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The last kite fighters of India

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The last kite fighters of India

[vc_row][vc_column][vc_column_text]The tri-coloured kites that fill the skies on Independence Day in Delhi, opposite the Red Fort from where the Prime Minister addresses the nation, are supplied mostly by Muslim artisans from Bareilly, Moradabad and Lucknow. They are the artists who create the tri-coloured kites, through whose fingers pass the saffron, the white and the green-coloured paper.

~By Shailaja Paramathma

The poet and writer, Munawwar Rana, once wrote:

Ye dekh kar patangen bhi hairan ho gai, ab to chatain bhi hindu musalman ho gai, kya shahar-e-dil me jashn sa rehata raat din, kya bastiyan thi kaisi bayan ba ho gai.

Ayyub Khan, a retired competition kite player, surprisingly, does not agree with these lines. For him, the love of kiting brings all kinds of people together and their religions have never mattered. A life-long kite aficionado, he runs a small shop in Lal Kuan, the biggest kite market of Old Delhi’s Chawri bazaar. The business is so brisk that the shop keepers do not have a minute to waste on you if you are not buying. In this scenario, a fellow-shopkeeper describes Ayyub Khan as a “shokeen” who will take time out to talk about kites with us.

The festival

The 64-year-old Khan points to the sky outside. In mid-afternoon, above a thick network of electric wires and phone cables, there are a dozen kites hovering over the narrow lane in this part of Old Delhi, also known as Delhi-6, a Muslim majority neighbourhood. However, kites on this day are nothing compared to what happens on Independence Day. According to Khan, “the celebrations on 15th August are indescribable, they must be experienced.” Khan says: “15th August here is one big party. Kite-flying is not competitive on the day, what is important is to have fun and celebrate our independence. People try to launch forth their kites high up into the skies. The day begins early; entire households move onto the terrace—if on one roof top, there are kebabs being cooked on an open fire, at another, deep fried aloo patties would be getting prepped to feed the sportsmen. Music systems blare and the mood is upbeat. It’s a community celebration, like any other festival. Evening sees fireworks and some also release tri-coloured balloons into the sky.”

Once Independence Day is past, competitive kiting is back, the junior players go back to holding the spool that feeds the kites of a competition kite flyer. Nazrul, better known in the kiting circuit as Bittoo bhai is a competition kiter from the Saathi Kite Club. He says: “We do not fly kites on 15th August; we are serious players who have played at state level competitions. Rooftop fliers are novices. Tell me, if you have played the Ranji trophy will you then play street cricket?” he asks. Laughingly he adds: “If on Independence Day, a kid manages to cut my kite, he will go about distributing sweets to the entire locality. He will talk about it all year. I can’t take that risk!”

Competition kite-fighters

Competition kite flying is not something many people would know even exists but it is played as seriously as any of the other popular sports. The Delhi Kite Flying Association has some 237 registered clubs and around 200 more are seeking registration. Each club has between nine to 12 members. In competition, only three players from each team get the opportunity to kite. Large clubs will mean that some members will never get to compete, hence the more the number of clubs, the more the number of competitions and more people get to play. It is a gentleman’s game and rules are binding and followed to the T! Even though a formal rule book does not exist, rules laid-down by senior players over the years are respected. And just like in law, when there is no clear rule, precedents are cited and followed. In case of a dispute the elders are consulted and their word is honoured. Before the competition a thorough check of the dimensions of the kites and the manjha takes place by the association. Any attempt at using the Chinese manjha (which is very much made in India) will result in a ban and a loss of face in the kite flying community. While the winner is treated like a local hero, if anyone cheats he will not only be out of the association but also disbarred from competing for life. Bittoo bhai says: “Experienced players can tell by the angle of attack and the result thereof if Chinese manjha is being used because it behaves differently.”

Kite tournaments are held at state and national level. In Delhi, it is conducted by the All India Kite Association. Matches are played on a knock-out basis. To play, each team registers four players, three compete and the fourth is the reserve player. A team receives nine kites in total, three for each player. The duel begins; one player from each of the two teams in the match enters an 8 feet x 18 feet area on the field which is cordoned by a rope, called the crease. The two boxes are a few feet apart from each other. Outside the box, an aid holds on to the spool of thread attached to the players kite. A whistle blows and the two kites are launched into the air. An opposition player is stationed right next to each box and has the job of arresting the foot of the player, if it touches or crosses the crease. This foul costs one point. Up above, the two kites hover nearer and nearer to each other. Time suspends as the two cotton threads intertwine and rub against each other, as soon as the two lines begin to grapple with each other, the front umpire raises a green flag, signalling to all that a tug is on. When one line is cut, the flag comes down and is pointed at the winner. One game can last between 15 to 20 minutes. There are three referees and in case of a dispute the decision of the third referee is final and binding. The winner gets one point and waits in his box as the loser is replaced by the second contender. The match begins anew. To win, the team needs nine points. The festival spans over a fortnight, match after match, weak teams are weeded out till there are just two top teams remaining.

