Entertainment

Hisaab Barabar review: R Madhavan’s strong performance can’t save the film

Published

2 years ago

January 24, 2025

R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

Platform: Zee5
Genre: Drama
Director: Ashwni Dhir

In Ashwni Dhir’s latest directorial venture, Hisaab Barabar, the central theme revolves around a common man taking on an unjust system—an age-old concept that rarely fails to resonate with audiences. However, despite R Madhavan’s earnest portrayal of the protagonist, the film struggles to deliver a compelling narrative, falling short of its potential.

At the core of Hisaab Barabar is Radhe Mohan Sharma, an Indian Railways ticket examiner played by Madhavan. Sharma, a diligent single father, has an obsessive passion for numbers, a trait that propels him into a battle against a corrupt private bank. When he discovers a minor discrepancy of 27 rupees and 50 paise missing from his account, his seemingly simple quest for an explanation unravels into a larger conflict with Mickey Mehta (Neil Nitin Mukesh), the unscrupulous owner of the bank.

The film’s premise—an ordinary man’s war against the system—holds promise. However, the execution fails to capitalize on this potential. The narrative unfolds along predictably conventional lines, lacking the depth or unpredictability needed to keep viewers engaged. Sharma’s relentless pursuit of justice feels formulaic, with few surprises in store for the audience.

The film drifts between moments of mild humor and heavy-handed seriousness, ultimately struggling to find a rhythm that resonates. Radhe Mohan’s character, while driven by a strong moral compass, never evolves beyond his defining trait of being a number cruncher. As a result, despite Madhavan’s best efforts, the character lacks emotional depth, making it difficult for viewers to fully invest in his journey.

Kirti Kulhari, who plays a key role as a passenger with a connection to Sharma’s past, faces a similar issue. Although her character seems poised to offer emotional or narrative weight, she too remains underdeveloped. Her motivations and character arc are not explored sufficiently, leaving her character largely reactive to the actions of the lead. Kulhari’s performance, however, remains solid despite the constraints of the role.

On the opposite side of the spectrum, Neil Nitin Mukesh stands out as the greedy and manipulative bank owner, Mickey Mehta. His portrayal is flamboyant, and while the character’s exaggerated traits occasionally make him a more engaging figure, the lack of real conflict or challenge between him and Sharma detracts from the stakes of the story.

The film’s attempt at social commentary—highlighting the exploitation of middle-class bank customers—is timely, but the execution falls flat. Hisaab Barabar struggles to balance its critique of corruption with its dramatic elements, leading to a somewhat disjointed viewing experience. Despite a few relatable moments and its intentions to provoke thought, the film ultimately lacks the punch required to leave a lasting impact.

The central message, which advocates for the power of patience and perseverance in the face of overwhelming odds, is clear. However, it is delivered with such predictability that it fails to inspire or engage. The film does not venture beyond its safe, established formula of the David versus Goliath struggle, which leaves little room for the audience to feel any real stakes or tension.

Ultimately, Hisaab Barabar is a missed opportunity. While the film’s premise and Madhavan’s performance offer glimpses of what could have been, its lack of narrative depth, underdeveloped characters, and uneven execution prevent it from making any significant impact. What starts as a promising drama about an ordinary man against a corrupt system ends up as a forgettable, by-the-numbers affair.

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Entertainment

CID creator BP Singh dies of heart attack, film industry pays tribute

B.P. Singh, the creator and producer-director of CID, has died after suffering a heart attack. His contribution to Indian television has prompted tributes from colleagues and members of the entertainment industry.

Published

1 week ago

October 27, 2026

APNLive Desk

Veteran television producer-director B.P. Singh, best known for creating the popular crime investigation series CID, has died after suffering a heart attack. His death on Tuesday, October 27, prompted tributes from colleagues and members of the entertainment industry, who remembered his contribution to Indian television.

Filmmaker Ashoke Pandit shared the news of Singh’s death in a social media post, remembering him as an accomplished filmmaker whose work had captivated audiences through shows such as CID and Aahat.

Pandit also recalled his association with Singh during the latter’s tenure as president of the Indian Film and Television Directors’ Association. Expressing grief over the loss, he described Singh as a close friend and a person whose work would continue to inspire future generations.

The last rites are scheduled to take place on Wednesday, October 28, according to Pandit’s post.

