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Vivek Agnihotri lambasts at Karan Johar after latter’s old video about murdering Anushka Sharma’s career goes viral

The Kuch Kuch Hota Hai director said he called Aditya insane and told him that there was no need for him to sign her.

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karan johar and Anushka Sharma

An old video of Bollywood filmmaker Karan Johar is going viral on social media in which he is seen confessing that he once wanted to murder Anushka Sharma’s career. The video is from a 2016 event where he said that he tried to sabotage Anushka’s career in her initial years in Bollywood.

The Dharma Productions owner, who is labelled a flagbearer of nepotism by Kangana Ranaut, recalled how he almost ruined her career after he asked Aditya Chopra to cast Sonam Kapoor opposite Shah Rukh Khan in Rab Ne Bana Di Jodi instead of Anushka.

Narrating the incident, he said when Aditya showed him the photo of Anushka Sharma to cast in the film, he straight away refused her to cast. The Kuch Kuch Hota Hai director said he called Aditya insane and told him that there was no need for him to sign her.

He said he wanted to cast Sonam Kapoor for this role, however, Aditya denied it and cast Anushka. Karan said the film was also something he reluctantly watched and was amazed.

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However, Karan revealed that Anushka’s performance in Band Baaja Baaraat completely changed his perception. He said he called her since he felt like he owed her an apology and a compliment. Karan was accompanied by Anushka and Aishwarya Rai at the 18th MAMI Mumbai Film Festival in 2016, which was held around the release of his directorial, Ae Dil Hai Mushkil.

He said, Apology because he felt so embarrassed that he would have actually ruined the graph of exceptional talent and secondly, a compliment because he thought she was amazing, the filmmaker added.

This video didn’t go well down with several users on social media. Even The Kashmir Files director Vivek Agnihotri slammed Karan Johar for his comment. Reacting to the video, Agnihotri said Someone’s only hobby is to make or break careers. If Bollywood is in the gutter, it’s because of some people’s dirty backroom politics against talented outsiders.

A few days back, Priyanka Chopra made a sensational claim about how she was cornered in Bollywood and why she wanted to leave the place. She also said shifting to Hollywood was her conscious choice owing to the problems she was facing in Bollywood.

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Entertainment

Sky Force social media review: Audiences say Akshay Kumar’s movie average

Supporters of Sky Force enthusiastically celebrate its impressive technical achievements. The cinematography is frequently lauded for its breathtaking visuals, effectively capturing the tension and drama inherent in the storyline.

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Akshay Kumar and Veer Pahariya’s latest action drama, Sky Force, made its theatrical debut on January 24th, 2025, igniting a firestorm of diverse opinions across social media platforms. The film, inspired by true events surrounding one of the most intense airstrikes between India and Pakistan, has become a battleground of contrasting viewpoints, leaving audiences sharply divided.

While some hail it as a cinematic triumph, others dismiss it as yet another underwhelming offering from the Bollywood powerhouse, Akshay Kumar. This stark dichotomy underscores the film’s failure to achieve a consensus among viewers, leaving its overall impact uncertain.

Supporters of Sky Force enthusiastically celebrate its impressive technical achievements. The cinematography is frequently lauded for its breathtaking visuals, effectively capturing the tension and drama inherent in the storyline.

The background score, too, receives considerable praise for its ability to amplify the emotional impact of key scenes, enriching the overall viewing experience. The sharp screenplay is also commended for its ability to maintain a compelling narrative throughout the film’s runtime.

Conversely, the film’s detractors point to a plethora of shortcomings. Many critics express disappointment with Akshay Kumar’s performance, suggesting a lack of dedication to the role and a reliance on a teleprompter. The storyline itself is frequently criticized for its predictable plot points and underdeveloped characters, failing to resonate with many viewers.

The film’s pacing also comes under fire, with some claiming a disjointed narrative structure that hinders the overall viewing experience. The CGI, a crucial component in any aerial action film, is deemed underwhelming by many, further diminishing the film’s appeal. Comparisons to other recent action films, notably Fighter, are frequently made, often to Sky Force’s detriment.

Despite these criticisms, Akshay Kumar’s portrayal of his character garners some positive feedback, with certain viewers praising his performance as the film’s saving grace. However, even this praise is tempered by the overall criticisms levied against the movie’s narrative and technical aspects.

In essence, Sky Force remains a deeply divisive film, failing to garner widespread critical acclaim. While its technical achievements are undeniable, the film’s flaws in terms of storyline, character development, and certain aspects of the acting performance prevent it from reaching its full potential.

The film’s ultimate success will hinge on whether its box office performance can overcome the negative feedback and divided audience response. Only time will tell whether Sky Force will achieve a lasting impact.

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Hisaab Barabar review: R Madhavan’s strong performance can’t save the film

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R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

Platform: Zee5
Genre: Drama
Director: Ashwni Dhir

In Ashwni Dhir’s latest directorial venture, Hisaab Barabar, the central theme revolves around a common man taking on an unjust system—an age-old concept that rarely fails to resonate with audiences. However, despite R Madhavan’s earnest portrayal of the protagonist, the film struggles to deliver a compelling narrative, falling short of its potential.

At the core of Hisaab Barabar is Radhe Mohan Sharma, an Indian Railways ticket examiner played by Madhavan. Sharma, a diligent single father, has an obsessive passion for numbers, a trait that propels him into a battle against a corrupt private bank. When he discovers a minor discrepancy of 27 rupees and 50 paise missing from his account, his seemingly simple quest for an explanation unravels into a larger conflict with Mickey Mehta (Neil Nitin Mukesh), the unscrupulous owner of the bank.

