English हिन्दी
Connect with us

India News

Padmavati Controversy: Fair Is Foul And Foul Is Fair

Published

on

Padmavati

By Saeed Naqvi

Padmavati, in a sense, is a neighbourhood story. My village, Mustafabad, happens to be in Rae Bareli, which embraces numerous Chishtiya Sufi shrines or places where the saints spent some time, including Khwaja Ashraf Jehangir Semnani, the saint Malik Mohammad Jaisi, the author of Padmavat, was devoted to. Jaisi would faint at the controversy surrounding his masterpiece.

From nearby, Salon, Naeem Ata Shah in his flowing orange robes and headgear often visited Mustafabad. Jaisi, who preceded Tulsidas, in the list of great poets of Awadhi, was an endless source of quotations. So was Tulsidas, whose correspondence with emperor Akbar’s premier courtier, Abdul Rahim Khan e Khana, on meter and structure of poetry one heard about later and which is something one would have expected more scholarship on.

To a most unexpected source I owed my acquaintance with the fact that Rahim, known for his dohas, wrote devotional poetry on Lord Rama in Sanskrit. The source happened to be Vishnu Kant Shastri, former Vice Chancellor of Banaras Hindu University, Governor of UP. It always puzzled me how a man of such catholic interests – knew Jaisi as well as Akbar Allahabadi backwards – had actually emerged from the RSS stable.

If Jaisi’s flight of fancy can create so much mayhem, I shudder to contemplate the fate of the 1960 classic, Mughal-e-Azam in a similar circumstance. By today’s yardstick, that was the original, unadulterated case of “Love Jihad”. In fact the settled conventional wisdom in the 60s conceded Akbar victory at Haldighati. The national mood today has reversed the outcome of that battle in favour of Maharana Pratap. There have been suggestions that New Delhi’s Akbar Road be renamed “Maharana Pratap Road”. In other words revenge with retrospective effect is in order. To give this trend a more contemporary twist, Vishwa Hindu Parishad has demanded that an FIR be lodged against Mulayam Singh Yadav for ordering the police to fire on Kar sewaks in 1990. In that framework, it can be argued that producer K. Asif glorified Akbar’s love jihad. For that unforgiveable guilt, copies of the film must be consigned to the flames by way of historical revenge. Dilip Kumar, who played Prince Salim, is lying in coma otherwise he could have been brought into focus of public ire with great effectiveness on the eve of key elections with a singular purpose – polarize the poll.

At a time when logic has been crowded out by a rush of non sequitur, some pundits have attempted common sense. It will not work.

The new cultural brigade destroyed the grave of Wali Dakhni who showered adoration on this land with such verses as:

“Koocha e yaar ain Kashi hai

Jogiya dil wahaan ka baasi hain.”

(The lane where my beloved lives is like holy Varanasi;

The yogi of my heart has made it his dwelling place.) The sentiments the poet represents did not deter the vandals seething with anger against past historical injustices. 

Never will the bandish Munmohan Braj ke rasiya in Raag Paraj, steeped in Krishna lore, be sung better than by Ustad Faiyyaz Khan. They tried to desecrate his grave in Vadodara, regardless.

Rasoolan Bai’s plaintive appeals to Rama, in so many of her songs, did not protect her house from being gutted during the 1969 Gujarat riots. It did not matter that the Congress was in power then. What is being tapped into is something which gained a lease of life after Partition and which invites instant, angry, passionate response at the street level. In his very first speech in Parliament after the 2014 elections, this was precisely the nerve Narendra Modi touched: “the nation has to recover from the subjugation of 1200 years”. This is what differentiates the present government from previous regimes. Congressmen may have privately believed in “1200 year of subjugation”, but they considered it tactically proper to speak only of the British as foreigners.

Let us, meanwhile, revert to Jaisi’s purpose in Padmavati. The sentiment is common in western poetry too.

The “desire of the moth for the star, of the night for the morrow.

The devotion to something afar from the sphere of our sorrow”

Shelley’s lines are an ultra simplified version of the interplay between love and beauty which Jaisi is delineating. Padmini and Khalji are secular symbols of Jaisi’s elaboration of the theme on an epic scale.