BP Singh’s contribution to Indian television

Born Brijendra Pal Singh, B.P. Singh established himself as a prominent figure in Indian television through his work as a producer and director. He created CID, one of the country’s longest-running crime investigation shows, which premiered in 1998 and followed a team of Mumbai crime branch officers investigating cases.

The series became widely recognised among television audiences and ran for around two decades. Singh also occasionally appeared on the show as DCP Shamsher Singh Chitrole.

One of the show’s notable milestones came in October 2004, when a special episode was filmed in a single continuous take lasting 111 minutes. The achievement received recognition in the Limca Book of Records and the Guinness World Records.

Singh’s work was not limited to crime dramas. He was also associated with Aahat, a popular horror television series that aired from 1995 to 2015. His other projects included Khaaki, Abhay and SuperCops Vs Super Villains.

Ashoke Pandit remembers the veteran filmmaker

In his tribute, Pandit recalled Singh’s professional achievements and their personal association. He praised the filmmaker’s work on CID and Aahat and expressed condolences to his family and loved ones.

Singh’s death marks the loss of a veteran television professional whose productions helped shape crime and horror programming in India.

His work on CID and Aahat remains a significant part of his legacy in Indian television.

Entertainment

Veteran actor Mushtaq Khan, known for Welcome and Hera Pheri, dies at 56

Veteran actor Mushtaq Khan, known for his memorable supporting role in Welcome, has died at 56.

Published

1 month ago

September 24, 2026

APNLive Desk

Veteran actor Mushtaq Khan, who appeared in several Hindi films and was particularly remembered for his role in the 2007 comedy Welcome, has died at the age of 56.

Khan was known for playing supporting characters across Hindi cinema and had worked in films spanning several decades. His role as Balu in Welcome remains among his best-known performances.

Mushtaq Khan’s film career

Mushtaq Khan appeared in a wide range of films during his career. His filmography included Aashiqui, Hum Hain Rahi Pyar Ke, Gopi Kishan, Krantiveer, Raja, Mujhse Shaadi Karogi, Jodi No. 1 and Hera Pheri.

He also featured in more recent films including Stree 2, Gadar 2, Baby John, Dhoom Dhaam and Jaat. His filmography lists acting work continuing into 2026.

In Welcome, Khan played Balu, a supporting character in the comedy starring Akshay Kumar, Nana Patekar, Anil Kapoor and other prominent actors.

Khan’s career also included television work, with his credits spanning a wide range of acting roles over the years.

Mushtaq Khan dies at 56

The actor’s death was reported on September 24, 2026. Reports said Khan had been undergoing treatment after being diagnosed with liver cancer and had been hospitalised for around 15 days. Further details surrounding his death were awaited in the initial reports.

Mushtaq Khan was 56. IMDb lists his date of birth as December 31, 1969.

Entertainment

Deepika Padukone and Ranveer Singh welcome baby girl, their second child

Deepika Padukone and Ranveer Singh have welcomed their second child, a baby girl. The couple announced the birth on Instagram.

Published

2 months ago

September 20, 2026

APNLive Desk

Bollywood stars Deepika Padukone and Ranveer Singh have welcomed their second child, a baby girl. The couple announced the arrival of their daughter on Instagram on Saturday through a post featuring a baby’s footprint.

The newborn is the couple’s second daughter. Deepika and Ranveer became parents for the first time in September 2024, when they welcomed their daughter Dua.

The couple has not announced the name of their newborn daughter in the post.

Deepika Padukone and Ranveer Singh’s last spotting

Just a day before the announcement, Deepika Padukone visited Mumbai’s Siddhivinayak Temple with Ranveer Singh and his parents.

Deepika was seen wearing an orange and purple kurta set, while Ranveer wore a purple kurta with white trousers. The visit came as the couple awaited the arrival of their second child.

Interestingly, the couple had also visited Siddhivinayak Temple in September 2024, shortly before the birth of their first daughter Dua.

Deepika and Ranveer’s family

Deepika Padukone and Ranveer Singh married on November 14, 2018, in Lake Como, Italy. Their wedding featured ceremonies reflecting their Konkani and Sindhi backgrounds.

The couple’s relationship began while working together on Goliyon Ki Raasleela Ram-Leela in 2013. They later got engaged in 2015 and welcomed their first child, Dua, on September 8, 2024.