Ban on Chinese manjha

Khan says: “Ban on Chinese manjha did bring business down but since I saw a picture on my son’s phone, of a little girl, her neck cut off from her body due to the manjha, I swore I will not sell Chinese manjha even if I suffer losses. Clients come and insist that they want Chinese manjha, they even try to coax me. I don’t like such insistence; I try and tell them about the accidents. Some listen, some don’t.”

Keeping it alive

Mohammad Atif, 40, who is in the business of supplying drinking water, has been competing for around 26 years. “I started competing at the age of 14. As players, we train all week, either in the maidan or from our rooftops. We call each other and show-up on our respective terraces with kites in our hands. That’s how we meet to practice.” Atif has travelled to Lucknow, Bareilly, Mathura, Bikaner, Jaipur, Meerut, Moradabad and Aligarh to compete in various kite flying competitions. “But the money spent on travel is out of our pockets. The stay is free and if we win the prize money is ours too,” but he adds dispassionately: “We have to hide our junoon from our families. My wife does not complain, however, my relatives often tell me to give up kiting. And my 14 year old boy is embarrassed that I still fly kites. His friends pull his leg over it. For them, it is something you do only on 15th August.”

Arish Saleem, captain of Hamdard kite club, which was established in 1974, is a goldsmith by profession. He says: “We are addicted; we meet every night after finishing work and dinner, in Balimaran, to discuss life, the games and new flying strategies.”  

Bittoo bhai laments the lack of recognition the sport gets from the government or the people, “Many efforts were made to bring more focus and interest into this sport but there were also many who did not want it to happen. And then at times when competitions were organised, for two days in a row not a shred of wind blew, people kept waiting. Or such a strong gust came that it tore the kites apart.” He does not want his kids to kite unless this sport is recognised by the government: “I want them to study and have respectable careers. My father does not approve of my hobby as he thinks it is a waste of time and money.” “Patangbazi is viewed just like kabootarbazi,” he adds regretfully.

Even though most kites are inexpensive, a good quality one can cost up to ₹40. The manjhas are costly, a quality one sells for around ₹2,000 for a spool about 10,000 meters long. Saleem says: “As soon as I launch my kite into the air, it has already cost me material worth ₹200. If I lose a few while practising, by night the activity has cost me over 500 bucks. All for getting a high from a good match.”  

Bittoo bhai says: “A player finds recognition only when he reaches state finals, or wins a trophy or a certificate. The prize money at the all India level is ₹51,000. A win in Delhi can get you a cash reward of ₹21,000 to ₹25,000. When my Ustad won the all India trophy, he threw a party for 400 people, and ended up spending ₹80,000. In 2011, I was first runner-up at the all India level, I won ₹31,000 and spent ₹39,000 on the party I threw. It is a serious addiction.

The kiting lores

In this meandering lane, a sudden monsoon shower does not halt life. If you are not from the area, the locals see that without even looking at you and cede you extra space, squeezing themselves deftly in-between a stationary rickshaw and an oncoming wheel-barrow.

A duo of pre-teen boys, wearing white lace skull caps, walk with their arms over each other’s shoulders, holding a few tri-coloured kites among others in their hands. Khan says: “It’s not just the Hindus who buy the tri-coloured kites. Everyone buys them, irrespective of their religion. I do not think there is any difference between people, that sentiment is propagated only by a few.”

It is said that kiting became a craze when a paralyzed man was brought to the legendary Hakim Luqman, who made a special kite for him and asked him to fly it. The patient followed the instructions and soon was walking again. Khan says: “It’s a sport that provides overall exercise, from your hands to your arms, from the chest to the legs. It also sharpens your eye sight, and your brain.” Hakim Luqman is best known for his last experiment—it is said that he cut up his body to cause certain death but also made a magical powder to revive him upon reaching his last breath. He handed over this powder to his aid and began the procedure of cutting himself open, just when the aid was supposed to give him the powder and revive him, a gust of wind came and the powder blew away. In the blink of an eye, both the powder and the Hakim were gone, just like a kite!

