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Eye on Gujarat’s Rajputs votes, BJP and Congress unite against Bhansali’s Padmavati

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Eye on Gujarat’s Rajputs votes, BJP and Congress unite against Bhansali’s Padmavati

[vc_row][vc_column][vc_column_text]Congress, BJP want the Deepika Padukone-starrer to be banned in Gujarat or its release deferred till elections are over, say distortion of history shouldn’t be allowed

Even as the Congress and BJP engage in a high-pitched diatribe against each other in poll-bound Gujarat, here’s an issue that seems to have united the two political parties – Sanjay Leela Bhansali’s opulent multi-starrer Padmavati.

With doubts being raised on whether the film stays true to the “historical facts” of the siege of Chittor by Alauddin Khilji, the BJP and Congress both fear that any “distortion of history” by the makers of Padmavati might rile the Rajput community of Gujarat and cause a law and order situation. The Deepika Padukone-starrer film is slated for a December 1 release while Gujarat is scheduled to go for a two phase election on December 9 and 14.

The BJP has demanded that the Election Commission must intervene in the issue and either defer the release of Padmavati to a date after the Gujarat polls or ban the release of the film in the state. The Congress on the other hand has said that the film should be banned if it “distorts history”.

The demands by the BJP and the Congress – both parties are eyeing to capture the state’s substantial Kshatriya/Rajput vote which holds the key to winning around two dozen of the state’s 182 assembly seats – comes days after former chief minister Shankersinh Vaghela (a Kshatriya leader) threatened “violent protests” across the state if the film was released in Gujarat without being pre-screened for Hindu, and specifically Kshatriya, community leaders and being approved by them. Vaghela, who had quit the BJP over two decades ago to join the Congress but quit the grand-old party earlier this year, has announced a ‘third front’ to take challenge the Congress and the BJP in the largely bi-polar state.

Gujarat is a prestige battle for the BJP which has ruled the state for the past 22 years. It is also the home state of www.apnlive.com/topic/narendra-modiand the party’s national president Amit Shah. With Modi no longer the chief minister of Gujarat and the incumbent Vijay Rupani government facing an uphill electoral battle due to anti-incumbency and agitated Patel, Dalit, Adivasi and Minority communities, the Congress is hoping to finally end its exile from power in the state. In such a situation, every seat and every endorsement by members of different castes who comprise the Gujarat electorate counts.

While on the face of it, the BJP and Congress’ opposition to Padmavati may seem trivial, but in its backdrop lies a greater political battle for the two political parties.

Expectedly then, the state BJP’s spokesperson IK Jadeja said that his party “would prefer that Padmavati is either banned or its release.” A Kshatriya leader himself, Jadeja said: “We have received representations from Khastriya, Rajput communities opposing any purported distortion of history and character of Rani Padmavati in the movie.”

Senior Congress leader and also a chief ministerial hopeful, Shaktisinh Gohil echoed views that were strikingly similar to his political rival though he did seek to put the BJP in a spot too. “With elections round the corner, a minister from the BJP has written to the Election Commission seeking a ban on ‘Padmavati’ till the elections are over. It is your (BJP) government, write to the PM (sic),” Gohil said. The Congress leader added: “Postponing the release of the movie will not assuage the feelings of a community. We demand that if there has been distortion of history as some people have claimed, the movie should not be released at all.”

What is hilarious, though also disturbing, about the controversy over Padmavati is the fact that the “historical accuracy” that opponents of the film have been talking about is itself highly suspect. Several noted historians have rubbished the claims put forth by a section of self-anointed Rajput and Hindu scholars with regard to the siege of Chittor and the characters of Rani Padmavati (depicted in the film by Deepika Padukone) and Raja Rattan Singh (portrayed by Shahid Kapoor).

The character of Rani Padmavati was a creation of the 16th Century Sufi poet Malik Muhammad Jayasi who is known for his epic poem Padmavat. Written around 1540 AD, Padmavat introduced the character of Rani Padmavati to history. The legend that Alauddin Khilji got smitten by the beauty of the brave and immensely beautiful queen Padmavati and laid siege on Chittor to capture her was Jayasi’s creation – it was written over 200 years after Khilji’s actual conquest of Chittor in Rajasthan. In the years after 1540, the legend was strengthened by Hindu and Kshatriya scholars to establish Rani Padmavati as a ‘real historical character’ though her existence doesn’t really find any mention in the texts of the time when Chittor was actually conquered by Khilji.

