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Yeh Jawaani Hai Deewani re-release revives nostalgia for Bollywood’s romcom era

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Yeh Jawani Hai Deewani turns 10: Ranbir Kapoor, Deepika, Aditya Roy Kapur and Kalki Koechlin reunite

The re-release of Yeh Jawaani Hai Deewani (YJHD) has sparked a wave of nostalgia for Bollywood’s golden era of romcoms, drawing attention away from the ongoing dominance of massy, pan-India films. The 2013 blockbuster, which starred Ranbir Kapoor and Deepika Padukone, continues to capture hearts, even as the film industry shifts towards larger-than-life, multi-lingual films aimed at a pan-Indian audience.

Despite both Kapoor and Padukone boasting impressive filmographies, it’s YJHD that remains a standout—both for its heartwarming reunion of the on-screen ex-couple and its ability to resonate with multiple generations, especially Gen Z. The film’s re-release, which launched in select theaters, has already sold over 26,000 tickets, according to trade reports. This impressive number rivals or surpasses the ticket sales of some recent massy action films, despite YJHD also being available for streaming on OTT platforms.

What’s remarkable is that this success highlights the ongoing appeal of Bollywood’s romcom era, when films were built around relatable characters and emotional narratives, as opposed to the grand spectacle of pan-India blockbusters. Fans have taken to social media, recalling their experiences of eagerly waiting in line for YJHD’s original release. One fan commented, “I remember waiting in a long line to buy tickets for this film when it released, and there were people behind me who had to leave because the show became housefull…it was crazy!”

Others have expressed their desire for the return of this genre, which, according to many, offered good music and simple yet meaningful writing. “We need to bring romcoms back! Come on, bring back good music, decent writing—no one is expecting too much,” wrote one user. This sentiment is echoed by many who feel that while pan-India films are ambitiously scaled up in terms of production value, they often fail to evoke the same emotional connection or offer the same comfort as a classic romcom.

Some comments have pointed out that despite the cinematic excellence of pan-India films—featuring star-studded casts, acclaimed directors, and high-budget productions—they don’t always deliver on their lofty promises. “Just a feel-good, comforting film. I’m sick of the larger-than-life, pan-India films. They have all the big actors, directors with good track records, top-class music directors; yet they don’t quite hit the note,” one fan wrote, highlighting the disconnect some audiences feel.

While Bollywood’s exploration of diverse genres is undoubtedly exciting, fans seem to be yearning for comfort films that offer a break from the overwhelming spectacle of action-packed, multi-language blockbusters. For example, the upcoming horror-comedy films in Maddock’s universe, which boasts an impressive lineup of stars like Shraddha Kapoor, Kriti Sanon, and Alia Bhatt, have generated excitement. However, some fans have also expressed concerns about over-saturation of the genre, with one commenting, “Aren’t they over-saturating and milking this horror genre too much now?”

Additionally, the first looks of Sidharth Malhotra and Janhvi Kapoor’s Param Sundari have reminded fans of the early 2010s, a time when Bollywood was in its romcom heyday. The similarities to films from that period have only fueled further nostalgia.

In essence, while Bollywood continues to evolve and experiment, the Yeh Jawaani Hai Deewani re-release has reminded fans of a simpler, more heartfelt era of filmmaking—one that they’re eager to revisit. As the film industry pushes boundaries with large-scale, multi-lingual projects, there is a clear call for the return of feel-good, relatable stories that once defined the industry. The success of this re-release might just signal the beginning of a resurgence in romantic comedies for modern audiences.

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Vijay’s last film Jana Nayagan poised for massive opening, Rs 100 crore business expected on Day 1

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Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.

If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.

Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.

Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).

The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.

Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.

As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.

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FIFA World Cup final halftime show divides fans despite stars

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FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.

The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.

FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.

However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.

Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.

FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.

As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.

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Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine

Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.

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The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.

Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.

Pushpa 2 earns screenplay and costume design honours

Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.

The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.

Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition

Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.

Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).

Committee Kurrollu wins Best Telugu Film

Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.

Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.

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