Panchayat Season 4, now streaming on Prime Video, continues its journey through the dusty lanes of Phulera village, bringing back the familiar faces and their interwoven dynamics. But as the political games grow more intense, the show’s original warmth and charm seem to fade — leaving a series that still entertains but lacks the emotional punch of its earlier seasons.
Panchayat humour still survives, but in fragments
Though the heart of Panchayat has always rested in its rustic humour and subtle emotional moments, season 4 continues a tonal shift that began in its predecessor. Jitendra Kumar’s Sachiv Ji, Raghubir Yadav’s Pradhan Ji, and the ensemble retain their charm, but the narrative leans more into political turf wars than simple village life.
There are moments of relief — the laugh shared by Prahlad Cha (Faisal Malik), the unexpected “Aye sasur!” in front of an actual father-in-law, and Pradhan Ji’s legendary group text “Hi” that signals their drunken rants — all keep the spirit alive. But these are few and scattered, like laughter echoing in a tense room.
Dirty politics, quirky symbols, and a dash of drama
Politics has become the beating heart of season 4. The battle between the lauki (ruling party) and pressure cooker (opposition) symbols mirrors the struggle for power between Manju Devi’s camp and Kranti Devi’s rising influence. The show dives into tactics involving everything from samosa diplomacy to laddoo logic — showcasing how even food turns into political currency.
A harsh attack on Khushboo, a pregnant woman, marks a sharp turn in the show’s political storytelling, exposing the kind of calculated character assassinations that rural politics often witnesses.
Emotional layers and side characters come alive
Despite the heavier tone, Panchayat gives some of its secondary characters more meaningful arcs. Opposition members Binod and Madhav are fleshed out beyond their comic roles. Meanwhile, Neena Gupta’s Manju Devi attempts to lure rivals with sweet seviyan and warm hospitality, reflecting the layered strategies of village politics.
The story also touches upon grief — Faisal Malik’s Prahlad Cha continues to carry the emotional weight of his son’s loss in season two, often using humour as a coping tool. These character moments balance the rising political drama.
Abhishek and Rinky: love lingers, but choices loom
With Abhishek and Rinky finally admitting their feelings, season 4 offers a personal subplot that’s been building over three seasons. But with Abhishek’s CAT results on the horizon and political uncertainty ahead, their relationship enters a delicate phase. Their bond, tender yet restrained, mirrors the village’s own state — torn between ambition and belonging.
Verdict: should you watch Panchayat season 4?
For long-time fans, season 4 is a continuation worth following, especially with its setup for a potential fifth season. But new viewers might find the slower pace and heavier politics a departure from what made Panchayat special. It still entertains, but the charm no longer flows as effortlessly.
Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.
Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.
Aasha Jaiswal Singh’s death confirmed by son
Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.
He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.
According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.
Aasha Jaiswal Singh was known for Meena Kumari mimicry
Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.
Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.
Her death marks the loss of an artist remembered for combining acting with mimicry and social work.
Aasha Jaiswal Singh’s final rites held in Mumbai
The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.
Kriti Sanon’s Raksha Bandhan ad draws criticism over modern festive look
Kriti Sanon’s Raksha Bandhan advertisement has sparked an online debate, with some social media users questioning her contemporary festive outfit and the campaign’s concept.
Kriti Sanon’s latest festive appearance has triggered a debate on social media after the actor featured in a Raksha Bandhan advertisement wearing a contemporary outfit.
In the advertisement, Kriti Sanon is seen in an off-white bralette-style blouse paired with a cape and a draped skirt. While the actor has previously experimented with contemporary interpretations of traditional fashion, some social media users criticised her look in the festive campaign.
The criticism was directed particularly at the choice of outfit for a Raksha Bandhan-themed advertisement, with several users questioning whether the look was appropriate for the occasion.
Advertisement’s pet dog sequence also draws reactions
The concept of the advertisement also became a point of discussion online. In the campaign, Kriti is seen tying a traditional rakhi on a dog after the pet barks at her.
