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A Formula Film That Fails to Entertain

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Poster of film Raees

[vc_row][vc_column][vc_column_text]Raees borrows heavily from the 70s

By Karan Kaushik

Raees has everything required for an out-and-out commercial Hindi film. It has goons breaking through glass panes, an item song with a hit item girl, and the hero jumping from building to building, plus witty one-liners, slo-mo shots of the hero running, a poor and preachy mother, a daring police officer, Scarface-inspired gun sequences and everything in between. But it still fails to entertain.

Raees is the story of the eponymous hero—a streetsmart liquor smuggler of humble beginnings cast in the mode of the classic do-gooder gangster from films like Agneepath and Dayavan. Sadly, the movie is, in fact, a mix of plot devices and ideas (like this one) that we have seen a zillion times before. So even the controversial presence of Pakistani actor Mahira Khan does not help the script. Characters come and go in this movie, but none leaves a mark, apart from Nawazuddin Siddiqui’s Majmudar, an inspector who becomes SP.

As the film starts, Raees is shown as an ambitious kid, overly touchy about being called ‘Battery’ because of his glasses. Within the first five minutes of the movie it is established that the young lad has big dreams with the (supposed) brains and brawn required to achieve them which takes us back to most of Amitabh Bachchan’s 70s thrillers. And exactly like the growing up sequences from those films, the camera shoots a Muharram procession from Raees’ childhood and then switches to one where he is all grown up.

Shah Rukh is seen beating himself with a chain and the camera pans across his blood-stained back and chiseled torso. His daring attitude becomes evident in the first scene and the audience’s expectations are created, only to be destroyed soon.

A still from the film

A still from the film

Raees and his best friend Sadiq (Mohammad Zeeshan Ayyub) have been working with smuggler Jayraj Seth (Atul Kulkarni) since they were kids and now that Raees is a grown man, he wants to start his own business. But the path is tough. A few unnecessary fight sequences and the heroine’s entry do not help the movie until Siddiqui’s character Inspector (Jaideep Ambalal) Majmudar enters the film. The audience is excited thinking that the film will pick up some speed now that the brilliant Siddiqui has arrived. It does speed up and some quintessentially filmi dialoguebaazi between Raees and Majmudar does take place but the movie loses its pace again.

As the movie progresses, Raees is stuck between his two images and so is the film. The second half of the movie has terrorism, corrupt politicians, police encounters, failing institutions, et al but still seems shallow. The main problem is that its protagonists as well as other characters lack depth and detailing. Even after a few daring stylized action scenes, the audience is left bored and listless. The trademark romance, for which the star is known, is missing. There are not too many high points in the movie and it is only when Siddiqui appears on the screen that the audience’s interest in the movie returns.

The film showcases Gujarat of the eighties and early nineties. The music of the film is satisfactory with the beautifully sung Zaalima and the peppy Dhingana dhingana. The old classic Laila mai laila and the dandia number Udi udi jaaye, however, don’t leave a mark. 

As far as performances are concerned, Shah Rukh’s acting is good and could have been even better had the script been any good. He looks powerful and intense with his kajal eyes and big glasses. But Shah Rukh Khan becomes Shah Rukh Khan during the dance and romance sequences, which are few and far between. And Mahira Khan could have done way better if only she was not yelled at so much by her filmi husband and treated like a typical housewife whose only job is to help raise the kid. Atul Kulkarni as Seth Jayraj and Narendra Jha as Moosa do justice to their short roles. Mohammad Zeeshan Ayyub is reduced to only a loyal sidekick of the hero with not much to do. Again, it is Inspector, and later SP, Majmudar who steals the show.

Watch it only if you are a big fan of Siddiqui and stereotypical Hindi cinema from the seventies and eighties.[/vc_column_text][/vc_column][/vc_row]

Book reviews

Walking On The Razor’s Edge: The path of the seeker

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The Power of Karma Yoga by Gopi Chandra Das (Jaico Books) is an attempt to unravel the mystique of the Bhagavad Gita in the contemporary context. Is Lord Krishna’s counsel to Arjuna still relevant in today’s time and social space ? How can the timeless teachings of Lord Krishna be adopted by people struggling to cope with the stresses and challenges of modern life? Is there a key teaching which can be easily adopted by stress-torn people? These and many more questions are answered by the author in his easy-to-read style.

The basic premise is that the stress is a function of identity; identity with ego or with role-playing. We all play roles in life: in the family, the office and in the social sphere. These roles demand close identification and exact their cost by way of fear, frustration and failures.

The way out is to ease one’s sense of identity with one’s temporal roles. At the metaphysical level, it means keeping oneself in a detached state from one’s ego. This requires sustained spiritual discipline, but automatically yields to mental distancing with mundane roles as well. No wonder the Katha Upanishad compares the spiritual path to a razor’s edge.

Lord Krishna sought to instil this detached perspective in Arjuna by underlining the perishable nature of the body and the transitory nature of the world. However, the key is to strike a balance between total detachment and total attachment. The golden mean is attained by letting go with discrimination. If we detach too much, it will become difficult to perform our duties; if we cling too much, the material will become a millstone. The idea is to be in the world and yet not be of it. As the Persian saint Abu Said said, “To buy and sell and yet never forget God.”