The film’s premise—an ordinary man’s war against the system—holds promise. However, the execution fails to capitalize on this potential. The narrative unfolds along predictably conventional lines, lacking the depth or unpredictability needed to keep viewers engaged. Sharma’s relentless pursuit of justice feels formulaic, with few surprises in store for the audience.

The film drifts between moments of mild humor and heavy-handed seriousness, ultimately struggling to find a rhythm that resonates. Radhe Mohan’s character, while driven by a strong moral compass, never evolves beyond his defining trait of being a number cruncher. As a result, despite Madhavan’s best efforts, the character lacks emotional depth, making it difficult for viewers to fully invest in his journey.

Kirti Kulhari, who plays a key role as a passenger with a connection to Sharma’s past, faces a similar issue. Although her character seems poised to offer emotional or narrative weight, she too remains underdeveloped. Her motivations and character arc are not explored sufficiently, leaving her character largely reactive to the actions of the lead. Kulhari’s performance, however, remains solid despite the constraints of the role.

On the opposite side of the spectrum, Neil Nitin Mukesh stands out as the greedy and manipulative bank owner, Mickey Mehta. His portrayal is flamboyant, and while the character’s exaggerated traits occasionally make him a more engaging figure, the lack of real conflict or challenge between him and Sharma detracts from the stakes of the story.

The film’s attempt at social commentary—highlighting the exploitation of middle-class bank customers—is timely, but the execution falls flat. Hisaab Barabar struggles to balance its critique of corruption with its dramatic elements, leading to a somewhat disjointed viewing experience. Despite a few relatable moments and its intentions to provoke thought, the film ultimately lacks the punch required to leave a lasting impact.

The central message, which advocates for the power of patience and perseverance in the face of overwhelming odds, is clear. However, it is delivered with such predictability that it fails to inspire or engage. The film does not venture beyond its safe, established formula of the David versus Goliath struggle, which leaves little room for the audience to feel any real stakes or tension.

Ultimately, Hisaab Barabar is a missed opportunity. While the film’s premise and Madhavan’s performance offer glimpses of what could have been, its lack of narrative depth, underdeveloped characters, and uneven execution prevent it from making any significant impact. What starts as a promising drama about an ordinary man against a corrupt system ends up as a forgettable, by-the-numbers affair.

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Friday OTT releases (January 24, 2025): A glimpse at this weekend’s must-watch movies, web series

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R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

As the weekend draws near, OTT platforms are serving up an exciting variety of new content to keep you entertained. With genres ranging from lighthearted romantic comedies to gripping thrillers, January 24, 2025, promises to offer something for everyone. Here’s a look at five highly anticipated releases to stream this Friday:

1. Sivarapalli – Amazon Prime Video

Sivarapalli – Amazon Prime Video

Release Date: January 24, 2025
Fans of the hit show Panchayat are in for a treat with Sivarapalli, a Telugu remake of the much-loved series. Set in the rural village of Sivarapalli in Telangana, the show follows an engineering graduate who is reluctantly thrust into the role of Panchayat Secretary. The series promises to offer a heartwarming and humorous look at rural life in India. With its relatable characters and small-town charm, Sivarapalli will appeal to fans of the original while also attracting new viewers. Stream it on Amazon Prime Video starting this Friday.

2. Sweet Dreams – Disney+ Hotstar

Sweet Dreams – Disney+ Hotstar

Release Date: January 24, 2025
This romantic dramedy features Mithila Palkar and Amol Parashar as Kenny and Dia, two people who embark on an unconventional journey to find their dream partners—literally. When both of them dream about meeting someone, they set out to find these mysterious figures in real life. The quirky premise and charming performances make Sweet Dreams an ideal weekend watch for those in the mood for something lighthearted yet intriguing. Available for streaming on Disney+ Hotstar.

3. The Sand Castle – Netflix

The Sand Castle – Netflix

Release Date: January 24, 2025
In this mystery thriller, a family of four finds themselves stranded on a deserted island where survival becomes a battle. Tensions rise as long-buried secrets come to light, threatening to tear the family apart. Directed by Matty Brown, The Sand Castle promises a gripping, edge-of-your-seat experience with its mix of mystery, suspense, and drama. With an IMDb rating of 7.9, this thriller is one not to miss. Catch it on Netflix this Friday.

4. Hisaab Barabar – Zee5

Hisaab Barabar – Zee5

Release Date: January 24, 2025
Hisaab Barabar is a satirical drama that delves into corruption and the quest for justice. The film follows Radhe Mohan Sharma, a railway ticket inspector who uncovers a massive financial scam after discovering discrepancies in his own bank account. Starring R Madhavan and Neil Nitin Mukesh, this social drama combines suspense with humor, making it an intriguing watch. With a strong storyline and sharp social commentary, Hisaab Barabar is now streaming on Zee5.

5. Saubhagyavati Sarpanch – Ultra Jhakaas

https://youtu.be/k2PbINwF6n0

Release Date: January 24, 2025
This inspiring drama tells the story of Awali, a housewife who unexpectedly becomes a Sarpanch, leading her village towards progressive change. The series touches on themes of women’s empowerment, as Awali challenges traditional norms and works towards social improvement. The show’s focus on overcoming societal barriers makes it a powerful narrative about hope, determination, and the transformative role of women in shaping society. Stream it now on Ultra Jhakaas.

The OTT platforms this weekend bring an exciting mix of genres, from the emotional depth of Sivarapalli to the mystery and tension of The Sand Castle. Whether you’re in the mood for romance, drama, or suspense, January 24 has something for everyone. Be sure to mark your calendars and catch these releases as they drop this Friday.

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