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Scripting for animation series is different, you have to push your imagination, says Motu Patlu writer Niraj Vikram

Niraj Vikram, writer of Motu Patlu talked with APN News and shared how working in the animation industry is kinda different than scripting for live-action shows.

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Niraj Vikram is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

The animation industry in India has witnessed a considerable amount of growth in the last few years, especially the cartoon series. Some of the most popular animated cartoon series like Motu Patlu, Dabangg, and Gattu Battu have dominated the cartoon industry and notably, this industry has become the best medium of creative expression these days. Content preferences among kids have changed over the years.

While live-action television shows ruling the Indian entertainment industry for a long time, these animated series created a strong impression in recent years. The influence of animation is growing every day in India. But animating shows does not only mean good illustrations but also a captivating story and close attention to details.

We always chase people who are on camera but the real heroes are actually those who are behind the camera, who infatuate the viewers with their writing. And one such person is Niraj Vikram, the man behind the stories of India’s most popular animated show Motu Patlu, who works round the clock to connect with the kids to bring the best each time.

In a conversation with APN News, Neeraj Vikram shared how writing for animation shows is different from scripting for live-action shows.

Motu Patlu was already a popular franchise of Lotpot Comics and when we asked him how he felt when he was approached for this show, he said “I was really excited to write for Motu Patlu. Lotpot Comics is one of our favourite comics and we’ve grown up reading it. So, when I was approached for Motu Patlu, I was thrilled and ecstatic.”

Talking about the responsibility to maintain characters’ legacy, he said, “It’s very important to create the show without retouching the characters. Initially and even now I feel it’s a big responsibility as most of us have already read the comic and we feel connected to the characters. So, the first thing I keep in mind while writing for this show, is the characters’ style, habits and patterns.”

Niraj Vikram has also scripted for Shararat and Son Pari

Before scripting for Motu Patlu, Niraj Vikram had already scripted for big shows like Shararat, Shaka Laka Boom Boom, and Son Pari, and when we asked him how difficult was for him to shift from live-action shows to animation shows, he said, “Animation isn’t monotonous like live-action shows. You can stretch the animation to any level whereas in live-action shows it is a bit difficult to show your creativity as you have to write it according to the storyline. For me, it wasn’t really difficult as I always wanted to be in animation because it pushes your imagination”, he added.

One must write a motion script in accordance with the target audience, and a motion script writer requires a great deal of skill and dedication. Talking about this, he said, “There have been times when I write a certain script but it doesn’t turn out the same way I wanted it. I feel bad sometimes, but I don’t lose hope as I know that shows need to undergo certain production levels and there’s a limited-time delivery.

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Niraj Vikram on Agnipath scheme

Niraj Vikram has also served in the Indian army for five years before entering the world of entertainment. We also asked him about the ongoing protests related to the Agnipath recruitment scheme, he said, “Government must have made the scheme after listing down its pros and cons. Instead of protesting, students need to give it a try. As the government has already said that if you don’t like the scheme, don’t join it. But I feel implementation is a must.”

Motu Patlu’s wax statue at Madame Tussauds

Talking about the achievements he is most proud of, he said “Having Motu Patlu’s wax statues at Madame Tussauds, New Delhi is literally the proudest moment as they are the first Indian animated character to have it installed at the wax museum. Other than this, Motu Patlu is completing its 10 years in October and has successfully completed 1,000 episodes.” He has also won the Best Writers Award in the Kids Choice Award in 2015 organized by Viacom 18.

Niraj is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

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Dhurandhar box office collection crosses Rs 1,000 crore worldwide in 21 days

Dhurandhar has crossed Rs 1,000 crore worldwide within 21 days, becoming the highest-grossing Indian film of 2025 so far.

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Dhurandhar

Dhurandhar continues its strong theatrical run, achieving a major milestone at the global box office. The Ranveer Singh-led film has crossed the Rs 1,000 crore mark worldwide within 21 days of its release, reinforcing its position as the highest-grossing Indian film of 2025 so far.

Released on December 5, the film has shown sustained momentum both in India and overseas, outperforming other major releases of the year and entering the elite Rs 1,000 crore club.

Strong worldwide and domestic performance

According to figures shared by the makers, Dhurandhar has earned Rs 1006.7 crore globally in just three weeks. With this, it has gone past earlier big releases of the year, including Kantara Chapter 1 and Chhaava, to set a new benchmark in worldwide collections.

In the domestic market, the film has posted equally impressive numbers. Over its first 21 days, Dhurandhar collected more than Rs 650 crore in India. The film earned Rs 28.60 crore on Day 21, which coincided with Christmas, further boosting its overall tally.

A closer look at the India collections shows a strong week-wise performance. The film opened with Rs 218 crore in its first week, followed by Rs 261.50 crore in the second week. Between Days 15 and 20, it added Rs 160.70 crore. With the Day 21 earnings included, the total net domestic collection stands at Rs 668.80 crore, placing it among the biggest box office successes of the year and pushing it closer to the Rs 700 crore mark in India.

