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Aashiqui 3: Not Aditya Roy Kapur, Kartik Aaryan to lead Anurag Basu’s film, actor shares first look

After 9 years, the franchise is set to revive, and this time the film will be directed by Anurag Basu, who is known for highly acclaimed films such as Barfi, Jagga Jasoos and Ludo.

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kartik aaryan

After a successful run at the box office with Bhool Bhulaiyaa 2, Kartik Aaryan is on the way to bagging another big project. Aashiqui 3 is on the cards! The second installment of Aashiqui did extremely well at the box office. Aditya Roy Kapur and Shraddha Kapoor made people fall in love over again and now, according to the reports, the third part of the film is in the queue. But this time, Kartik Aaryan has been roped in for Aashiqui 3.

After 9 years, the franchise is set to revive, and this time the film will be directed by Anurag Basu, who is known for highly acclaimed films such as Barfi, Jagga Jasoos and Ludo. The film will be bankrolled by T-Series and Vishesh Films. The leading lady of Aashiqui 3 is yet to be cast.

Kartik made the big announcement by sharing a post on social media. The post read This one is going to be Heart-wrenching!! My first with Basu Da.

Read Also: Thieves in Tamil Nadu break into liquor shop to rob it, end up drinking, caught wet-handed by police

https://www.instagram.com/p/CiHDdFIIgeK/

Talking about the project, Kartik said the timeless classic ‘Aashiqui’ is something I grew up watching, and working on ‘Aashiqui 3’ is like a dream come true. I feel privileged yet grateful for collaborating with Bhushan Kumar and Mukesh Bhatt on this opportunity. I’ve been a big fan of Anurag Basu’s work and collaborating with him on this one will definitely shape me in many ways, he added.

Anurag Basu called the Aashiqui franchise emotions for the fans that have remained in their hearts to date. Talking about the film, the filmmaker said the aim is to carry the legacy ahead in the best possible way.

On collaborating with Kartik Aaryan, Anurag said, It’d be my first venture with Kartik Aaryan, who is known for his hard work, dedication, grit, and determination towards his work and I’m truly looking forward to this one.

Meanwhile, Kartik Aaryan will be next seen in Shehzada, Freddy, Captain India, and an action film with director Kabir Khan.

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Hisaab Barabar review: R Madhavan’s strong performance can’t save the film

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R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

Platform: Zee5
Genre: Drama
Director: Ashwni Dhir

In Ashwni Dhir’s latest directorial venture, Hisaab Barabar, the central theme revolves around a common man taking on an unjust system—an age-old concept that rarely fails to resonate with audiences. However, despite R Madhavan’s earnest portrayal of the protagonist, the film struggles to deliver a compelling narrative, falling short of its potential.

At the core of Hisaab Barabar is Radhe Mohan Sharma, an Indian Railways ticket examiner played by Madhavan. Sharma, a diligent single father, has an obsessive passion for numbers, a trait that propels him into a battle against a corrupt private bank. When he discovers a minor discrepancy of 27 rupees and 50 paise missing from his account, his seemingly simple quest for an explanation unravels into a larger conflict with Mickey Mehta (Neil Nitin Mukesh), the unscrupulous owner of the bank.

The film’s premise—an ordinary man’s war against the system—holds promise. However, the execution fails to capitalize on this potential. The narrative unfolds along predictably conventional lines, lacking the depth or unpredictability needed to keep viewers engaged. Sharma’s relentless pursuit of justice feels formulaic, with few surprises in store for the audience.

The film drifts between moments of mild humor and heavy-handed seriousness, ultimately struggling to find a rhythm that resonates. Radhe Mohan’s character, while driven by a strong moral compass, never evolves beyond his defining trait of being a number cruncher. As a result, despite Madhavan’s best efforts, the character lacks emotional depth, making it difficult for viewers to fully invest in his journey.

Kirti Kulhari, who plays a key role as a passenger with a connection to Sharma’s past, faces a similar issue. Although her character seems poised to offer emotional or narrative weight, she too remains underdeveloped. Her motivations and character arc are not explored sufficiently, leaving her character largely reactive to the actions of the lead. Kulhari’s performance, however, remains solid despite the constraints of the role.

On the opposite side of the spectrum, Neil Nitin Mukesh stands out as the greedy and manipulative bank owner, Mickey Mehta. His portrayal is flamboyant, and while the character’s exaggerated traits occasionally make him a more engaging figure, the lack of real conflict or challenge between him and Sharma detracts from the stakes of the story.

The film’s attempt at social commentary—highlighting the exploitation of middle-class bank customers—is timely, but the execution falls flat. Hisaab Barabar struggles to balance its critique of corruption with its dramatic elements, leading to a somewhat disjointed viewing experience. Despite a few relatable moments and its intentions to provoke thought, the film ultimately lacks the punch required to leave a lasting impact.

The central message, which advocates for the power of patience and perseverance in the face of overwhelming odds, is clear. However, it is delivered with such predictability that it fails to inspire or engage. The film does not venture beyond its safe, established formula of the David versus Goliath struggle, which leaves little room for the audience to feel any real stakes or tension.

Ultimately, Hisaab Barabar is a missed opportunity. While the film’s premise and Madhavan’s performance offer glimpses of what could have been, its lack of narrative depth, underdeveloped characters, and uneven execution prevent it from making any significant impact. What starts as a promising drama about an ordinary man against a corrupt system ends up as a forgettable, by-the-numbers affair.