Keat’s “Beauty is truth, truth beauty, that is all ye know on earth and all ye need to know” can also be tossed in to simplify communicating Jaisi.

Maulana Hasrat Mohani communicates the mood thus:

“Maslak I Ishq hai parastish e husn

Hum naheen jaante azaab-o-sawab.”

(Love’s purpose is adoration of beauty.

Gains and losses I do not measure.)

 Should the ever expanding tribe of the new cultural warriors run out of ideas, here are some on offer, gratis. They should denigrate with retrospective effect those Muslims who dared to take liberties with Hindu Gods. Remember, how India’s greatest modern painter, Maqbool Fida Hussain was exiled for his supreme guilt: excessive adoration of Goddesses. His “adoration” was considered lewd by the protectors of culture and faith.

Well, in like fashion, Maulana Hasrat Mohani deserves to be shamed retrospectively. He wrote a great deal about Krishna in Urdu, but in his Bhasha or Braj verses he takes liberties:

“Mose ched karat Nandlal”

(Krishna teases me all the time)

“hum hoon jo dei liptai ke Hasrat

Saari yeh chalbal nikaal”

(One day I shall embrace him tight and squeeze out all his mischief)

“Squeeze out”, in a tight embrace, has erotic connotations which should be unacceptable to the new cultural brigade.

Cricket news

India vs England T20 series 2025: Complete guide to matches, squads, and streaming info

Published

on

Promotional image for India vs England 2025 T20 series featuring match details

After wrapping up two months of intense Test cricket, Team India is ready to transition to the white-ball format with the much-anticipated five-match T20 series against England. This series not only offers India a chance to regroup after some challenging Test matches but also sets the stage for the upcoming three-match ODI series against the same opponent and the ICC Champions Trophy later in the year.

Series Schedule and Venues: The action begins at the iconic Eden Gardens in Kolkata and will move through four other major cricketing venues across India. Each match promises to be a display of high-octane cricket under the lights, with start times pegged at 7 PM IST to maximize audience engagement both at the grounds and on television.

Full Schedule:

  • 22 January: 1st T20I at Eden Gardens, Kolkata
  • 25 January: 2nd T20I at MA Chidambaram Stadium, Chennai
  • 28 January: 3rd T20I at Saurashtra Cricket Association Stadium, Rajkot
  • 31 January: 4th T20I at Maharashtra Cricket Association Stadium, Pune
  • 2 February: 5th T20I at Wankhede Stadium, Mumbai

Head-to-Head Record: India and England have a competitive T20I history with India leading slightly with 13 wins to England’s 11 in 24 matches. In India, the record is also closely contested, with England winning 9 of their 17 matches on Indian soil.

Viewing Options: Fans can catch all the live action on the Star Sports Network, and streaming is available on Disney Plus Hotstar. This accessibility ensures that fans won’t miss a moment of this enthralling series.

Detailed Squad Information:

India’s Squad:

  • Suryakumar Yadav (Captain): The dynamic batsman leads the team, known for his innovative stroke play.
  • Sanju Samson (Wicketkeeper): A versatile player known for his aggressive batting and sharp wicketkeeping skills.
  • Abhishek Sharma, Tilak Varma, Rinku Singh, Nitish Kumar Reddy: Young talents who have shown promise in domestic circuits.
  • Hardik Pandya: An all-rounder known for his ability to change the game with both bat and ball.
  • Axar Patel, Washington Sundar: Skilled spinners who can also contribute with the bat.
  • Harshit Rana, Arshdeep Singh: Emerging fast bowlers expected to bring energy and pace.
  • Mohammad Shami, Varun Chakravarthy, Ravi Bishnoi: Experienced in their roles, crucial for their bowling attack.
  • Dhruv Jurel (Wicketkeeper): Another young wicketkeeper with impressive domestic performances.

