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Dragon Movie Review: A fiery ride of redemption with some unchecked Glorifications

Dragon is an engaging film that balances humor and redemption but struggles with glorification issues. Pradeep Ranganathan delivers a standout performance in this entertaining yet flawed drama.

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Pradeep Ranganathan in Dragon movie scene

Dragon, directed by Ashwath Marimuthu, blends humor with a coming-of-age redemption arc, offering an entertaining yet flawed narrative. While Pradeep Ranganathan delivers an engaging performance, the film’s glorifications and certain character choices may require viewers to overlook some problematic elements.

Plot Summary: The making of Dragon

D. Ragavan (Pradeep Ranganathan) starts as an obedient, academically brilliant student. However, after being rejected by a girl for not being the stereotypical “bad boy,” he transforms into a rebellious college troublemaker, racking up 48 arrears and living a lie with his gullible parents. His downward spiral continues until his college sweetheart, Keerthy (Anupama Parameswaran), breaks up with him due to his reckless ways. This marks a turning point, pushing Ragavan towards change.

Movie Review: A tale of reinvention with questionable moments

The film opens on a promising note, setting up a college atmosphere where the principal Mayilvahanan (Mysskin) takes a progressive stance on student relationships. However, what starts as an intriguing character arc for Ragavan soon turns into a glorified ‘bad boy’ transformation, making it seem as though rebellion and arrogance are prerequisites for respect and admiration.

Ragavan’s journey from a computer science gold medallist to a college rebel feels exaggerated, and while the film does well in portraying his downfall, it lacks depth in showing the impact on others—especially Keerthy, whose perspective remains underexplored.

When Keerthy leaves Ragavan after six years, citing that she can only see him as a lover but not a life partner, her reasoning is solid. However, the film frames her as someone who eventually apologizes to Ragavan, which feels unnecessary and problematic. Why should a woman apologize for choosing a stable life over an irresponsible partner? This is one of the film’s weaker points.

Despite these missteps, Dragon finds its rhythm in the second half, with Ragavan pursuing a redemption arc that feels earned. The climax, in particular, is a highlight, offering a smartly written resolution that balances realism with the commercial elements expected in Tamil cinema.

Performances & Technical Aspects

  • Pradeep Ranganathan shines in a role tailor-made for him, effortlessly switching between humor, arrogance, and redemption.
  • Anupama Parameswaran as Keerthy delivers a commendable performance, though her character is underwritten.
  • Kayadu Lohar as Pallavi adds a fresh dynamic, though her character’s impact remains minimal.
  • VJ Siddhu and Harshath Khan add comic relief, with Harshath’s role as ‘Kutty Dragon’ standing out despite initial concerns of glorification.
  • Ashwath Marimuthu’s direction is sharp in emotional moments but struggles with justifying certain character choices.

The background score and cinematography enhance the high-energy moments, particularly in the film’s last 45 minutes, which bring both emotional weight and entertainment.

Verdict: An entertaining yet flawed ride

Dragon is worth a theatre watch for its humor, engaging screenplay, and strong performances. While it excels in delivering a redemption arc, its handling of gender dynamics and glorification of reckless behavior leaves room for debate. If you can look past these elements, Dragon offers an enjoyable mix of laughs, drama, and a gripping climax.

Entertainment

Vijay’s last film Jana Nayagan poised for massive opening, Rs 100 crore business expected on Day 1

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Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.

If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.

Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.

Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).

The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.

Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.

As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.

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FIFA World Cup final halftime show divides fans despite stars

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FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.

The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.

FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.

However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.

Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.

FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.

As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.

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Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine

Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.

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The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.

Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.

Pushpa 2 earns screenplay and costume design honours

Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.

The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.

Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition

Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.

Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).

Committee Kurrollu wins Best Telugu Film

Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.

Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.

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