The heros

Kites made by Mobin Khan are considered collector’s items. Zhahin Niyazi is a kite maker from Bareilly, whose kites carry his stamp and a small picture. His kites are known for their quality and their designs; they sell for around ₹80 a piece. The manjha spools also carry the pictures of the makers. Ustad Razi from Moradabad and Shahabuddin from Lucknow sell the costliest. A master kite maker and artist-kiter who was affectionately called Babu Khan by everyone was known to launch one kite in the sky and then add more and more kites to the same line, creating a visual delight in the sky. A guest of honour at every kite festival in India till his death, Babu Khan could make from the smallest to the biggest kites, all of which would fly superbly.

The kiters say that in this game age or gender is no bar. There are many women kite flyers who have participated in various competitions in Lucknow and Jaipur and Bikaner have full-on women teams. However, old Delhi is yet to produce its own woman kiter.

In every country, nationalist jingoism is at its zenith every independence day, and India is no different. 15th August is marked by an amazing increase in kite flying. The tri-coloured kite is the most sought after and the suppliers who feed the jingoism of the day are Muslim artisans from Bareilly, Moradabad and Lucknow. They are the artists who create these kites, through whose fingers pass the saffron, the white and the green-coloured paper.

Moin Khan, the son of Ayyub Khan, is a thorough businessman who has no interest in kiting. In a very practical tone he says: “The tiranga belongs to all us Indians, no matter our religion. If one particular group uses the flag as their own property, it is disrespect to our flag. Muslims have always proved their loyalty to India and they don’t have anything more to prove. So, if people cannot see that I am as patriotic as them, I cannot help it. That said, I feel disappointed with the state of affairs these days and hope the government will do something to stem this rising feeling of communalism. I do not feel hatred for those who are different from me but I do question who brainwashes them.”

After the success of the movie Maine pyar kiya in the 1990s, the markets were flooded by kites with Salman Khan’s pictures. From time to time cricketers are also featured on them. Children go for the glitzy ones with cartoon characters like Doremon, Motu-Patlu, Shiva, Chota Bheem and Barbie.

For the last three years, kites have started featuring Narendra Modi too. For a kite market which is situated only a stone’s throw from Ghalib’s haveli, people toss-about shers like everyday maxims. One that we hear as we are leaving is—Patang si hai zindagi, kahan tak jayegi. Raat ho ya umr, ek na ek din kat he jayegi.[/vc_column_text][/vc_column][/vc_row]

Entertainment

Yashraj Mukhate collaborates with Amit Trivedi for Mann Dhaaga song

In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi. He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga.

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Amit Trivedi is known for his soulful compositions which weave profound lyrics, captivating music lovers. His songs spark a deep desire in aspiring artists to collaborate with him. Music producer and You Tuber Yashraj Mukhate had immense admiration for Trivedi’s artistry. In a post circulating on Instagram Yashraj Mukhate talks about his experience of listening to Amit Trivedi’s music and recalls how he had always dreamt of collaborating with Amit Trivedi.

He said his dream came true 2 years later in 2024 where he collaborated with Trivedi on the song Mann Dhaaga. He wrote that he had been listening to the entire Dev D Album carefully in 2012. And he kept listening to it on loop for 3 weeks. He continued to listen to Amit Trivedi compositions in Aisha, Kai Po Che, Udaan, Lootera, Queen, Fitoor continuously. He said he could not stop himself and became a big fan of the music director. He said he started dreaming of meeting his idol one day and collaborating with him.

He recalled that he had to download songs from songs.pk and listen to them. He said the songs kept running inside his mind all through the day. He added that he even remembered Amit Trivedi’s ad jingles word for Fanta, Frooti, Dish TV and all of them.

Mukhate said he always dreamed of meeting Amit Trivedi and wanted to thank him for giving this experience. The post has gone viral on social media with 96,445 likes till now. Large number of social media user commented on the social media post where one user Parth said the Yashraj Mukhate was truly an inspiration. One user said his dedication had brought him to level. One user said a man should make all his dreams come true by going through one hustle at a time.

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Book reviews

The Sattvik Kitchen review: Relook at ancient food practices in modern times

If you are the one looking to embrace healthy food habits without compromising on modern delicacies, then this book is a must read!

