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Elvish Yadav or Manmohan Yadav? Who stole flower pots in Gurugram in #GamlaChor controversy? Everything you need to know

Gurugram Police said the case was registered on the complaint of the urban environment division of the Gurugram Metropolitan Authority of India (GMDA).

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Elvish Yadav

A viral video of a man stealing flower pots in Gurugram that were placed for the G20 summit has left the internet speechless and the incident has triggered a fresh #GamlaChor controversy.

The video saw two men coming out of a black colour Kia, stealing flower pots, and storing them in the car. Reports said the incident took place near the Ambience Mall on the Delhi-Gurugram Expressway.

Watch the viral video here:

Soon after the video started surfacing on the internet, users, going by the number plate and car colour, claimed that it belonged to the popular YouTuber Elvish Yadav. Users were quick enough and started trolling Yadav. However, the YouTuber confronted the trolls and bashed them for their baseless claims.

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Yadav, further, refuted the rumours claiming he was the one stealing flower pots. In a statement, Elvish Yadav warned of legal action against those spreading rumours on social media.

The YouTuber said he does not own a KIA car and his fans are aware of the Porche that he recently bought. Taking a sarcastic dig, he asked the trolls to fix themselves, or else he will steal flowerpots from their homes.

https://twitter.com/SkywalkerSay/status/1630637043025076224

Amidst the ongoing confusion regarding the ‘Gamla Chor’, the Gurugram Police on Wednesday arrested a man who actually stole flower pots placed on the street ahead of a G20 conference. The man has been identified as Manmohan Yadav and was booked under Section 379 (theft) of the Indian Penal Code (IPC).

Gurugram Police said the case was registered on the complaint of the urban environment division of the Gurugram Metropolitan Authority of India (GMDA).

Reports further said the accused man is a resident of Gurguram and his car has been registered in Haryana. The police seized his car and all the flower pots he stole from the street.

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Entertainment

Sumeet Vyas compares directing for screen vs stage on World Theatre Day

Marking World Theatre Day, Sumeet Vyas speaks about his enduring bond with the stage, the difference in directing for screen and theatre, and why he still chooses theatre despite cinematic fame.

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On World Theatre Day, actor Sumeet Vyas opened up about his deep connection with theatre despite his success on screen. Known widely for his breakout role in Permanent Roommates (2014), Sumeet revealed that his journey with acting began much earlier, in 2000, rooted firmly in the world of theatre.

“Theatre is essentially an actor’s medium,” Sumeet said. He explained that while cinema heavily depends on editing and presentation, theatre allows the actor to own the stage. “Once the actor starts performing on stage, he’s pretty much running the show,” he noted, adding that stage gives actors more space to indulge in their craft—something often missing in film.

Despite achieving fame and financial success in cinema, Sumeet continues to return to theatre, a choice not many actors make. He believes the allure of fame and higher pay in the film industry keeps most away from the stage. “But for me, it’s where I grew up,” he said, expressing a personal bond with the medium.

He has also explored directing in theatre, which he finds more intimate than directing on screen. “It’s lighter because there’s less people to deal with. You’re essentially only working on the text and your actors,” he said. Unlike screen projects, which require elaborate setups and long waits for audience feedback, theatre offers immediacy. “You direct something and soon enough, you have a show, and you immediately get a reaction,” he added.

Sumeet’s love for theatre underscores the medium’s enduring impact—even in an age of streaming and mass digital entertainment.

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India News

Ruckus in Jharkhand Assembly over BJP leader Anil Mahto’s murder

“This government is patronizing murderers. The law and order situation has collapsed under their watch.”

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The Jharkhand Assembly descended into chaos on Thursday as legislators from both the ruling and opposition benches clashed over the killing of BJP leader Anil Mahto ‘Tiger,’ leading to an abrupt adjournment of proceedings.

Mahto, the BJP’s Ranchi rural district general secretary and a former Zilla Parishad member, was gunned down by motorcycle-borne assailants near Kanke Chowk on Wednesday evening. The brazen daylight attack has sparked outrage, with the BJP accusing the state government of failing to maintain law and order.

As soon as the House convened, BJP MLAs stormed the Well, demanding immediate action against the perpetrators. Ranchi MLA C.P. Singh launched a sharp attack on the ruling alliance, alleging, “This government is patronizing murderers. The law and order situation has collapsed under their watch.”

State Tourism Minister Sudivya Kumar countered, accusing the BJP of deliberately destabilizing Jharkhand. “Criminal incidents are unfortunate, but why has Hazaribag become an epicenter of unrest? The BJP is provoking tensions to defame the government,” he charged.

The minister’s remarks referenced a recent clash in Hazaribag, where an FIR was lodged against 10 named and 200 unidentified individuals following communal violence over an “objectionable song” played during a procession.

With both sides refusing to back down, Speaker Rabindra Nath Mahato repeatedly appealed for order before adjourning the session till 12:55 PM. However, the protests spilled outside the Assembly, where BJP workers staged demonstrations, demanding capital punishment for Mahto’s killers.

The BJP, along with ally AJSU Party and other organizations, called for a nine-hour Ranchi bandh (8 AM to 5 PM) on Thursday, bringing the city to a standstill. Shops, businesses, and transport services remained shut as protesters blocked roads, demanding justice for the slain leader.

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India News

Bellandur’s viral photo draws clash of clans comparison, sparks urban planning debate

A viral image of Bellandur has sparked comparisons to ‘Clash of Clans’, exposing the stark contrast in planning between government and private sectors, and reviving debates on urban inequality.

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Bengaluru, Bellandur, Clash of Clans, Urban Planning, Infrastructure, Viral Image, City Inequality, Social Media, Bengaluru Development

An aerial image of Bengaluru’s Bellandur has gone viral on social media, sparking comparisons to the popular strategy game ‘Clash of Clans’ due to the striking contrast between two neighbouring localities. Shared by an account named Indian Tech & Infra on X, the photo shows a disorganised, densely packed area on one side, and a neatly planned, red-roofed residential layout on the other.

Netizens were quick to point out the disparity, likening the organised zone to a game base and the other to an enemy camp. The comparison has reignited discussions on urban inequality and poor public infrastructure in India’s tech hub.

One user remarked that the left side was government property while the right belonged to a private developer, questioning why public infrastructure consistently lags behind private planning. Another highlighted that the issue stems from misplaced priorities and corruption, not a lack of resources or technology.

Criticism also poured in over unchecked urbanisation, with concerns that greenery would vanish, leading to issues like waterlogging, sewage overflows, and poor road conditions.

The ‘Clash of Clans’ reference follows another recent online debate where Bengaluru’s urban development was unfavourably compared to Jakarta, a city with better planned public transport despite higher population density.

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