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Hisaab Barabar review: R Madhavan’s strong performance can’t save the film

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R Madhavan in a still from 'Hisaab Barabar', reviewing his character’s battle against a corrupt bank.

Platform: Zee5
Genre: Drama
Director: Ashwni Dhir

In Ashwni Dhir’s latest directorial venture, Hisaab Barabar, the central theme revolves around a common man taking on an unjust system—an age-old concept that rarely fails to resonate with audiences. However, despite R Madhavan’s earnest portrayal of the protagonist, the film struggles to deliver a compelling narrative, falling short of its potential.

At the core of Hisaab Barabar is Radhe Mohan Sharma, an Indian Railways ticket examiner played by Madhavan. Sharma, a diligent single father, has an obsessive passion for numbers, a trait that propels him into a battle against a corrupt private bank. When he discovers a minor discrepancy of 27 rupees and 50 paise missing from his account, his seemingly simple quest for an explanation unravels into a larger conflict with Mickey Mehta (Neil Nitin Mukesh), the unscrupulous owner of the bank.

The film’s premise—an ordinary man’s war against the system—holds promise. However, the execution fails to capitalize on this potential. The narrative unfolds along predictably conventional lines, lacking the depth or unpredictability needed to keep viewers engaged. Sharma’s relentless pursuit of justice feels formulaic, with few surprises in store for the audience.

The film drifts between moments of mild humor and heavy-handed seriousness, ultimately struggling to find a rhythm that resonates. Radhe Mohan’s character, while driven by a strong moral compass, never evolves beyond his defining trait of being a number cruncher. As a result, despite Madhavan’s best efforts, the character lacks emotional depth, making it difficult for viewers to fully invest in his journey.

Kirti Kulhari, who plays a key role as a passenger with a connection to Sharma’s past, faces a similar issue. Although her character seems poised to offer emotional or narrative weight, she too remains underdeveloped. Her motivations and character arc are not explored sufficiently, leaving her character largely reactive to the actions of the lead. Kulhari’s performance, however, remains solid despite the constraints of the role.

On the opposite side of the spectrum, Neil Nitin Mukesh stands out as the greedy and manipulative bank owner, Mickey Mehta. His portrayal is flamboyant, and while the character’s exaggerated traits occasionally make him a more engaging figure, the lack of real conflict or challenge between him and Sharma detracts from the stakes of the story.

The film’s attempt at social commentary—highlighting the exploitation of middle-class bank customers—is timely, but the execution falls flat. Hisaab Barabar struggles to balance its critique of corruption with its dramatic elements, leading to a somewhat disjointed viewing experience. Despite a few relatable moments and its intentions to provoke thought, the film ultimately lacks the punch required to leave a lasting impact.

The central message, which advocates for the power of patience and perseverance in the face of overwhelming odds, is clear. However, it is delivered with such predictability that it fails to inspire or engage. The film does not venture beyond its safe, established formula of the David versus Goliath struggle, which leaves little room for the audience to feel any real stakes or tension.

Ultimately, Hisaab Barabar is a missed opportunity. While the film’s premise and Madhavan’s performance offer glimpses of what could have been, its lack of narrative depth, underdeveloped characters, and uneven execution prevent it from making any significant impact. What starts as a promising drama about an ordinary man against a corrupt system ends up as a forgettable, by-the-numbers affair.

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Vijay’s last film Jana Nayagan poised for massive opening, Rs 100 crore business expected on Day 1

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Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.

If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.

Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.

Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).

The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.

Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.

As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.

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FIFA World Cup final halftime show divides fans despite stars

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FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.

The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.

FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.

However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.

Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.

FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.

As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.

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Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine

Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.

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The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.

Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.

Pushpa 2 earns screenplay and costume design honours

Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.

The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.

Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition

Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.

Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).

Committee Kurrollu wins Best Telugu Film

Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.

Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.

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