Yet, the theatrical revival of the legend of Padmavati has caused a flutter in India today, leaving radical Hindu and Kshatriya groups riled. While Bhansali himself was attacked by goons of the Hindu right-wing outfit Karni Sena in January this year during the making of the film, in October members of the same fringe outfit destroyed a Surat-based local artist’s painstaking 48-hour-long effort at creating a ‘rangoli’ depicting Deepika Padukone as Padmavati.[/vc_column_text][/vc_column][/vc_row]

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Union Minister Scindia slams Rahul Gandhi for Maharajas remark, Congress hits back

He argued that Gandhi’s remarks demonstrated a limited understanding of India’s past, accusing him of overlooking the positive contributions of several royal families to social reform and development.

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A sharp political clash erupted following Rahul Gandhi’s assertion that only Maharajas enjoyed rights in pre-independence India. Addressing a rally in Mhow, Gandhi claimed that Dalits, Adivasis (tribal people), and other backward castes lacked rights before independence, a stark contrast to the privileged position of royal families. He framed the BJP-RSS’s vision as a return to this pre-independence era, where, he alleged, only the ultra-wealthy like Adani and Ambani would hold sway, leaving the poor to suffer in silence. Gandhi’s speech was a powerful indictment of what he perceived as a regressive political agenda.

This statement immediately drew fire from Jyotiraditya Scindia, a BJP leader and former Congress member. Scindia, in a series of posts on X (formerly Twitter), directly challenged Gandhi’s historical narrative. He argued that Gandhi’s remarks demonstrated a limited understanding of India’s past, accusing him of overlooking the positive contributions of several royal families to social reform and development.

Scindia highlighted specific examples: the financial assistance provided by Maharaja Sayajirao Gaekwad of Baroda to B.R. Ambedkar for his education, Chhatrapati Shahuji Maharaj’s pioneering 50% reservation for backward castes in his governance as early as 1902, and Madhavrao I of Gwalior’s establishment of educational and employment centres across the Gwalior-Chambal region.

Scindia’s carefully chosen examples aimed to paint a picture of royal patronage of social justice, directly contradicting Gandhi’s narrative. His pointed criticism also served as a personal attack, emphasizing the perceived hypocrisy of a leader from a prominent royal family criticizing the historical role of other such families.

The Congress responded swiftly and forcefully to Scindia’s critique. Pawan Khera, the party’s media and publicity head, launched a counter-offensive, accusing Scindia of conveniently overlooking the darker aspects of the royal families’ history. Khera’s response emphasized the often-overlooked collaboration between many royal families and the British Raj, highlighting their loyalty to colonial rule and the economic privileges they enjoyed even after India’s independence.

He pointed to the substantial tax-free allowances granted to the Gwalior royal family (₹2.5 million in 1950), continuing until 1971, as a direct consequence of their privileged status within the pre-independent and early independent Indian states. Khera’s argument challenged the selective portrayal of royal benevolence, underscoring the enduring economic and political power imbalances that persisted well into the post-independence era.

Furthermore, Khera brought up the contentious issue of a royal family’s alleged involvement in Mahatma Gandhi’s assassination, reminding the public of the complex and often morally ambiguous legacy of many royal houses. He also quoted Jawaharlal Nehru’s rejection of the “divine right of kings” in a Constituent Assembly speech, showcasing the Congress’s historical commitment to dismantling the hierarchical power structures of the past.

Khera’s counter-narrative skillfully framed the debate as a struggle between a vision of inclusive democracy and the remnants of feudal privilege. He cleverly deployed Subhadra Kumari Chauhan’s poem on the Rani of Jhansi, subtly referencing the Scindias’ alleged alliance with the British, to add a layer of pointed historical critique to his response.

The exchange between Scindia and Khera transcended a simple disagreement over historical interpretation. It revealed deep-seated political fault lines and competing narratives about India’s past and the nature of its present-day political landscape. It also highlighted the ongoing debate about the legacy of princely states in independent India and the delicate balance between recognizing past contributions and acknowledging historical injustices. The intense rhetoric used by both sides underscored the high stakes involved in shaping public perception of India’s history and its implications for contemporary politics.