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The cacophony of bizarre food combinations across the streets of India has almost taken over the concept of healthy food practices. Amid this, yoga guru Dr Hansaji Yogendra’s The Sattvik Kitchen, published by Rupa, is a forthright work that takes you back to ancient food practices and Ayurveda.

As the subtitle reads, The Art and Science of Healthy Living, the book endows a holistic approach to ayurvedic diet along with modern evidence based nutrition. From Basil-Broccoli Soup to Sprouted Green Gram Salad and Strawberry Oats Smoothie to Mixed Dal Parathas, the book not only provides you with the recipes but also stresses on healthy cooking tips together with nutritional benefits. 

Besides, Dr Hansaji Yogendra’s book emphasizes on the traditional methods of food preparation and the advantages of using traditional cookwares like iron and copper vessels. The narrative portrays a balanced approach, knitting traditional wisdom with contemporary scientific understanding.

The author, through her book, sheds light on the principles of Ayurveda and highlights the metamorphic potential of adopting ancient food practices. She explains how our body reacts to food in terms of timing, quantity, manner of consumption and seasonal considerations. The book adeptly reintroduces ancient home remedies tailored to address various contemporary health issues. 

Dr Yogendra, in her book, decodes the importance of nutritional knowledge to optimize both immediate and long-term health outcomes. It provides deep insights to understanding the intricate relationship between food choices and overall well-being, weaving Ayurveda with practical perception. 

The book not only celebrates food philosophy but also offers a practical view into weight loss, well-being, and the profound impact of dietary choices on both physical and emotional aspects of our lives.

If you are the one looking to embrace healthy food habits without compromising on modern delicacies, then this book is a must read! The book is a roadmap to navigate the challenges of the modern day kitchens. 

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Book reviews

The Deccan Powerplay review: Bashing Chandrababu Naidu and his legacy

Amar Devulapalli’s book The Deccan Powerplay cornersthe TDP strongman with every petty incident exaggerated a la Baahubali 

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Mike Marqusee’s War Minus The Shooting is a seminal book on cricket and its influence on culture and politics in the Indian sub-continent during the 1996 Cricket World Cup. Amar Devulapalli’s book The Deccan Powerplay, published by Rupa, sounds like a similar exercise with its clear subtitle, “Reddy, Naidu and the Realpolitik of Andhra Pradesh“. The ambitious sounding subtitle crumbles under the weight of belied expectations of a scholarly treatise on the political interplay between the Reddys, the Kammas and the erstwhile united Andhra Pradesh. One can blame it on one’s own hopes and excuse the author of the lapse since the book has just three people to discuss: YS Rajsekhara Reddy, N. Chandrababu Naidu and Y.S. Jagan Mohan Reddy.

The chief protagonists here are YSR and his son, the incumbent Chief Minister of bifurcated Andhra Pradesh, Jagan Mohan Reddy. The lone villain, and one crafty as a fox if ever there was one, is Chandrababu Naidu. The book devotes a chapter to the corruption cases against Naidu, for which he was arrested in September 2023.

In crafting the narrative, the other heavyweights of Telugu country are discussed in passing, as peripheral players. N.T. Rama Rao does get the starring role, as befits the Telugu star of yesteryear and the founder of the Telugu Desam Party. But even this is fleeting. The Congress, which ruled the state till bifurcation, is portrayed as a faction-infested animal — so what if YSR stayed in the party both as loyal soldier as well as a seasoned yet dynamic general?

The book sets out to demolish the halo surrounding Naidu as the man who brought Information Technology majors to Hyderabad, nay Cyberabad, by beating Bengaluru. His breaking with NTR is depicted as a shrewd, calculated gambit to displace the TDP founder, who was also his father-in-law. 

The book is replete with this and more Naidu nitpicking. Naidu took no bullshit from politicians or journalists. He gave it back to the scribes when needed, apart from his favourite media groups, one of the reasons they were not very happy kowtowing to him, 

as the book suggests. Instead they would make ostentatious bows to any political alternative merely for being less brusque than the now-out-on-bail former CM. 

The book picks apart every claim Naidu ever made and portrays him as an opportunist. The problem with this is possibly because Naidu preceded Jagan Mohan as the rump AP’s last CM and had presumably used every trick in his arsenal to discredit the younger contender.

With Assembly elections due this year, this book reads like a party pamphlet and comes across as a political weapon among the undiscerning. An Instagram handle could have been more useful to this end. But for such a grandly-titled book: the anticlimax is swift and painful.

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