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Dhoom Dhaam review: Yami Gautam and Pratik Gandhi try to spark fun in Dhoom Dhaam, but does it work?

Dhoom Dhaam brings together a fun-loving bride and a meek groom in a chaotic rom-com, but while the performances shine, the film struggles to maintain the humor and thrill it promises.

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Yami Gautam and Pratik Gandhi in a scene from Dhoom Dhaam

Yami Gautam’s latest offering, Dhoom Dhaam, has all the ingredients of a high-energy rom-com. Packed with action, humor, and a fast-paced plot, the film promises to entertain. But while the performances of the lead actors shine brightly, the film ultimately struggles to live up to its potential, leaving viewers longing for more.

A wedding night derailed

The movie opens with Koyal Chadda (played by Yami Gautam), a spirited Punjabi bride, and her newlywed husband, Veer Poddar (Pratik Gandhi), settling into a luxury hotel suite for their suhaag raat. But the night takes an unexpected turn when armed goons burst in, demanding to know the whereabouts of a mysterious figure named “Charlie.” Amid confusion and fear, the newlyweds are thrust into a chaotic adventure that tests both their relationship and survival instincts.

Character dynamics and comedic moments

One of the film’s strengths lies in its character dynamics. Koyal is a tough, independent woman who takes charge of the situation, while Veer, the reluctant hero, is a phobic, rule-abiding veterinarian. Their contrasting personalities provide ample opportunities for comedy, but the movie doesn’t always capitalize on this chemistry. Yami Gautam brings a strong, assertive presence to Koyal, while Pratik Gandhi shines in his role as the reluctant, sometimes meek husband. Together, they create a comic duo with potential, but the writing fails to sustain the laughs.

Chaos and plot twists

The film is filled with chaotic moments as the couple runs from one perilous situation to another. With goons on their tail and a mystery surrounding the missing Charlie, the movie is peppered with plot twists that keep things moving. However, most of these twists fail to surprise or fully engage the audience. While the action and confusion might keep the adrenaline high, the lack of depth in the plot makes it hard for the film to offer a memorable experience.

A few moments of brilliance

While the movie falters at times, there are a few standout moments that break through the madness. A hilarious line from Veer, who claims he’s vegetarian because “I’m an animal doctor. I cannot eat my patients,” brings some much-needed humor. Another notable scene is when Koyal delivers a passionate monologue about the lies women have to tell to gain freedom in a conservative society—one of the film’s strongest points, thanks to Gautam’s impressive delivery.

Watch trailer here:

Dhoom Dham Trailer

The film’s shortcomings

Despite the energy and charm of its lead actors, Dhoom Dhaam fails to maintain a consistent tone. The film swings between slapstick humor, action sequences, and emotional moments, but it never fully balances these elements. The comedy often feels forced, and the action scenes, though energetic, lack the necessary impact to make them truly engaging.

In addition, the supporting cast, including Kavin Dave and Mukul Chadda, while competent, don’t leave much of an impression. The film’s climax, staged in a warehouse, is predictable, and the inclusion of a pet dog as a surprise savior feels more like a gimmick than an actual plot device.

Conclusion: A missed opportunity

Dhoom Dhaam is a film with great potential but fails to realize it. While Yami Gautam and Pratik Gandhi bring energy and charm to their roles, the film’s uneven writing and lackluster plot hold it back from becoming the full-fledged comedy it aims to be. It’s a harmless diversion with a few enjoyable moments, but ultimately, it doesn’t hit the high notes of a truly great rom-com.

Entertainment

Musician Bhagirath Bhatt breaks silence on Bigg Boss 20 entry, says not going

Musician and sitarist Bhagirath Bhatt has clarified that he will not participate in Bigg Boss 20, citing his preference for calm music and peaceful surroundings.

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Bhagirath Bhatt

Sitarist and music composer Bhagirath Bhatt has clarified that he will not be participating in Bigg Boss 20, putting an end to speculation about his possible entry into the reality show.

Bhatt addressed the questions he had been receiving from followers on social media and thanked them for their interest. However, he made it clear that he is not part of the upcoming season.

Bhagirath Bhatt explains why he is not joining Bigg Boss 20

In an Instagram Story, Bhatt said that he does not think he is suited to a show like Bigg Boss. He explained that his personality is more aligned with calm and peaceful surroundings.

The musician said he is not someone who can shout or create unnecessary noise and described himself as a believer in calm music. He added that peaceful music has always been a source of inspiration for him.

His clarification came after his name had been circulating in discussions about possible contestants for Bigg Boss 20.

Bhagirath Bhatt’s work in films and series

Bhagirath Bhatt is known for his work as a sitarist and music composer. According to the report, he has worked on films including Padmaavat, Bhool Bhulaiyaa 3 and Border 2.

He has also been associated with projects such as Bandish Bandits and Heeramandi.

Meanwhile, the makers of Bigg Boss 20 are yet to officially reveal the complete contestant list. The new season is scheduled to premiere on September 6 at 9 PM.

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Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

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Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

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Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

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Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

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