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Scripting for animation series is different, you have to push your imagination, says Motu Patlu writer Niraj Vikram

Niraj Vikram, writer of Motu Patlu talked with APN News and shared how working in the animation industry is kinda different than scripting for live-action shows.

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Niraj Vikram is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

The animation industry in India has witnessed a considerable amount of growth in the last few years, especially the cartoon series. Some of the most popular animated cartoon series like Motu Patlu, Dabangg, and Gattu Battu have dominated the cartoon industry and notably, this industry has become the best medium of creative expression these days. Content preferences among kids have changed over the years.

While live-action television shows ruling the Indian entertainment industry for a long time, these animated series created a strong impression in recent years. The influence of animation is growing every day in India. But animating shows does not only mean good illustrations but also a captivating story and close attention to details.

We always chase people who are on camera but the real heroes are actually those who are behind the camera, who infatuate the viewers with their writing. And one such person is Niraj Vikram, the man behind the stories of India’s most popular animated show Motu Patlu, who works round the clock to connect with the kids to bring the best each time.

In a conversation with APN News, Neeraj Vikram shared how writing for animation shows is different from scripting for live-action shows.

Motu Patlu was already a popular franchise of Lotpot Comics and when we asked him how he felt when he was approached for this show, he said “I was really excited to write for Motu Patlu. Lotpot Comics is one of our favourite comics and we’ve grown up reading it. So, when I was approached for Motu Patlu, I was thrilled and ecstatic.”

Talking about the responsibility to maintain characters’ legacy, he said, “It’s very important to create the show without retouching the characters. Initially and even now I feel it’s a big responsibility as most of us have already read the comic and we feel connected to the characters. So, the first thing I keep in mind while writing for this show, is the characters’ style, habits and patterns.”

Niraj Vikram has also scripted for Shararat and Son Pari

Before scripting for Motu Patlu, Niraj Vikram had already scripted for big shows like Shararat, Shaka Laka Boom Boom, and Son Pari, and when we asked him how difficult was for him to shift from live-action shows to animation shows, he said, “Animation isn’t monotonous like live-action shows. You can stretch the animation to any level whereas in live-action shows it is a bit difficult to show your creativity as you have to write it according to the storyline. For me, it wasn’t really difficult as I always wanted to be in animation because it pushes your imagination”, he added.

One must write a motion script in accordance with the target audience, and a motion script writer requires a great deal of skill and dedication. Talking about this, he said, “There have been times when I write a certain script but it doesn’t turn out the same way I wanted it. I feel bad sometimes, but I don’t lose hope as I know that shows need to undergo certain production levels and there’s a limited-time delivery.

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Niraj Vikram on Agnipath scheme

Niraj Vikram has also served in the Indian army for five years before entering the world of entertainment. We also asked him about the ongoing protests related to the Agnipath recruitment scheme, he said, “Government must have made the scheme after listing down its pros and cons. Instead of protesting, students need to give it a try. As the government has already said that if you don’t like the scheme, don’t join it. But I feel implementation is a must.”

Motu Patlu’s wax statue at Madame Tussauds

Talking about the achievements he is most proud of, he said “Having Motu Patlu’s wax statues at Madame Tussauds, New Delhi is literally the proudest moment as they are the first Indian animated character to have it installed at the wax museum. Other than this, Motu Patlu is completing its 10 years in October and has successfully completed 1,000 episodes.” He has also won the Best Writers Award in the Kids Choice Award in 2015 organized by Viacom 18.

Niraj is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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