Entry into top domestic earners list

With its current numbers, Dhurandhar has also secured a spot among the top ten highest-grossing Indian films based on domestic net collections. The film has overtaken Ranbir Kapoor’s Animal to claim the ninth position on the list, underlining its exceptional run in theatres.

Cast, direction and sequel announcement

Headlined by Ranveer Singh, Dhurandhar features an ensemble cast that includes Akshaye Khanna, Arjun Rampal, Sanjay Dutt, R. Madhavan, Sara Arjun and Rakesh Bedi. The film is directed by Aditya Dhar, whose storytelling and the performances of the cast have been key factors behind its box office success.

The makers have already confirmed a sequel, which was hinted at in the post-credit scene. The follow-up film is scheduled to release on March 19, 2026, and will hit theatres in Hindi, Tamil, Telugu, Kannada and Malayalam.

With its record-breaking global earnings and continued strong performance in India, Dhurandhar is set to close 2025 as one of the most successful Indian films in recent years.

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Govinda’s Avatar: Fire and Ash cameo clips go viral, truth behind the AI-generated videos

AI-generated videos claiming Govinda’s cameo in Avatar: Fire and Ash have gone viral, but the actor does not appear in the film.

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Govinda’s ‘Avatar: Fire and Ash’ cameo clips go viral, truth behind the AI-generated videos

Social media users were left amused and confused after several viral clips claimed that Bollywood actor Govinda had made a surprise cameo in Avatar: Fire and Ash. The videos, which surfaced days after the film’s global release, showed Govinda as a blue-skinned Na’vi on Pandora, delivering dialogues in his trademark style or appearing on screen alongside Jake Sully.

The clips spread rapidly across platforms, with many viewers enjoying the humour, while others questioned whether the filmmaker had actually pulled off an unexpected crossover. Comments ranged from jokes asking where the “full movie” could be watched to disbelief over the possibility of such a casting choice.

No real cameo, clips are entirely AI-generated

Despite their convincing visuals, the viral videos are not authentic. Govinda does not appear in Avatar: Fire and Ash in any form. All the circulating clips and images have been created using artificial intelligence and fan edits, meant purely as memes and satire.

The buzz grew partly because of an old interview where Govinda had claimed he was once offered a role in Avatar but declined it. In that interaction, the actor spoke about being approached for a long shooting schedule and even claimed to have suggested the film’s title. However, this account was later questioned by his wife, Sunita Ahuja, who publicly said she was unaware of any such offer and distanced herself from the claim.

How old claims added fuel to the viral joke

Sunita Ahuja, speaking in a recent podcast, said she had no knowledge of the filmmaker visiting or offering Govinda a role, adding that she did not support false narratives. Her remarks resurfaced as the AI-generated clips went viral, reinforcing that the current buzz has no factual basis.

Avatar, directed by James Cameron, released in 2009, followed by The Way of Water in 2022. Avatar: Fire and Ash, the third instalment of the franchise, is currently running in cinemas worldwide, featuring Sam Worthington and Zoe Saldana in lead roles.

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The Odyssey trailer: Christopher Nolan unveils first look of epic journey led by Matt Damon

Christopher Nolan has released the first trailer of The Odyssey, offering a glimpse into Matt Damon’s epic journey home after the Trojan War.

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Christopher Nolan’s much-awaited film The Odyssey has officially stepped into the spotlight with the release of its first trailer. The ambitious project adapts Homer’s legendary epic and promises a large-scale cinematic experience rooted in myth, war and survival.

A glimpse into Odysseus’ long journey home

The trailer introduces Matt Damon as Odysseus, the Greek hero trying to make his way back home after the Trojan War. The visuals open in the immediate aftermath of the war, showing Odysseus leading his men away from Troy with the hope of returning to their families. However, the journey ahead appears long and dangerous.

Scenes highlight harsh landscapes, turbulent seas and repeated shipwrecks, underlining the physical and emotional toll of the voyage. The focus remains on endurance and survival rather than dialogue, with visuals driving the narrative forward.

One notable sequence shows Odysseus and his soldiers hidden inside the Trojan Horse, confirming that the fall of Troy forms part of the film’s early chapters. Another moment set in a dark cave, with an ominous moving shadow, hints at mythical threats without revealing them fully.

Family ties at the heart of the story

Alongside the action, the trailer places emphasis on family and emotional bonds. Tom Holland appears as Telemachus, Odysseus’ son, while Anne Hathaway plays Penelope, his wife waiting for his return. Their presence adds a personal dimension to the otherwise grand scale of the story.

Ensemble cast and technical scale

The film features an extensive cast that includes Zendaya, Lupita Nyong’o, Charlize Theron, Robert Pattinson, Mia Goth, Benny Safdie, Jon Bernthal, John Leguizamo, Elliot Page, Himesh Patel and Corey Hawkins, alongside Damon, Hathaway and Holland.

Christopher Nolan has written and directed The Odyssey and is producing it with Emma Thomas. Backed by a major studio, the film has been shot using new IMAX technology and is described as the first feature made entirely using IMAX’s largest film format.

The Odyssey is scheduled for a worldwide theatrical release on July 17, 2026.

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