England’s Squad:

  • Jos Buttler (Captain): The explosive wicketkeeper-batsman leads the English side with his aggressive play.
  • Harry Brook, Ben Duckett, Phil Salt, Jamie Smith: Formidable batters known for their fast scoring.
  • Jacob Bethell, Brydon Carse, Jamie Overton, Rehan Ahmed: Young players who bring fresh energy and skills.
  • Liam Livingstone: A powerful all-rounder known for hitting long sixes and bowling effective spin.
  • Jofra Archer, Gus Atkinson, Saqib Mahmood, Adil Rashid, Mark Wood: A strong bowling lineup with a mix of pace and spin, crucial for T20 format.

With both teams featuring a blend of seasoned internationals and exciting new talent, the T20 series is expected to be a closely contested affair. As the squads gear up for this high-profile series, the cricketing world eagerly awaits to see if India can maintain their formidable form in T20s or if England can disrupt their winning streak on Indian soil.

Continue Reading

Gadgets

Oppo Find N5 set to launch with 50W wireless charging and IPX9 water resistance

Published

on

Oppo Find N5 being tested underwater to showcase its IPX9 water resistance rating.

Oppo has officially confirmed that its latest innovation, the Find N5, will support 50W wireless charging and feature an IPX9 water resistance rating. The announcement comes as part of a series of teases highlighting the capabilities of this next-generation foldable smartphone, set to launch in February.

According to recent leaks, the Find N5 will be the first smartphone to incorporate the Qualcomm Snapdragon 8 Elite SoC, signaling significant performance enhancements. Pete Lau, Oppo’s Chief Product Officer, has touted the device as the “thinnest foldable phone,” positioning it against leading competitors like the latest iPhone in terms of sleek design.

Zhou Yibao, head of the Oppo Find series, shared insights via Weibo about the Find N5’s advanced features. The device not only matches the wireless charging speeds of newly released models like the Oppo Find X8 Pro and OnePlus 13 but also integrates seamlessly with in-car systems from major electric vehicle brands such as BYD and NIO.

In a compelling demonstration of its durability, a recent video posted by Yibao showed the Find N5 being submerged underwater, showcasing its capability to withstand significant water exposure, evidenced by its IPX9 rating. This test included recording underwater videos, highlighting the phone’s versatile camera capabilities in extreme conditions.

The Find N5 also sports a refined design with slimmer borders and a larger overall form factor compared to its predecessors, which could attract users looking for a sleek yet robust foldable phone.

As anticipation builds, Oppo has begun sharing images of the Find N5, revealing a foldable design as thin as a USB-C port when opened. This device promises to merge aesthetic appeal with functional excellence, setting a new benchmark in the evolving foldable phone market.

Continue Reading

India News

Saif Ali Khan out of hospital six days after stabbing at his residence

Published

on

Detained individual linked to the stabbing of Bollywood actor Saif Ali Khan being escorted by police.

Bollywood actor Saif Ali Khan has returned to his home after being discharged from the hospital, where he was treated for injuries sustained from a stabbing incident at his residence last week. The actor, known for his roles in films such as “Dil Chahta Hai” and “Tanhaji,” was reportedly attacked unexpectedly in his home, leading to his hospitalization.

The incident, which sent shockwaves through the Bollywood community and his fanbase, occurred late at night and resulted in multiple injuries for Khan. He was rushed to a nearby hospital, where he received immediate medical attention. The specifics of the incident, including the motive and the identity of the assailant, have not been publicly disclosed by the authorities.

During his stay at the hospital, Khan was under constant medical supervision and underwent several treatments to address his injuries. His discharge comes after a six-day period of intensive care, indicating a stable recovery.

Family members and representatives of Khan have expressed their gratitude to the medical team for their efforts and to fans for their support and well wishes during this challenging time. While the actor has been released from the hospital, he is expected to continue his recovery at home under the guidance of his personal doctors.

The Mumbai Police are currently investigating the circumstances surrounding the incident, and further details are expected to be released as the investigation progresses.

This troubling event has sparked a conversation about the safety of public figures and the pressures they face. As Khan recuperates at home, the film industry and his supporters worldwide hope for his full recovery and return to the silver screen.

Continue Reading

Trending

© Copyright 2022 APNLIVE.com