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Kingdom review: Vijay Deverakonda shines in a restrained spy thriller with cinematic flair

In Kingdom, Vijay Deverakonda steps into the role of a resilient spy taking on a corrupt system. Read how the film fares as a political thriller with restrained storytelling.

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Director Gowtam Tinnanuri, known for his emotionally driven storytelling in Jersey, ventures into the spy thriller genre with Kingdom, starring Vijay Deverakonda in one of his most composed and impactful performances. This Telugu political action drama, intended as the first of a two-part saga, makes a technically solid and performance-rich entry, even though it doesn’t fully deliver on its emotional promise.

A story of rebellion rooted in strategy

Kingdom narrates the journey of a morally upright young man, played by Deverakonda, who takes a stand against a corrupt and imbalanced political system. He’s not the archetypal action hero fuelled by rage; instead, his fight is rooted in resilience, logic, and well-placed emotion. Bhagyashri Borse plays a supporting role that adds emotional weight, even if their relationship lacks narrative depth.

Direction and narrative depth

Gowtam Tinnanuri sticks to his trademark grounded storytelling in the first half, which is slow-burning yet engaging, filled with political undertones and well-crafted intrigue. However, the film falters slightly in the second half. While the climax has moments of power, the emotional intensity dips, affecting the overall impact.

Despite this, Tinnanuri deserves credit for not over-dramatizing the genre. His restrained and realistic treatment of the storyline, especially in a space often dominated by high-octane theatrics, makes Kingdom a refreshing watch.

Performances: Vijay’s transformation commands attention

Vijay Deverakonda delivers one of his most nuanced performances to date. Ditching his flamboyant image, he embodies a character that’s strategic, emotionally complex, and grounded. His controlled screen presence, especially in emotionally charged scenes, elevates the film. Satyadev and Manish Chaudhari support effectively, with Goparaju Ramana adding further credibility. Bhagyashri Borse, though underutilized, makes a meaningful impression.

Visual brilliance and sound that elevates

On the technical front, Kingdom scores high. Girish Gangadharan’s cinematography blends urban decay with shadowy espionage aesthetics. The muted tones reflect the film’s somber narrative, while Anirudh Ravichander’s background score adds heft, especially during key transitions and the climax.

Naveen Nooli’s editing remains sharp, although a few scenes in the middle could’ve benefited from tighter pacing.

Verdict: a stylish setup for what’s next

Kingdom might not reach the emotional highs it aims for, but it lays a strong cinematic foundation. With Vijay Deverakonda’s compelling performance, grounded direction, and impressive production values, the film holds promise—especially with Part 2 on the horizon.

While the film received mixed reactions on social media—with many lauding Vijay’s makeover and emotional depth, and others pointing out a lack of high-impact sequences—the consensus praises its storytelling, cinematography, and Anirudh’s gripping score.

Entertainment

Musician Bhagirath Bhatt breaks silence on Bigg Boss 20 entry, says not going

Musician and sitarist Bhagirath Bhatt has clarified that he will not participate in Bigg Boss 20, citing his preference for calm music and peaceful surroundings.

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Bhagirath Bhatt

Sitarist and music composer Bhagirath Bhatt has clarified that he will not be participating in Bigg Boss 20, putting an end to speculation about his possible entry into the reality show.

Bhatt addressed the questions he had been receiving from followers on social media and thanked them for their interest. However, he made it clear that he is not part of the upcoming season.

Bhagirath Bhatt explains why he is not joining Bigg Boss 20

In an Instagram Story, Bhatt said that he does not think he is suited to a show like Bigg Boss. He explained that his personality is more aligned with calm and peaceful surroundings.

The musician said he is not someone who can shout or create unnecessary noise and described himself as a believer in calm music. He added that peaceful music has always been a source of inspiration for him.

His clarification came after his name had been circulating in discussions about possible contestants for Bigg Boss 20.

Bhagirath Bhatt’s work in films and series

Bhagirath Bhatt is known for his work as a sitarist and music composer. According to the report, he has worked on films including Padmaavat, Bhool Bhulaiyaa 3 and Border 2.

He has also been associated with projects such as Bandish Bandits and Heeramandi.

Meanwhile, the makers of Bigg Boss 20 are yet to officially reveal the complete contestant list. The new season is scheduled to premiere on September 6 at 9 PM.

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Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

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Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

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Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

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Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

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