The sudden demise of Bollywood actor and Bigg Boss 13 winner, Sidharth Shukla, has left the entertainment industry and his fans in shock. The heartbreaking news broke on Thursday morning when the actor suffered a massive heart attack and died. However, his post-mortem reports are yet to be released.
“No injuries were sustained on the body of actor Sidharth Shukla,” Mumbai Police officials said. “The cause of the death is yet to be ascertained. A team of police is present at Shukla’s residence for investigation,” Mumbai Police added.
As per media reports, Sidharth’s rumoured girlfriend Shehnaaz Gill is not in a good state.
Since the news of Sidharth’s death, condolences by his fans and fellow B-town celebrities are pouring in. From Salman Khan to Anil Kapoor, several noted actors condoled the death of the 40-year-old actor. The last rites of the deceased actor will be performed today at Oshiwara Crematorium at 11 am.
Well, life is uncertain and this has been proved several times. Here’s a look at Bollywood celebrities who left for heavenly abode at a young age:
Divya Bharti:
The epitome of beauty, Divya Bharti, died at the young age of 19 years. Reportedly, in 1993, she had fallen from the balcony of her fifth-floor apartment in her Mumbai residence. She died a tragic death due to a serious head injury and internal bleeding. Divya made her Bollywood debut in 1992 with Vishwatma. She rose to fame from her spectacular acting in Shola Aur Shabnam. Divya had also featured in Telugu films.
Smita Patil:
Bollywood actor and the wife of Raj Babbar, Smita Patil died at the age of 31 due to complications during her pregnancy in 1986. She gave birth to Prateik Babbar and passed away. In such a small duration of her acting career, Smita had featured in more than 80 movies including Bengali, Hindi, Marathi, Malayalam, and Kannada films. For her fine acting, she was awarded Padma Shri and two National Awards.
Pratyusha Banerjee:
The Bengali beauty, Pratyusha Banerjee died by suicide on April 1, 2016. She was the co-actor of Sidharth Shukla on the Colors popular show Balika Vadhu. Pratyusha’s character as Anandi had garnered her humongous fan base. Before her death, she left a suicide letter mentioning complications in her relationship with Rahul Raj Singh. She was 24 and had also appeared in the reality show Bigg Boss 7.
Jiah Khan:
The sudden death of Bollywood actor Jiah Khan in June 2013 created a major controversy. She died by suicide at 25. The Central Bureau of Investigation was involved in the case as Jiah’s mother held her boyfriend, Sooraj Pancholi accountable for her daughter’s death. Jiah made her Bollywood debut opposite Amitabh Bachchan in Nishabd. Later, she appeared in films like Ghajini and Housefull.
Sushant Singh Rajput:
Sushant Singh Rajput broke millions of fans’ hearts when he died by suicide on June 14, 2020. The actor was found hanging in Mumbai’s residence. Several theories were put across by central bodies during the investigation. The Central Bureau of Investigation (CBI) registered FIRs against actor and Sushant’s girlfriend Rhea Chakraborty and five others. Sushant rose to fame with Ekta Kapoor’s serial Pavitra Rishta. He later carved a niche in the Bollywood industry with his promising acting. He appeared in films like Kai Po Che, Shudh Desi Romance, MS Dhoni: The Untold Story, Dil Bechara, to name a few.
The Global actor, Irrfan Khan passed away after battling a neuroendocrine tumour. He was 53. Irrfan last appeared in the film Angrezi Medium co-starring Radhika Madan.
Streaming platform Prime Video unveiled the first look of the much-anticipated third season of The Family Man on Friday, introducing actors Jaideep Ahlawat and Nimrat Kaur as formidable new adversaries to Manoj Bajpayee’s iconic spy, Srikant Tiwari.
The action-packed thriller, created and directed by Raj Nidimoru and Krishna DK, will see Bajpayee reprise his role as Tiwari, a middle-class man navigating the high-stakes world of espionage. The new season, penned by Suman Kumar in collaboration with Raj & DK, will also feature returning cast members Priyamani, Sharib Hashmi, Ashlesha Thakur, and Vedant Sinha.
In a joint statement, Raj & DK expressed their excitement about elevating the series. “Each season, we strive to raise the bar with a more gripping story, grander scale, and sharper performances. We’re thankful for our fans’ patience. Season 3 will push Srikant and his team to their limits, immersing them in a world of intense danger and personal turmoil that tests their bonds. While juggling a new family dynamic, Srikant will face off against powerful new antagonists, brought to life by the incredibly talented Jaideep Ahlawat and Nimrat Kaur. Our collaboration with Prime Video has been instrumental in shaping this season,” they said.
