The much-anticipated romantic action thriller Thandel, starring Naga Chaitanya and Sai Pallavi, finally graced the big screen on February 7, 2025. Directed by Chandoo Mondeti, the film sets out to deliver a compelling story of love and survival but ends up leaving much to be desired, particularly in its latter half.
The plot:
Set against the backdrop of a fishing community from Srikakulam, Thandel follows the lives of Raju (Naga Chaitanya) and Satya (Sai Pallavi), who come from a group of fishermen working in the waters of Gujarat for most of the year. With only three months to spend with their families, their lives are dictated by the rhythms of the sea. The film starts as a tender romance, focusing on the emotional connection between Raju and Satya despite their separation.
However, the plot takes a sharp turn when Raju, during one of his voyages, is accidentally captured after straying into Pakistani waters. What follows is a blend of action, survival, and patriotism, as Raju’s quest to escape captivity becomes the core of the story. The suspense around whether Raju will ever reunite with Satya is what propels the movie forward.
The good:
Where Thandel truly excels is in its portrayal of the romance between Raju and Satya. Their love story, though set in a world of hardship, remains sincere and emotionally powerful. Naga Chaitanya and Sai Pallavi’s performances are undoubtedly the highlight of the film. Chaitanya’s portrayal of Raju, a man deeply tied to his roots and his love for Satya, is heartfelt and authentic. Sai Pallavi, as always, brings her charm and depth to the character of Satya, making their on-screen chemistry palpable.
The first half of the film offers a breezy and refreshing take on love, with the cinematography by Shamdat Sainudeen bringing a lush and evocative quality to the visuals. The romantic sequences are enhanced by the music of Devi Sri Prasad, whose melodies complement the emotional tone of the film beautifully.
The bad:
Unfortunately, the film’s potential begins to unravel in the second half. What starts as a nuanced exploration of love and sacrifice turns into a generic survival story drenched in patriotism. The transition from romance to action feels forced, and the overly dramatic narration detracts from the emotional core established earlier. The introduction of unnecessary characters, like Karunakaran and Divya Pillai, further dilutes the impact, leaving the viewer detached from the story.
The pacing slows down considerably in the latter part of the film, with the plot getting bogged down by cliché heroism and uninspired drama. What could have been an intriguing exploration of survival in hostile conditions becomes a tedious exercise in formulaic storytelling.
The performances:
While the film falters in many areas, the performances of Naga Chaitanya and Sai Pallavi continue to elevate it. Chaitanya is convincing as Raju, a man torn between his love and the dangers of his profession, while Sai Pallavi brings her characteristic warmth and sincerity to Satya. Together, they form the emotional core of the movie, making it easy for the audience to invest in their journey.
On the other hand, the performances of the supporting cast, particularly Karunakaran and Divya Pillai, fail to leave any lasting impact. Their characters feel like unnecessary additions to the narrative, and their performances do little to advance the story.
Watch the Thandel trailer here:
Thandel Trailer
The verdict:
Thandel starts with great promise, offering a fresh take on love and the sacrifices it demands. However, the film loses its way when it pivots to a more conventional action-thriller plot. While the lead performances are strong, the second half’s lackluster storytelling and the film’s over-reliance on patriotism and heroism make it a difficult watch for anyone hoping for a more cohesive narrative.
If you’re a fan of Naga Chaitanya and Sai Pallavi, or if you’re in the mood for a romantic tale with a touch of action, Thandel might still be worth a visit to the theater. But for those seeking a tightly written, engaging story from start to finish, this film may not be the one to satisfy your cinematic cravings.
Musician Bhagirath Bhatt breaks silence on Bigg Boss 20 entry, says not going
Musician and sitarist Bhagirath Bhatt has clarified that he will not participate in Bigg Boss 20, citing his preference for calm music and peaceful surroundings.
Sitarist and music composer Bhagirath Bhatt has clarified that he will not be participating in Bigg Boss 20, putting an end to speculation about his possible entry into the reality show.
Bhatt addressed the questions he had been receiving from followers on social media and thanked them for their interest. However, he made it clear that he is not part of the upcoming season.
Bhagirath Bhatt explains why he is not joining Bigg Boss 20
In an Instagram Story, Bhatt said that he does not think he is suited to a show like Bigg Boss. He explained that his personality is more aligned with calm and peaceful surroundings.
The musician said he is not someone who can shout or create unnecessary noise and described himself as a believer in calm music. He added that peaceful music has always been a source of inspiration for him.
His clarification came after his name had been circulating in discussions about possible contestants for Bigg Boss 20.
Bhagirath Bhatt’s work in films and series
Bhagirath Bhatt is known for his work as a sitarist and music composer. According to the report, he has worked on films including Padmaavat, Bhool Bhulaiyaa 3 and Border 2.
He has also been associated with projects such as Bandish Bandits and Heeramandi.
Meanwhile, the makers of Bigg Boss 20 are yet to officially reveal the complete contestant list. The new season is scheduled to premiere on September 6 at 9 PM.
Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim
Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.
Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.
The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.
Shabana Azmi on Sunny Deol’s Muslim character
Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.
She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.
Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.
What Shabana Azmi said about the film’s reception
Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.
According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.
She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.
Batwara 1947 vs Awarapan 2 at the box office
The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.
The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.
Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.
Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.
Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.
Aasha Jaiswal Singh’s death confirmed by son
Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.
He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.
According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.
Aasha Jaiswal Singh was known for Meena Kumari mimicry
Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.
Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.
Her death marks the loss of an artist remembered for combining acting with mimicry and social work.
Aasha Jaiswal Singh’s final rites held in Mumbai
The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.
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