The International Cricket Council (ICC) has revealed that Pomona, a vibrant Southern California city, will host the cricket tournaments during the 2028 Los Angeles Olympics. This marks a historic moment as cricket returns to the Olympic stage after a 128-year hiatus, last appearing in 1900 at the Paris Games.

The cricket events, featuring six teams each in men’s and women’s competitions, will take place at the Pomona Fairgrounds, commonly known as Fairplex. Located 48 kilometres east of Los Angeles, the main Olympic hub, Fairplex is a sprawling venue renowned for hosting conventions, trade shows, educational initiatives, and motorsport events. However, it currently lacks a dedicated cricket pitch, prompting curiosity about how the facility will be adapted for the global sport.

ICC chairman Jay Shah hailed the venue selection as a pivotal step in cricket’s Olympic journey. “The announcement is a milestone in our preparations,” Shah said. “Cricket, already a global phenomenon, will leverage the dynamic T20 format at LA28 to engage new fans and transcend traditional boundaries.” The T20 format, known for its fast-paced, three-hour matches, is celebrated for driving cricket’s growth, making it ideal for the Olympic spotlight.

Cricket’s inclusion in the LA28 program was confirmed at the International Olympic Committee’s 141st Session in Mumbai in October 2023. It joins five other new sports—baseball/softball, flag football, lacrosse (sixes), and squash—adding diversity to the Olympic lineup. The decision reflects cricket’s rising global appeal, particularly in regions like South Asia, Australia, and the Caribbean.

The T20 format has proven its versatility in multi-sport events, featuring in the Asian Games (2010, 2014, 2023) for both men’s and women’s teams and the 2022 Birmingham Commonwealth Games for women’s cricket. These appearances have showcased cricket’s ability to captivate diverse audiences.

Pomona’s selection underscores its growing prominence as a cultural and sporting hub. With the Olympics as a platform, cricket aims to expand its footprint in the United States, where the sport is gaining traction through initiatives like Major League Cricket. The LA28 cricket events promise to blend athletic excellence with cultural celebration, setting the stage for a memorable Olympic chapter.

The Congress on Thursday lauded the Supreme Court’s observations regarding the Waqf Amendment Act, 2025. Congress General Secretary KC Venugopal stated that the Court’s remarks have highlighted significant concerns raised by opposition parties both within and outside the Parliament.

In a post on X, Venugopal emphasised that the observations have opened the floor for a much-needed debate regarding the contentious legislation, which he argued was rushed through without adequately addressing the legitimate issues raised during the Joint Parliamentary Committee deliberations and subsequent discussions in Parliament.

During the hearing, the Supreme Court noted that Solicitor General Tushar Mehta, representing the Centre, assured that no appointments would be made to waqf bodies until the next court date and affirmed that the character of waqf properties would remain unchanged. This revelation has prompted strong reactions from various political leaders.

“The Court’s pointed remarks raise serious constitutional questions about the Act’s infringement on fundamental rights and expose its divisive implications,” Venugopal added. “The fight to defend the idea of India — inclusive, plural, and just — will continue, in the courts and with the people.”

At a press conference following the Supreme Court’s ruling, Congress leader Abhishek Singhvi criticised the Amendment Act, declaring it “retaliation in the guise of reform.” He condemned the legislation as a veiled attempt to control religious autonomy, suggesting that it redefines community rights under bureaucratic oversight.

“The Waqf Amendment Act is not an exercise in efficiency as it pretends to be. It is an exercise in erasure,” Singhvi asserted, highlighting that the language used in the Act disguises a broader ambition for governmental control over religious matters.

Asaduddin Owaisi, chief of the All India Majlis-e-Ittehad-ul Muslimeen (AIMIM), stated that the legal battle against the Waqf Amendment Act would persist. “The Supreme Court has issued a stay on the deletion of waqf by users and halted the formation of the Central Waqf Council and State Waqf Boards,” he noted. Owaisi criticised the Act as unconstitutional, reiterating his dissent during the parliamentary discussions on the bill.

In response to inquiries about whether the Supreme Court’s order provided relief, Owaisi cautioned against a simplistic interpretation, emphasising that under the Act, a Muslim must have been practising for five years to donate property as waqf.

The Supreme Court’s three-judge bench, led by Chief Justice of India Sanjiv Khanna, also documented the Centre’s assurances regarding the suspension of appointments to the Central Waqf Council and State Waqf Boards under the contested amended Sections 9 and 14 of the Waqf Act. The next hearing has been scheduled for the week commencing May 5.

Solicitor General Mehta requested an additional seven days to compile a comprehensive response that encompasses over a century of legislative history surrounding the issue and the numerous representations received concerning the 2025 Act. He argued against a stay on the Act’s provisions based on a “prima facie or tentative reading” of certain sections, urging the Court to consider the broader context.

A.R. Rahman, the Oscar-winning composer, has responded to singer Abhijeet Bhattacharya’s recent criticism regarding his influence on live instrumentation in music. Bhattacharya accused Rahman of contributing to the decline of traditional instrumental music and fostering an over-reliance on technology in the industry.

During an interview with ANI, Bhattacharya expressed his concerns about Rahman’s tech-driven approach, suggesting it marginalises other musicians and instrumentalists, thereby leaving fewer opportunities for traditional artists in the music scene. He pointed out that the trend towards digital production has been harmful to the industry’s diversity.

In his response, Rahman defended his methods during an interview with India Today, acknowledging that while Abhijeet is entitled to his opinion, he disagrees with the claims made. “It’s nice to blame me for everything. I still have love for Abhijeet, and I would even send him cakes. However, differing opinions are a natural part of creativity,” Rahman said.

He emphasised his commitment to supporting musicians, noting that he recently established an orchestra with 60 women in Dubai, providing them with regular employment, health insurance, and other benefits. “In each of my projects, such as ‘Chhaava’ and ‘Ponniyin Selvan,’ I work with about 200 to 300 musicians, and some tracks feature over 100 contributors. Despite this, I don’t often showcase photos with them, so many people are unaware of the scale of collaboration involved,” he explained.

Rahman also clarified that while he utilises technology to design innovative harmonies, he is unable to hire musicians solely to discard their contributions later. He highlighted that the producers with whom he collaborates can attest to the extensive number of artists involved in his productions.

As for his current projects, Rahman has recently completed work on the Hindi film ‘Chhava,’ starring Vicky Kaushal, and the Tamil film ‘Kadhalikka Neramillai.’ He is set to compose music for Aamir Khan’s ‘Lahore 1947,’ Mani Ratnam’s ‘Thug Life,’ and Aanand L. Rai’s ‘Tere Ishq Mein.’ Additionally, Rahman is collaborating with renowned composer Hans Zimmer for the upcoming film ‘Ramayan,’ directed by Nitesh Tiwari.