The upcoming season will follow Srikant as he tackles a looming threat to national security while grappling with the challenges of family life, striving to repair his strained relationship with his wife, Suchitra, played by Priyamani. Details about the roles of Ahlawat, known for Paatal Lok, and Kaur, celebrated for The Lunchbox and Airlift, remain undisclosed, adding to the anticipation.
The Family Man debuted to widespread acclaim in 2019, with its second season, featuring Samantha Ruth Prabhu, earning similar praise in 2021. As excitement builds for the third installment, the addition of Ahlawat and Kaur promises to intensify the stakes for Srikant Tiwari’s latest mission.
Aamir Khan’s latest cinematic offering, Sitaare Zameen Par, has amassed a nett collection of ₹90 crore domestically within its debut week. Directed by R S Prasanna, the film hit cinemas on 20 June 2025, serving as a spiritual successor to the widely acclaimed 2007 release Taare Zameen Par, and has struck a chord with audiences.
According to Sacnilk, the film opened strongly with ₹10.7 crore nett at the domestic box office, setting the stage for a solid run. Touted as a heartfelt exploration of neurodivergence, Sitaare Zameen Par features Aamir as a basketball coach guiding ten differently-abled individuals towards triumph.
The cast includes Genelia D’Souza alongside fresh talents Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra, and Simran Mangeshkar, with the screenplay penned by Divy Nidhi Sharma. The project is a collaborative production by Aamir Khan, Aparna Purohit, and Ravi Bhagchandka under Aamir Khan Productions.
Critics have noted its connection to the 2018 Spanish drama Campeones (remade in English in 2023 with Woody Harrelson), echoing Taare Zameen Par’s mission to raise awareness about neurodiversity. However, some reviews suggest a didactic approach, with one stating, “Every scene is crafted to deliver a lesson, often tipping the balance from entertaining to preachy, which can frustrate viewers despite Aamir’s knack for edifying cinema.”
The film’s narrative, centred on mentorship and inclusion, has resonated emotionally, contributing to its box office success. Its opening figures and positive word of mouth hint at a potential surge over the weekend.
Earlier today, Aamir participated in a virtual fan meet to celebrate the milestone, sharing anecdotes from the set and praising the young cast’s dedication. “Their energy inspired every frame,” he remarked, boosting fan excitement online. The session, joined by enthusiastic supporters, highlighted the film’s impact, with many lauding its uplifting message.
As Sitaare Zameen Par progresses into its second week, its ₹90 crore haul underscores Aamir Khan’s enduring appeal. Whether it maintains this momentum amidst mixed critical reception remains to be seen, but its strong start has certainly reignited interest in his storytelling legacy.
Acclaimed Indian filmmakers Rajkumar Hirani, Shoojit Sircar, Anjali Menon, and Onir are teaming up for the second edition of My Melbourne, an Indo-Australian anthology film project that celebrates cultural diversity and strengthens cinematic ties between India and Australia, according to a press release.
Produced by Mind Blowing Films and presented by the Indian Film Festival of Melbourne (IFFM), the anthology builds on the success of its inaugural edition, released in March 2025. The first film featured short stories by directors Rima Das, Imtiaz Ali, Kabir Khan, and Onir, exploring themes of identity, gender, race, sexuality, and disability.
Mitu Bhowmick Lange, CEO of Mind Blowing Films and the project’s creative producer, described the response to the first My Melbourne as “immensely gratifying.” She said, “The film showed that authentic, heartfelt stories can resonate across borders. We’re privileged to have some of India’s most celebrated filmmakers contribute their vision to this second chapter. This initiative continues to champion inclusivity and collaboration, offering a platform for emerging talents from underrepresented communities.”
Rajkumar Hirani, renowned for blockbusters like Munna Bhai, 3 Idiots, PK, Sanju, and Dunki, expressed enthusiasm for the project. “My Melbourne is a unique canvas for crafting stories that are personal yet universal, bridging cultures through cinema,” he said.
Anjali Menon, known for her nuanced storytelling, highlighted the project’s alignment with her creative vision. “The themes of My Melbourne resonate deeply with my approach to storytelling—narratives that foster empathy and connect people across divides. I’m excited to be part of this cross-continental collaboration,” she said.
Shoojit Sircar, whose diverse filmography includes Vicky Donor, Madras Cafe, Piku, October, and Sardar Udham, emphasized the universal appeal of the anthology. “Stories transcend borders. My Melbourne is a powerful reminder that locally rooted narratives can carry global impact,” he said.
Onir, returning for the second edition, described the project as “an evolving journey.” He added, “Working with fresh themes and voices while continuing this meaningful initiative is profoundly fulfilling.”
The second instalment of My Melbourne promises to further the anthology’s mission of weaving diverse narratives, fostering cross-cultural dialogue, and spotlighting new voices in cinema.
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