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He Was, By All Accounts, The Last Of The Gentlemen Editors

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He Was, By All Accounts, The Last Of The Gentlemen Editors

~By Saeed Naqvi

These are such desperate times for journalism that S. Nihal Singh’s departure at 89, triggers memories about a phase in the profession that dreams are made of.

My personal journalistic trajectory trailed his rather closely. He was The Statesman’s Special Correspondent in Singapore when I entered the portals of that once great newspaper as a cub reporter.

I was, in fact, following Nihal’s footsteps because this was how he entered the profession a decade earlier – as a cub reporter. There were no schools of journalism then, but we received training of exactly the thoroughness which our respective letters of appointment had promised:

“We do not guarantee you employment at the end of the six month training period, but the training you will have received here will enable you to find work elsewhere.” It remained something of a puzzle why the pocket money Nihal was offered during the training period was infinitely higher than mine which was a meagre Rs.300 per month.

Like most of us who entered the profession after him, Nihal covered New Delhi courts, Tis Hazari courts, Municipal Corporation, Delhi State Assembly, Police Commissioner, Chief Minister. The drill of dwelling on nodal points of governance and power, moving upwards in measured step, imparted to the journalist that most precious of attitudes: an indifference to power, an ability not to be overawed.

He Was, By All Accounts, The Last Of The Gentlemen Editors

As the profession expanded behavioural contrasts magnified. Untrained entrants at senior levels, who had romanticized political power from a distance, became unsteady on their feet because they found corridors of power too heady. A sense of balance was a frequent casualty.

This is where Nihal could not go wrong. In 1982, when the nation was convulsed by the Meenakshipuram conversions, Nihal, then Editor-in-Chief of the Indian Express, sent a teleprinter message to me in Madras where I was then posted as editor of five southern editions: “urgently need 700 words on Meenakshipuram.”

I put on my ultra-balanced hat and churned out the required wordage. It was a typical “while on the one hand” but “on the other” piece. Muslims shouldn’t be upto these tricks and Hindus shouldn’t get too excited. I mentioned “structural violence” in the Hindu social order: this was sacriledge and Nihal let it pass. Unaware of the gathering storm, he thanked me for having responded promptly.

What followed took him and me by surprise. We were both completely out of touch with the strength of feelings on the issue. Indeed, a certain indifference to religion which a whole generation cultivated as Nehruvian secularism was being jettisoned and we found ourselves flat footed.

After a brilliant career with the IAS and having established himself as a scholar of the Indus Valley script, Iravatham Mahadevan, had taken up a job as Executive Manager of the Indian Express’s southern editions. After reading my edit, he came charging to my room in a state of high agitation. “How could you have done it?” He looked at me in a daze, blabbering like someone in a motor accident. “How could you have done it?” I learnt later he was from the RSS, shakhas et al. I commend to the RSS to keep more Mahadevans in its stable. He was exceptionally erudite on subjects of his choice.

In the Express compound, in Hick’s bungalow, Ramnath Goenka was bringing the ceiling down: “Hindu Kahan Javey?” (Where should the Hindus go?) “Tum to Makkay chale jaao; Hindu kahan javey?” (You can go to Mecca, but where should the Hindu go?)

He commandeered his chartered accountant, S. Gurumurthy, senior RSS functionary, to write a rejoinder to my editorial. My “balanced” approach to Meenakshipuram, it transpired, was misplaced.

It was now Nihal’s turn to face the music. The piece, authored by Gurumurthy, arrived at his desk in New Delhi. His job as Editor was on the line. What should he do? But Nihal did what he had learnt in The Statesman. In a newspaper, the prerogative for taking editorial decision rests with the editor. He consigned the article to the waste paper basket. Ramnath Goenka too was a larger than life publisher. He allowed his Editor’s line to prevail. But separation was clearly on the cards; they belonged to different cultures.

So did S. Mulgaonkar “apparently” belong to another culture but he was both, a craftier man and a finer writer. In the projection of his image, Mulgaonkar was exactly Nihal’s opposite. Never having been to school, Mulgaonkar cultivated all the airs of English aristocracy. He was adept at bridge, horse racing, angling, and, believe it or not, keeping Oxford and Cambridge cricket scores. He was a gourmet cook, a fad for which he cultivated junior French diplomats as sources for herbs and white wine. All of this impressed the Marwari in RNG. Once an editor, devoted to the amber stuff, looked at his watch and dropped an obvious hint: “I suppose I will not get a drink here.” Pat came the reply from RNG “I keep, but only for English people.”

Nihal had no aristocratic pretenses of a Mulgaonkar. He was content with his buffalo undercut, marinated in garlic and pepper, roast potatoes and Dujon mustard on the side. He called it beef fillet. The Dujon, rather than English mustard was in deference to his warm hearted Dutch wife, Ge. He had first come to know her when she was a young KLM hostess. I remember him flaunt his European affiliation before friends in London: “I prefer the continent”, he would say with a sort of flat, ineffective pomp.

His understanding of politics and International affairs was uncomplicated. He made up in clarity what he lacked in deep insight. He was, by habit, a perfect gentleman.

It was a mistake, I believe, for both Pran Chopra and Nihal Singh to be parked respectively in Kolkata as editors of The Statesman. The only Punjabi that Bengal has ever tolerated was K.L. Sehgal in New Theatre cinema. This elicited no more than a smile from Nihal.