Detachment, however, doesn’t mean irresponsibility. On the contrary, it means working with utter responsibility; with a sense that the job at hand is a moment to glorify the divine. It is not only work for work’s sake; work is taken up as a tool for self-realization. This is more deeply grasped if we acknowledge that the Gita is not only a handbook of divine knowledge or spiritualised action but essentially a guidepost for the man treading the path of enlightenment.

Sri Aurobindo says: “The Gita is not a weapon for dia­lectical warfare; it is a gate opening on the whole world of spiritual truth and experience, and the view it gives us embraces all the provinces of that supreme region. It maps out, but it does not cut up or build walls or hedges to confine our vision.”

Or as Paramahansa Yoganananda puts it: Gita sheds light on any point of life in which the devotee finds himself in.

Delving yet further, Gopinath explains in the book that letting go is made easy by the practice of apagriha, or being unattached to desires with conscious control on attachment-driven strivings. In the process, one’s motive gets transformed from want-driven to purpose-driven. The aim, at the highest level, being self-realization: the acme of spiritual strivings. For all material strivings ought to be in essence spititual strivings.

When we shift from want-driven to purpose-driven action, the need for personal validation ceases. In our quest for a spiritual-centric action mode, yagna plays an important role. The concept of yagna is transposed from a religious fire-rite to diurnal mundane acts in which personal motives are quenched. As the borderline between the spiritual and the material gets increasingly dissolved, the quest for enlightenment becomes the summum bonum of life.

The direction and blessings of a sadguru is also needed in this eternal quest for soul freedom. In the ultimate sense, the material life and its duties become a stepping stone for a higher life which man embraces to achieve the state of kaivalya. The book lucidly interweaves real-life stories with philosophical concepts, which make for interesting reading.

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Entertainment

Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Justin Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai.

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Justin Bieber shares unseen pictures from Anant Ambani and Radhika Merchant pre-wedding sangeet

Global popstar Justin Bieber brought the energy at Anant Ambani and Radhika Ambani’s pre-wedding sangeet on July 5 in Mumbai. The soon to be married couple (wedding in July 12th) was spotted enjoying themselves as Bieber belted out his hits. While glimpses from the night went viral earlier, Bieber has now shared unseen photos and videos from his memorable trip to India.

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The heartwarming pictures show Justin Bieber bonding with Anant Ambani and Radhika Merchant and their family. In one picture Justin stands with Anant and Radhika, all three dressed festively for the sangeet ceremony. Another photo captures a casual moment where Justin Bieber is seen chatting with Akash Ambani on a couch while Anant and Radhika are posing with him.

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The group also posed for a larger picture that included Shloka Mehta and Anand Piramal. The final photos show Justin Bieber and Anant Ambani engaged in a friendly conversation, solidifying the warm atmosphere of the visit. Justin’s trip to India started on Friday morning with his arrival in Mumbai.

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That night Bieber transformed the Jio Convention Centre into a party zone with his hit songs and celebrities like Salman Khan and Alia Bhatt grooved along with him. Videos circulating on social media show Justin Bieber dancing with Orry and receiving a hug from Alaviaa Jaffrey( daughter of Javed Jaffrey). According to reports Justin Bieber has been paid $10million for this special performance.

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https://www.instagram.com/p/C9Fu5I5oxBm

Bieber’s energetic performance on Friday was the highlight of the sangeet ceremony, which took place at the Nita Ambani Convention Centre in Bandra, Mumbai. The singer made the guests groove on his songs Baby, Love Yourself, Peaches, Where Are You Now and Sorry. Bieber’s fresh off his triumphant return to the stage once again set the internet ablaze with his electrifying performance at Anant and Radhika’s sangeet ceremony.

https://www.instagram.com/p/C9Fv2nuI1_e

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Entertainment

Yashraj Mukhate collaborates with Amit Trivedi for Mann Dhaaga song

In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi. He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga.

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Amit Trivedi is known for his soulful compositions which weave profound lyrics, captivating music lovers. His songs spark a deep desire in aspiring artists to collaborate with him. Music producer and You Tuber Yashraj Mukhate had immense admiration for Trivedi’s artistry. In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi.

He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga. He wrote that he had been listening to the entire Dev D Album carefully in 2012. And he kept listening to it on loop for 3 weeks. He continued to listen to Amit Trivedi compositions in Aisha, Kai Po Che, Udaan, Lootera, Queen, Fitoor continuously. He said he could not stop himself and became a big fan of the music director. He said he started dreaming of meeting his idol one day and collaborating with him.

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He recalled that he had to download songs from songs.pk and listen to them. He said the songs kept running inside his mind all through the day. He added that he even remembered Amit Trivedi’s ad jingles word for Fanta, Frooti, Dish TV and all of them.

https://www.instagram.com/p/C35NUIVNz5h/

Mukhate said he always dreamed of meeting Amit Trivedi and wanted to thank him for giving this experience. The post has gone viral on social media with 96,445 likes till now. Large number of social media user commented on the social media post where one user Parth said the Yashraj Mukhate was truly an inspiration. One user said his dedication had brought him to level. One user said a man should make all his dreams come true by going through one hustle at a time.

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