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Saiyaara movie review: Mohit Suri strikes the right chords with a soulful heartbreak musical

Mohit Suri’s Saiyaara brings together music, heartbreak, and healing in a moving love story featuring fresh talents Ahaan Panday and Aneet Padda.

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Saiyaara

Mohit Suri’s latest film Saiyaara blends heartbreak and healing with the kind of musical energy he’s long been known for. The film introduces Ahaan Panday and Aneet Padda in lead roles, presenting a story familiar in theme — bad boy meets good girl — but distinct in treatment thanks to Suri’s signature emotional depth and a stirring soundtrack.

Music as the emotional engine

At its heart, Saiyaara is a cinematic ode to film music. The film carries a bold reminder — “dimaag bhool sakta hai, dil nahin” — underlining how melodies linger long after moments fade. The soundtrack features memorable tracks like Saiyaara, Barbaad, and Tum Ho Toh, composed by a diverse ensemble of seven composers and four lyricists. Each song blends grunge, emo, and rock elements, anchoring the film’s emotional core.

Ahaan Panday and Aneet Padda deliver promising debuts

Ahaan Panday (as Krish Kapoor) and Aneet Padda (as Vaani Batra) step into the spotlight with confidence and rawness. Krish, a tattooed, weed-smoking, struggling musician, is battling professional betrayal and personal trauma. Vaani, a soft-hearted 22-year-old left at the altar, finds herself on a journey of rediscovery. Their chemistry builds over time, evolving into a partnership both emotional and artistic.

Storyline: heartbreak and healing in harmony

Saiyaara doesn’t reinvent the romance genre, but instead sharpens it through emotional honesty and musical flair. The film avoids clichés like tragic deaths, common in similar narratives, and instead leans into realism. There’s heartbreak, yes, but also redemption and hope.

Geeta Agrawal Sharma delivers a standout performance as Vaani’s protective mother, stealing scenes with biting one-liners like “Mat baha ye keemti aansoo kisi ullu le patthe ke liye.”

Addressing new-age love and personal baggage

The film acknowledges its characters’ emotional baggage. Krish’s strained relationship with his alcoholic father (played by Varun Badola) drives his need for validation, while Vaani’s past trauma threatens her voice and confidence. But in each other, they find strength — and healing.

Krish learns to place love before ego, and Vaani, a talented professional, urges him to pursue his dreams without compromise. Their growth feels contemporary and grounded, reflecting the conflicts of modern relationships.

A modern Aashiqui with a hopeful twist

While comparisons to Aashiqui 2 are inevitable, Saiyaara carves its own path. Lines like “Kuch pal baaqi hain mere paas” echo Suri’s previous work, but the film avoids repetition. Instead, it leans on nostalgia while building something new — a romantic musical that respects both tradition and evolution.

Verdict

Saiyaara is not revolutionary, but it is refreshingly sincere. With solid performances, an emotionally charged score, and classic Mohit Suri storytelling, the film is a reminder that the language of heartbreak and hope still resonates — especially when accompanied by the right soundtrack.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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