The advertisement presents the ritual as a way of including the pet in the family’s Raksha Bandhan celebrations. However, several social media users questioned the decision to include the dog in the festive ritual.
Some commenters accused the brand of making a mockery of Indian festivals, while others said they disagreed with the overall concept of the advertisement.
Social media users criticise Kriti Sanon’s festive look
Kriti Sanon’s outfit became one of the main talking points among those criticising the advertisement. Some users described the outfit as inappropriate for a Raksha Bandhan campaign.
One social media user wrote that Kriti was tying rakhi in a “bra kinda attire” and questioned the use of such an outfit during the festival.
Another commenter compared the treatment of Raksha Bandhan with other festivals and criticised the advertisement’s presentation of the celebration.
Other reactions focused on traditional elements associated with Raksha Bandhan. One user questioned the absence of a puja thali and tilak while also criticising Kriti’s outfit.
A separate comment objected to the inclusion of the dog, arguing that the campaign was not representative of the traditional spirit of Raksha Bandhan.
These comments reflect the views of individual social media users and do not establish a broader consensus about the advertisement.
Kriti Sanon yet to respond to criticism
The Raksha Bandhan advertisement continues to receive mixed reactions on social media. While some users have criticised the actor’s outfit and the campaign’s concept, Kriti Sanon is yet to respond to the criticism.
The debate comes as brands increasingly use contemporary interpretations of traditional festivals in advertising, with the campaign’s presentation becoming a subject of discussion among social media users.
Emraan Hashmi’s Awarapan 2 continues its strong run at the box office. The sequel to the 2007 film Awarapan added Rs 6.75 crore to its India net collection on Day 6, taking its total domestic net earnings to Rs 107.50 crore.
According to the figures cited in the report, the film recorded the Day 6 collection across 11,071 shows. With its latest earnings, Awarapan 2 has maintained its momentum after crossing the Rs 100 crore mark in five days.
Awarapan 2 box office collection day 6
Awarapan 2 earned Rs 6.75 crore net in India on its sixth day. Its India gross collection has reached Rs 128.29 crore, while the net collection stands at Rs 107.50 crore.
The film also recorded Rs 1.50 crore from overseas markets on Day 6. Its overseas gross collection now stands at Rs 25.30 crore.
Combining its India and overseas earnings, Awarapan 2’s worldwide gross collection has reached Rs 153.59 crore.
The film opened with Rs 22 crore across 9,033 shows on its first day. It then witnessed a rise over the weekend, earning Rs 33.75 crore on Saturday and Rs 26 crore on Sunday.
On Monday, the film collected Rs 9.25 crore and continued to hold its ground at the box office. Its Day 6 collection stood at Rs 6.75 crore.
The reported India net collections are:
Day 1: Rs 22 crore
Saturday: Rs 33.75 crore
Sunday: Rs 26 crore
Monday: Rs 9.25 crore
Day 6: Rs 6.75 crore
Total: Rs 107.50 crore
Awarapan 2 surpasses Awarapan and Emraan Hashmi’s other films
Awarapan 2 crossed the lifetime India net collection of the 2007 film Awarapan on its opening day. The original film had earned Rs 7.75 crore over its lifetime.
The sequel also moved past the final collections of several of Emraan Hashmi’s films by Saturday. These included Haq, which collected Rs 20 crore, Raaz 2 with Rs 25.50 crore, Ek Thi Daayan with Rs 26 crore and Jannat with Rs 30 crore.
Awarapan 2 leads Independence Day box office race
The film also emerged as the top performer in the Independence Day box office race mentioned in the report. Awarapan 2 collected Rs 40.50 crore, ahead of Tamil Vishwanath & Sons at Rs 26 crore and Batwara 1947 at Rs 16.20 crore.
Spider-Man: Brand New Day collected Rs 12 crore, while the DC movie recorded Rs 6.30 crore.
APN News is today the most watched and the most credible and respected news channel in India. APN has been at the forefront of every single news revolution. The channel is being recognized for its in-depth, analytical reportage and hard hitting discussions on burning issues; without any bias or vested interests.