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After Coldplay India tour, PM Modi pushes for live concerts

This includes not only the venues themselves but also the logistical support systems necessary to handle large-scale events smoothly and efficiently. The development of a skilled workforce, capable of managing all aspects of concert production and promotion, is equally vital.

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Prime Minister Narendra Modi has pointed to the phenomenal success of Coldplay’s recent concerts in Mumbai and Ahmedabad as a prime example of India’s burgeoning live music market. The sold-out shows, drawing massive crowds and widespread acclaim, showcased the immense potential for growth in the “concert economy,” a sector the Prime Minister believes is ripe for significant expansion.

Modi’s comments, made at the ‘Utkarsh Odisha – Make in Odisha Conclave 2025’, emphasized the need for coordinated efforts from both state governments and the private sector. He stressed the importance of investing in crucial infrastructure improvements and skills development to fully realize this potential.

This includes not only the venues themselves but also the logistical support systems necessary to handle large-scale events smoothly and efficiently. The development of a skilled workforce, capable of managing all aspects of concert production and promotion, is equally vital.

The Coldplay concerts, part of their Music of the Spheres World Tour, served as a compelling case study. The seamless organization and vibrant atmosphere were widely praised, underscoring the potential for India to become a major player in the global live music industry. The concerts weren’t merely successful musical events; they were significant cultural moments.

Chris Martin’s engaging interactions with the audience, incorporating Hindi, Marathi, and Gujarati, created a unique connection, demonstrating cultural sensitivity and enhancing the overall experience. The inclusion of patriotic songs like “Vande Mataram” and “Maa Tujhe Salaam” during the Ahmedabad concert, coinciding with Republic Day, further cemented the events’ resonance with the Indian public.

The presence of numerous celebrities, including Bollywood stars and prominent sports figures, added to the concerts’ high profile and contributed to the widespread media coverage. This amplified the message about India’s potential as a significant player in the international concert circuit.

Coldplay’s return to India, after their 2016 performance at the Global Citizen Festival, highlights the growing appeal of the country as a destination for major international artists. This positive trajectory suggests a bright future for India’s “concert economy,” a sector that Modi believes can be significantly boosted with strategic investment and planning.

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UP: 7 killed, 40 injured in stage collapse at Jain religious event in Baghpat

The incident serves as a stark reminder of the importance of stringent safety regulations and robust structural assessments for temporary structures used in large-scale public events.

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A tragic accident marred a Jain Nirvana festival in Baghpat, Uttar Pradesh, on Tuesday, resulting in the deaths of seven people and injuries to at least forty others, including women and children. The incident occurred during a laddu ceremony, a significant ritual in Jainism involving the offering of sweetmeats.

The cause of the tragedy was the collapse of a makeshift stage constructed from bamboo and wood. Hundreds of devotees had gathered to participate in the ceremony and offer laddoos to Lord Adinath, a revered figure in Jainism, in the presence of Jain monks. The weight of the crowd overwhelmed the temporary structure, leading to its catastrophic failure and the subsequent injuries and fatalities.

Eyewitness accounts paint a picture of chaos and panic as the stage gave way, trapping dozens of people beneath the debris. The rapid response of local authorities was crucial in mitigating the aftermath. According to district authorities, 108 ambulances were already on standby at the festival, allowing for immediate transport of the injured to hospitals for treatment. Senior police officials and other emergency personnel swiftly arrived on the scene to manage the situation and coordinate rescue efforts.

Baghpat’s District Magistrate, Asmita Lal, confirmed the casualties and provided an update on the injured. She stated that at least forty individuals had sustained injuries and were receiving medical attention, while twenty had been discharged after receiving first aid. The scale of the disaster highlights the inherent risks associated with inadequate structural integrity at large public gatherings.

Chief Minister Yogi Adityanath expressed his condolences and directed district officials to provide comprehensive medical care to the injured, ensuring that no effort is spared in their treatment and recovery. The incident serves as a stark reminder of the importance of stringent safety regulations and robust structural assessments for temporary structures used in large-scale public events.

Investigations into the cause of the stage collapse are likely to follow, focusing on the materials used, the construction methods, and the overall safety protocols in place. The tragedy underscores the need for heightened safety measures to prevent similar incidents in the future.

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