India News

Abhishek Banerjee says will not bow to BJP after nearly 11 hours of ED questioning

After spending nearly 11 hours before the Enforcement Directorate, TMC leader Abhishek Banerjee said he would not bow to the BJP and accused the ruling party of using investigative agencies for political purposes.

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Abhishek Banerjee

Trinamool Congress leader and Diamond Harbour MP Abhishek Banerjee on Tuesday said he would not bow to the BJP after spending nearly 11 hours being questioned by the Enforcement Directorate (ED) in connection with an ongoing investigation.

Speaking after the questioning, Banerjee alleged that central agencies were being used to target opposition leaders and asserted that he would continue his political fight despite what he described as sustained pressure.

The TMC leader has repeatedly maintained that investigations involving him are politically motivated, a charge he has made on several previous occasions while appearing before central agencies.

His appearance before the ED comes amid a period of heightened political activity and multiple investigations involving leaders in West Bengal. Recent days have also seen Banerjee face summons and questioning in separate matters by state investigative agencies.

After leaving the ED office, Banerjee reiterated that he would not be intimidated and said he remained committed to his political responsibilities. He also accused the BJP of attempting to weaken opposition parties through investigative action, an allegation that the BJP has rejected in the past.

The Enforcement Directorate has not publicly commented on Banerjee’s remarks. The investigation related to the questioning remains ongoing.

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India News

DMK attacks Rahul Gandhi, accuses him of weakening opposition unity

DMK has intensified its criticism of Rahul Gandhi, alleging that the Congress leader’s actions have weakened opposition unity and strained relations within the INDIA bloc.

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Rahul-Gandhi

The war of words between the DMK and Congress has intensified, with the DMK launching a strong attack on Leader of Opposition Rahul Gandhi and accusing him of contributing to divisions within the opposition alliance. The criticism comes amid strained ties between the two parties following their political split in Tamil Nadu.

According to the DMK, Rahul Gandhi’s political approach has weakened unity among opposition parties. The party’s IT wing mocked the Congress leader on social media, while an editorial published in the DMK’s official mouthpiece Murasoli questioned his recent remarks on opposition solidarity.

DMK questions Rahul Gandhi’s remarks on opposition unity

In its editorial, Murasoli argued that Rahul Gandhi was speaking about opposition unity despite, according to the DMK, contributing to disagreements among alliance partners in several states. The publication cited criticism directed at Congress by various opposition parties and suggested that the party’s actions had often created tensions within the INDIA bloc.

The editorial also referred to past political disputes involving Congress and Left parties, particularly in Kerala, claiming such episodes had raised concerns among opposition allies about Congress’s approach toward its partners.

Tamil Nadu political fallout adds to tensions

The attack comes after a major political realignment in Tamil Nadu. Following the 2026 Assembly elections, Congress ended its alliance with the DMK and joined the government led by Vijay’s Tamilaga Vettri Kazhagam (TVK). The move left the DMK in the opposition and significantly altered the political equation between the two former allies.

The DMK has alleged that Congress benefited from the alliance during the election and later abandoned its partner. The party’s editorial questioned whether assurances from Congress leadership would be trusted by alliance partners after the developments in Tamil Nadu.

Congress rejects allegations

Congress has not issued a detailed official response to the editorial, but party sources have rejected the allegations. According to the party, its decisions in Tamil Nadu were made in line with the mandate delivered by voters and were not intended to undermine either the DMK or the broader opposition alliance.

The latest exchange highlights growing strains between two key opposition parties even as leaders continue to stress cooperation on national issues. Just days earlier, Rahul Gandhi had said that the DMK remained aligned with the opposition on defending the “idea of India” despite political differences.

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Entertainment

Kumkum Bhagya actor Sanchita Ugale dies by suicide near Mumbai at 22

Television actor Sanchita Ugale, known for Kumkum Bhagya and Wagle Ki Duniya, died by suicide at her residence near Mumbai. Police have launched an investigation.

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Sanchita Ugale

Television actor Sanchita Ugale, known for her appearances in Kumkum Bhagya, Wagle Ki Duniya and Dilwali Dulha Le Jayegi, died by suicide at her residence in Nalasopara East near Mumbai on June 14. She was 22.

According to police officials, the incident took place at her home in Achole village, Nalasopara East. Authorities said Ugale had locked herself inside her bedroom and was later found hanging from a ceiling fan. Family members and local residents rushed her to a hospital, where doctors declared her dead.

Police have registered an Accidental Death Report (ADR) and launched an investigation into the circumstances surrounding her death. Officials said inquiries are underway and the exact reason behind the incident has not yet been established.

Career across television, OTT and films

Ugale had built a growing presence in the entertainment industry through television, streaming projects and films. Apart from Kumkum Bhagya and Wagle Ki Duniya, she played a lead role in Dilwali Dulha Le Jayegi. She also appeared in OTT projects such as Crime Aaj Kal and Silence 2.

The actor was also associated with the film Chhaava, which contributed to her growing recognition among audiences.

Last social media post draws attention

Following news of her death, social media users shared and commented on Ugale’s final Instagram post, which had been uploaded hours before the incident. The post showed the actor in traditional attire lip-syncing to a classic Bollywood song. Fans expressed shock and grief after learning of her death.

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