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Oppenheimer wins 7 awards at 96th Oscars, including Best Director, Best Picture, Best Actor; Here’s complete list of winners

The 96th Oscars awards were held in Los Angeles.

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The Cillian Murphy-starrer biopic won seven Oscars at the 96th Academy Awards, which were held recently.

Several of the greatest awards of the evening went to Oppenheimer, including Best Picture, Best Actor (Cillian Murphy), and Best Director (Christopher Nolan). In the Best Supporting Actor category, Robert Downey Jr.’s portrayal of Lewis Strauss, the head of the Atomic Energy Commission, brought him his first career Oscar. In the category, he defeated the fan favorite Ken, Ryan Gosling, who was up for a nomination for his role in Margot Robbie’s Barbie.

In addition, Oppenheimer was awarded Best Original Score, Best Sound, Best Cinematography, and Best Film Editing.

Oppenheimer’s win is expected, though, as the company was tipped to take home the major honors following its dominance at several award ceremonies this season.

The film has taken home Best Picture awards from the Critics Choice and Golden Globe ceremonies in addition to the BAFTAs. Since the nominees were initially revealed, which was more than a month ago, it has actually been winning the game. Oppenheimer had not one, not two, but thirteen nods at the time and was leading the race.

However, Barbie, which was of of the most talked-about films of the years, has to again see the failure at Oscars awards. Ryan Gosling and America Ferrera, who were nominated for Best Supporting Actor and Best Actress, respectively, did not win. Additionally, Barbie was nominated for Best Picture, a title it lost to Oppenheimer.

On July 21, Barbie and Oppenheimer were both successfully released in theaters to positive reviews from audiences as well as critics and strong box office results.

Meanwhile, Oppenheimer and Poor Things emerged as the biggest winners of the evening, scoring seven and four wins each.

See complete list of winners here:

Best Supporting Actress: Da’Vine Joy Randolph, The Holdovers

Best Animated Short: War Is Over!

Best Animated Feature: The Boy and the Heron

Best Original Screenplay: Anatomy of a Fall

Best Adapted Screenplay: American Fiction

Best Makeup and Hairstyling: Poor Things

Best Production Design: Poor Things

Best Costume Design: Poor Things

Best International Feature: The Zone of Interest

Best Supporting Actor: Robert Downey Jr., Oppenheimer

Best Visual Effects: Godzilla Minus One

Best Film Editing: Oppenheimer

Best: Documentary (Short Subject): The Last Repair Shop

Best Documentary Feature: 20 Days in Mariupol

Best Cinematography: “Oppenheimer”

Best Short Film (Live Action): The Wonderful Story of Henry Sugar

Best Sound: The Zone of Interest

Best Score: Oppenheimer

Best Song: What Was I Made For? from Barbie

Best Actor: Cillian Murphy, Oppenheimer

Best Director: Christopher Nolan, Oppenheimer

Best Actress: Emma Stone, Poor Things

Best Picture: Oppenheimer

The Oscars were held in Los Angeles on March 11 (IST), with Jimmy Kimmel serving as host.

Entertainment

Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

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Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

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Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

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Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

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Kriti Sanon’s Raksha Bandhan ad draws criticism over modern festive look

Kriti Sanon’s Raksha Bandhan advertisement has sparked an online debate, with some social media users questioning her contemporary festive outfit and the campaign’s concept.

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Kriti Sanon’s latest festive appearance has triggered a debate on social media after the actor featured in a Raksha Bandhan advertisement wearing a contemporary outfit.

In the advertisement, Kriti Sanon is seen in an off-white bralette-style blouse paired with a cape and a draped skirt. While the actor has previously experimented with contemporary interpretations of traditional fashion, some social media users criticised her look in the festive campaign.

The criticism was directed particularly at the choice of outfit for a Raksha Bandhan-themed advertisement, with several users questioning whether the look was appropriate for the occasion.

Advertisement’s pet dog sequence also draws reactions

The concept of the advertisement also became a point of discussion online. In the campaign, Kriti is seen tying a traditional rakhi on a dog after the pet barks at her.

The advertisement presents the ritual as a way of including the pet in the family’s Raksha Bandhan celebrations. However, several social media users questioned the decision to include the dog in the festive ritual.

Some commenters accused the brand of making a mockery of Indian festivals, while others said they disagreed with the overall concept of the advertisement.

Social media users criticise Kriti Sanon’s festive look

Kriti Sanon’s outfit became one of the main talking points among those criticising the advertisement. Some users described the outfit as inappropriate for a Raksha Bandhan campaign.

One social media user wrote that Kriti was tying rakhi in a “bra kinda attire” and questioned the use of such an outfit during the festival.

Another commenter compared the treatment of Raksha Bandhan with other festivals and criticised the advertisement’s presentation of the celebration.

Other reactions focused on traditional elements associated with Raksha Bandhan. One user questioned the absence of a puja thali and tilak while also criticising Kriti’s outfit.

A separate comment objected to the inclusion of the dog, arguing that the campaign was not representative of the traditional spirit of Raksha Bandhan.

These comments reflect the views of individual social media users and do not establish a broader consensus about the advertisement.

Kriti Sanon yet to respond to criticism

The Raksha Bandhan advertisement continues to receive mixed reactions on social media. While some users have criticised the actor’s outfit and the campaign’s concept, Kriti Sanon is yet to respond to the criticism.

The debate comes as brands increasingly use contemporary interpretations of traditional festivals in advertising, with the campaign’s presentation becoming a subject of discussion among social media users.

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