Dhruv Jurel marked his century in the second Test against Sri Lanka with a special celebration, revealing a “Jai Jawan, Jai Kisaan” tattoo on his bicep in Colombo on Monday.

Jurel reached his century after spending 22 deliveries on 99. After taking a risky single to complete the milestone, the Indian wicketkeeper-batter punched the air, removed his helmet and revealed the tattoo as his teammates celebrated.

Jurel remained unbeaten on 115 off 177 deliveries, while his century also saw him achieve a unique feat in Test cricket in Sri Lanka.

Jurel enters record books with century

Jurel became the second Indian batter to score a century from No. 7 or below in a Test match in Sri Lanka.

His unbeaten 115 is also the highest individual score by an Indian batter batting at No. 7 or below in a Test in Sri Lanka, according to the provided match report.

The century also made Jurel the first Indian batter to score a century from No. 7 during a Test series in Sri Lanka. The earlier century mentioned in the report came from Hardik while batting at No. 8.

Jurel seeks Pant’s advice

Jurel also spoke about batting alongside Rishabh Pant and said he regularly seeks advice from the experienced wicketkeeper-batter.

Jurel said Pant’s experience makes his presence valuable, particularly because both players are wicketkeepers who bat in the middle order.

He also explained that he does not try to imitate Pant’s aggressive style. Instead, Jurel focuses on identifying which bowler to attack and deciding which spells he needs to negotiate.

Jurel said he dedicated his second Test century to his parents.

Jurel gives Pant fitness update

Jurel also provided an update on Pant after the latter was unable to take over wicketkeeping duties towards the end of the day’s play.

According to Jurel, Pant had taken a hit on his right shoulder and the team was closely monitoring his condition.

Jurel said he took over wicketkeeping because Pant’s shoulder was not in good condition and expressed hope that Pant would be fit the following day.

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

Kriti Sanon’s latest festive appearance has triggered a debate on social media after the actor featured in a Raksha Bandhan advertisement wearing a contemporary outfit.

In the advertisement, Kriti Sanon is seen in an off-white bralette-style blouse paired with a cape and a draped skirt. While the actor has previously experimented with contemporary interpretations of traditional fashion, some social media users criticised her look in the festive campaign.

The criticism was directed particularly at the choice of outfit for a Raksha Bandhan-themed advertisement, with several users questioning whether the look was appropriate for the occasion.

Advertisement’s pet dog sequence also draws reactions

The concept of the advertisement also became a point of discussion online. In the campaign, Kriti is seen tying a traditional rakhi on a dog after the pet barks at her.

The advertisement presents the ritual as a way of including the pet in the family’s Raksha Bandhan celebrations. However, several social media users questioned the decision to include the dog in the festive ritual.

Some commenters accused the brand of making a mockery of Indian festivals, while others said they disagreed with the overall concept of the advertisement.

Social media users criticise Kriti Sanon’s festive look

Kriti Sanon’s outfit became one of the main talking points among those criticising the advertisement. Some users described the outfit as inappropriate for a Raksha Bandhan campaign.

One social media user wrote that Kriti was tying rakhi in a “bra kinda attire” and questioned the use of such an outfit during the festival.

Another commenter compared the treatment of Raksha Bandhan with other festivals and criticised the advertisement’s presentation of the celebration.

Other reactions focused on traditional elements associated with Raksha Bandhan. One user questioned the absence of a puja thali and tilak while also criticising Kriti’s outfit.

A separate comment objected to the inclusion of the dog, arguing that the campaign was not representative of the traditional spirit of Raksha Bandhan.

These comments reflect the views of individual social media users and do not establish a broader consensus about the advertisement.

Kriti Sanon yet to respond to criticism

The Raksha Bandhan advertisement continues to receive mixed reactions on social media. While some users have criticised the actor’s outfit and the campaign’s concept, Kriti Sanon is yet to respond to the criticism.

The debate comes as brands increasingly use contemporary interpretations of traditional festivals in advertising, with the campaign’s presentation becoming a subject of discussion among social media users.