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Scripting for animation series is different, you have to push your imagination, says Motu Patlu writer Niraj Vikram

Niraj Vikram, writer of Motu Patlu talked with APN News and shared how working in the animation industry is kinda different than scripting for live-action shows.

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Niraj Vikram is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

The animation industry in India has witnessed a considerable amount of growth in the last few years, especially the cartoon series. Some of the most popular animated cartoon series like Motu Patlu, Dabangg, and Gattu Battu have dominated the cartoon industry and notably, this industry has become the best medium of creative expression these days. Content preferences among kids have changed over the years.

While live-action television shows ruling the Indian entertainment industry for a long time, these animated series created a strong impression in recent years. The influence of animation is growing every day in India. But animating shows does not only mean good illustrations but also a captivating story and close attention to details.

We always chase people who are on camera but the real heroes are actually those who are behind the camera, who infatuate the viewers with their writing. And one such person is Niraj Vikram, the man behind the stories of India’s most popular animated show Motu Patlu, who works round the clock to connect with the kids to bring the best each time.

In a conversation with APN News, Neeraj Vikram shared how writing for animation shows is different from scripting for live-action shows.

Motu Patlu was already a popular franchise of Lotpot Comics and when we asked him how he felt when he was approached for this show, he said “I was really excited to write for Motu Patlu. Lotpot Comics is one of our favourite comics and we’ve grown up reading it. So, when I was approached for Motu Patlu, I was thrilled and ecstatic.”

Talking about the responsibility to maintain characters’ legacy, he said, “It’s very important to create the show without retouching the characters. Initially and even now I feel it’s a big responsibility as most of us have already read the comic and we feel connected to the characters. So, the first thing I keep in mind while writing for this show, is the characters’ style, habits and patterns.”

Niraj Vikram has also scripted for Shararat and Son Pari

Before scripting for Motu Patlu, Niraj Vikram had already scripted for big shows like Shararat, Shaka Laka Boom Boom, and Son Pari, and when we asked him how difficult was for him to shift from live-action shows to animation shows, he said, “Animation isn’t monotonous like live-action shows. You can stretch the animation to any level whereas in live-action shows it is a bit difficult to show your creativity as you have to write it according to the storyline. For me, it wasn’t really difficult as I always wanted to be in animation because it pushes your imagination”, he added.

One must write a motion script in accordance with the target audience, and a motion script writer requires a great deal of skill and dedication. Talking about this, he said, “There have been times when I write a certain script but it doesn’t turn out the same way I wanted it. I feel bad sometimes, but I don’t lose hope as I know that shows need to undergo certain production levels and there’s a limited-time delivery.

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Niraj Vikram on Agnipath scheme

Niraj Vikram has also served in the Indian army for five years before entering the world of entertainment. We also asked him about the ongoing protests related to the Agnipath recruitment scheme, he said, “Government must have made the scheme after listing down its pros and cons. Instead of protesting, students need to give it a try. As the government has already said that if you don’t like the scheme, don’t join it. But I feel implementation is a must.”

Motu Patlu’s wax statue at Madame Tussauds

Talking about the achievements he is most proud of, he said “Having Motu Patlu’s wax statues at Madame Tussauds, New Delhi is literally the proudest moment as they are the first Indian animated character to have it installed at the wax museum. Other than this, Motu Patlu is completing its 10 years in October and has successfully completed 1,000 episodes.” He has also won the Best Writers Award in the Kids Choice Award in 2015 organized by Viacom 18.

Niraj is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

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Gaurav Khanna wins Bigg Boss 19, lifts trophy and Rs 50 lakh prize

Gaurav Khanna has been crowned the winner of Bigg Boss 19, securing the trophy and Rs 50 lakh after a competitive finale.

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Television actor Gaurav Khanna has been declared the winner of Bigg Boss 19, bringing the curtain down on a season packed with drama, intense face-offs and emotional moments. He secured the top spot after a closely fought finale, with Farhana Bhatt finishing as the first runner-up.

Gaurav Khanna’s steady game pays off

Premiering on August 24 with 18 contestants, the season showcased shifting alliances, sharp strategies and memorable confrontations. Despite being seen as quiet in the early weeks, Gaurav Khanna gradually emerged as one of the strongest voices inside the house. His composed demeanour and calculated task performance helped him build momentum through the competition.

Farhana Bhatt ends as runner-up

Farhana Bhatt, known for her dynamic presence and determination throughout the season, finished second. Although she narrowly missed the title, her journey remained one of the standout tracks of the show.

Finale eliminations

The grand finale began with multiple eliminations — Amaal Mallik was the first finalist to bow out, followed by Tanya Mittal, and then Pranit More, leaving Gaurav and Farhana as the top two contenders.
Gaurav ultimately lifted the trophy and took home a cash prize of Rs 50 lakh.

With the conclusion of Bigg Boss 19, the show wraps another season marked by strategy, rivalry and heartfelt moments that kept viewers engaged from start to finish.

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Dhurandhar review: Ranveer Singh roars back, Akshaye Khanna shines in intense spy thriller

Ranveer Singh returns with a ferocious performance in Dhurandhar, supported by Akshaye Khanna, Sanjay Dutt, and a gripping espionage storyline set against real historical events.

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Dhurandhar review

Ranveer Singh makes a striking return to the big screen with Dhurandhar, delivering a fierce, layered performance in Aditya Dhar’s ambitious spy thriller. Blending historical terror incidents with a fictional revenge saga, the film explores India’s covert response to cross-border terrorism through the secret project ‘Dhurandhar’.

A brutal world built around revenge and espionage

Set around the IC-814 Kandahar hijack and the 2001 Parliament attack, Dhurandhar opens with Ajay Sanyal, an Intelligence Bureau officer played by R Madhavan, who strongly opposes releasing captured terrorists. Despite his resistance, bureaucracy prevails, setting the stage for the covert mission he later leads.

The project introduces its central weapon — Humza Ali Mazari, later revealed to be Jaskirat Singh Rangil — portrayed by Ranveer Singh with ferocity and emotional depth. Dropped straight into Karachi’s dangerous Lyari district, Humza navigates a nexus of gangs, politicians, and the ISI, with the narrative also touching upon tensions between local Pakistanis and Baloch communities.

Performances that elevate the film

Akshaye Khanna nearly steals the spotlight as a feared Lyari gangster inspired by Rehman ‘Dakait’ Baloch. Sanjay Dutt’s portrayal of SP Chaudhry Aslam brings an intimidating presence, while Arjun Rampal’s Major Iqbal leaves a lingering impact despite limited screen time.

Sara Arjun plays Yalina with conviction, and the film also features an unrecognisable Gaurav Gera in a surprise appearance.

Music, violence, and a split narrative

Shashwat Sachdev’s background score stands out, weaving classic Pakistani melodies with Indian retro hits to complement the film’s shifting tones. Viewers should be prepared for intense brutality, graphic torture scenes, and sudden shifts in narrative style — especially in a second half that feels markedly different from the first.

The episodic structure, archival footage, and mix of real and fictional characters add layers, though some may find the format distracting.

Ending that sets up part two

While the film does not end on a dramatic cliffhanger, its teaser for the second part — scheduled for March 19, 2026 — ensures audiences will return to witness the conclusion of Humza’s journey.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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