daring us to see the world as it truly is.

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Dhurandhar 2 bags massive OTT deal, likely to stream on JioHotstar after IPL 2026

Dhurandhar 2 lands a Rs 155 crore OTT deal with JioHotstar and may release after IPL 2026.

Published

2 weeks ago

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April 20, 2026

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Dhurandhar

The upcoming Bollywood film Dhurandhar 2 has reportedly secured a significant OTT deal, underlining its strong market buzz ahead of release. According to media reports, the film’s digital streaming rights have been acquired by JioHotstar for approximately Rs 155 crore.

The makers are expected to follow a strategic release plan, with the film likely to premiere on the platform after the conclusion of the Indian Premier League (IPL) 2026 season. JioHotstar also holds digital streaming rights for the tournament, and the post-IPL window is seen as an effort to retain audience engagement.

Reports suggest that the film could arrive on OTT in late May or early June 2026, depending on its theatrical release schedule and run. However, there is no official confirmation yet regarding the exact streaming date.

Industry observers note that the reported deal highlights the growing demand for big-ticket Hindi films among streaming platforms, especially those expected to draw strong audience interest.

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Ramayana teaser unveiled as Ranbir Kapoor appears as Rama in Nitesh Tiwari’s epic film

The teaser of Ramayana has been released, showing Ranbir Kapoor as Lord Rama. The film will release in two parts in 2026 and 2027.

Published

1 month ago

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April 2, 2026

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Ramayana Teaser

The teaser of Nitesh Tiwari’s upcoming film Ramayana has been released, offering the first glimpse of Ranbir Kapoor in the role of Lord Rama. The film, which is planned as a two-part cinematic project, is scheduled for a Diwali release later this year.

The teaser shows several key moments, including scenes from the coronation and the exile period in the forest of Panchavati. Ranbir Kapoor appears in the role of Rama with a calm and composed presence. The teaser also briefly shows Yash in the role of Ravan towards the end.

Ahead of the teaser launch, Alia Bhatt shared a video message on social media asking audiences to support the project and Ranbir Kapoor’s work on the film. In the video, she said the “Rama unit” video would be released and encouraged audiences to watch and support the film.

Budget and scale

Producer Namit Malhotra said the film has been in development for six to seven years and is being made on a large scale. According to him, the total budget for both parts is around $500 million, which is over Rs 4,000 crore combined.

He said the film is being made for a global audience and aims to present the epic on a large cinematic scale while remaining efficient in production.

Music collaboration

The film’s music is being composed through a collaboration between AR Rahman and Hans Zimmer. Rahman said working on a project based on such an iconic epic is challenging, as the team wants to present something new while respecting the importance of the story.

Release plan and cast

The film will be released in two parts. The first part is scheduled for a worldwide release in October 2026 ahead of Diwali, while the second part is planned for release during Diwali 2027.

Apart from Ranbir Kapoor, the film also stars Sai Pallavi, Sunny Deol, Ravi Dubey and Yash in important roles.

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Dhurandhar 2 box office collection day 7 crosses Rs 600 crore in India

Dhurandhar 2 continues its strong box office run, crossing Rs 600 crore in India and Rs 1000 crore worldwide within its first week.

Published

1 month ago

on

March 26, 2026

By

Dhurandhar 2 review

Ranveer Singh’s film Dhurandhar 2: The Revenge has crossed the Rs 600 crore mark at the India box office within seven days of its release, according to trade estimates. The film has maintained a strong run in both mass centres and urban markets during its first week.

As per trade figures, the film’s India net box office collection stands at around Rs 623 crore after seven days, while the gross domestic collection is estimated to be over Rs 740 crore. The film has also performed strongly in overseas markets, taking its international collection to more than Rs 250 crore. With this, the worldwide box office total has crossed Rs 1,000 crore within the first week of release, as per trade estimates.

Day-wise performance in India

The film opened strongly on March 19 with box office collections of over Rs 100 crore. The film continued to perform well over the next few days, collecting around Rs 80 crore on Day 2 and over Rs 110 crore on Day 3. Collections remained strong over the weekend, followed by an expected drop on weekdays. By Day 7, the film collected around Rs 47 crore, taking the total India net collection past Rs 600 crore.

Overseas performance and comparison

The film has also reported strong performance in overseas markets, particularly in the UK and other key international territories. With the worldwide collection crossing Rs 1,000 crore in the first week, the film is being compared to the fast global box office pace seen by Pushpa 2: The Rule in terms of early box office momentum, according to trade observers.

About the film

Dhurandhar 2: The Revenge is the sequel to the 2025 film Dhurandhar. The sequel features Ranveer Singh along with Arjun Rampal, R. Madhavan and Sanjay Dutt in key roles.

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