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Friday OTT releases (January 24, 2025): A glimpse at this weekend’s must-watch movies, web series

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R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

As the weekend draws near, OTT platforms are serving up an exciting variety of new content to keep you entertained. With genres ranging from lighthearted romantic comedies to gripping thrillers, January 24, 2025, promises to offer something for everyone. Here’s a look at five highly anticipated releases to stream this Friday:

1. Sivarapalli – Amazon Prime Video

Sivarapalli – Amazon Prime Video

Release Date: January 24, 2025
Fans of the hit show Panchayat are in for a treat with Sivarapalli, a Telugu remake of the much-loved series. Set in the rural village of Sivarapalli in Telangana, the show follows an engineering graduate who is reluctantly thrust into the role of Panchayat Secretary. The series promises to offer a heartwarming and humorous look at rural life in India. With its relatable characters and small-town charm, Sivarapalli will appeal to fans of the original while also attracting new viewers. Stream it on Amazon Prime Video starting this Friday.

2. Sweet Dreams – Disney+ Hotstar

Sweet Dreams – Disney+ Hotstar

Release Date: January 24, 2025
This romantic dramedy features Mithila Palkar and Amol Parashar as Kenny and Dia, two people who embark on an unconventional journey to find their dream partners—literally. When both of them dream about meeting someone, they set out to find these mysterious figures in real life. The quirky premise and charming performances make Sweet Dreams an ideal weekend watch for those in the mood for something lighthearted yet intriguing. Available for streaming on Disney+ Hotstar.

3. The Sand Castle – Netflix

The Sand Castle – Netflix

Release Date: January 24, 2025
In this mystery thriller, a family of four finds themselves stranded on a deserted island where survival becomes a battle. Tensions rise as long-buried secrets come to light, threatening to tear the family apart. Directed by Matty Brown, The Sand Castle promises a gripping, edge-of-your-seat experience with its mix of mystery, suspense, and drama. With an IMDb rating of 7.9, this thriller is one not to miss. Catch it on Netflix this Friday.

4. Hisaab Barabar – Zee5

Hisaab Barabar – Zee5

Release Date: January 24, 2025
Hisaab Barabar is a satirical drama that delves into corruption and the quest for justice. The film follows Radhe Mohan Sharma, a railway ticket inspector who uncovers a massive financial scam after discovering discrepancies in his own bank account. Starring R Madhavan and Neil Nitin Mukesh, this social drama combines suspense with humor, making it an intriguing watch. With a strong storyline and sharp social commentary, Hisaab Barabar is now streaming on Zee5.

5. Saubhagyavati Sarpanch – Ultra Jhakaas

https://youtu.be/k2PbINwF6n0

Release Date: January 24, 2025
This inspiring drama tells the story of Awali, a housewife who unexpectedly becomes a Sarpanch, leading her village towards progressive change. The series touches on themes of women’s empowerment, as Awali challenges traditional norms and works towards social improvement. The show’s focus on overcoming societal barriers makes it a powerful narrative about hope, determination, and the transformative role of women in shaping society. Stream it now on Ultra Jhakaas.

The OTT platforms this weekend bring an exciting mix of genres, from the emotional depth of Sivarapalli to the mystery and tension of The Sand Castle. Whether you’re in the mood for romance, drama, or suspense, January 24 has something for everyone. Be sure to mark your calendars and catch these releases as they drop this Friday.

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Oscars 2025 nominations: Anuja in spotlight as other Indian films snubbed

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Anuja nominated for Best Live Action Short Film at the 2025 Oscars

As the 97th Academy Awards nominations were unveiled, Indian cinema found itself with mixed fortunes. While the much-anticipated Oscars saw the inclusion of one Indian film, Anuja, in the Best Live Action Short Film category, several major contenders were left out of the nominations entirely.

This year, despite the strong buzz surrounding Indian films like Swatantrya Veer Savarkar, Putul, Aadujeevitham: The Goat Life, All We Imagine As Light, Band of Maharajas, Kanguva, The Zebras, Girls Will Be Girls, and Santosh, none of them made it to the final list of nominees. The exclusion of these titles has raised eyebrows, particularly among fans and industry insiders who had high hopes for their inclusion.

The lone Indian contender making waves at the Oscars 2025 is Anuja, a poignant short film produced by Guneet Monga and Priyanka Chopra. Directed by Adam J. Graves, the film follows the story of Anuja, a young girl played by Sajda Pathan, who works in a garment factory in Delhi. Anuja, along with her sister Palak (played by Ananya Shanbhag), is faced with an incredibly difficult decision that could alter the course of her life and her family’s future.

The announcement of the nominations was made today during a live-streamed ceremony hosted by actors-comedians Rachel Sennott and Bowen Yang, which took place at the Academy’s Samuel Goldwyn Theater. The event revealed the nominees across all 24 Oscar categories.

While the exclusion of several noteworthy Indian films is disheartening for many, the success of Anuja offers a glimmer of hope for Indian cinema in the global spotlight. The 97th Academy Awards ceremony will be held on March 2, 2025, at the Dolby Theatre in Los Angeles, with Conan O’Brien serving as the host for the star-studded event.

As the Oscars approach, the spotlight remains on Anuja, with audiences eager to see how the film will fare in the prestigious race for the gold statue.

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