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From Modern Love Mumbai to Four More Shots, a look at overrated Indian shows

5 overrated Indian shows to flee from.

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Modern Love Mumbai

With the advent of OTT platforms in India, the Indian audience bid adieu to the ‘saas-bahu drama’ on television. Myriad shows, dedicated to the OTT audience, have been released for the past few years, especially during the coronavirus pandemic.

The audience got the substance and relatability they needed in the content they consumed and were freed from stereotypical and regressive content served on Hindi channels.

Production houses released web shows and films on OTT platforms every week which is overwhelming for the audience. There are shows that created a hullabaloo among fans with their first part and on the flip side, there are shows that fizzled out after their first episode. And there are also shows with out-of-the-box marketing on social media but didn’t turn out to be worth the hype.

With the N-number of OTT platforms around, it was natural that there would be N-number of shows. If you are a sucker for Indian web shows, you might have friends who can’t stop talking about a particular show and made you binge-watch it but you were disappointed! This article is for you poor souls who end up choosing overrated shows going by social media trends.

5 overrated Indian shows to flee from

Fabulous Lives of Bollywood Wives

Nepotism has many negative sides but Karan Johar took the cliche and turned it upside down. He featured his four best buddies Seema Kiran Sajdeh, Neelam Kothari, Bhavana Pandey, and Maheep Kapoor and doled out a 21st-century favour to them by helping them retain their long-lost fame or the fame their husbands never enjoyed.

Fabulous Lives of Bollywood Wives is like a drunk mistake everyone regrets the next morning. And they had the audacity to come up with a second season? Why? Why was this series even made? Netflix! Why so tasteless?

Modern Love Mumbai

Bankrolled by Pritish Nandy, this Amazon Prime Video series brings you six stories of human connection. The six-story series has been directed by Shonali Bose, Hansal Mehta, Alankrita Shrivastava, Vishal Bhardwaj, Nupur Asthana, and Dhruv Sehgal.

Inspired by Modern Love by John Carney, Modern Love Mumbai has beautiful stories but what’s new. Similar themes and content have been seen in Lust Stories and Made in Heaven and films like Kapoor And Sons and Tamasha. Six stories dealing with people’s complexities and finding love and connection are monotonous and can be seen in every other OTT series. Yawn!

Four More Shots Please!

Starring Bani J, Sayani Gupta, Kirti Kulhari, and Maanvi Gagroo in the lead, Four More Shots Please is an utter waste of time. It’s a weak-ass watered-down version of Sarah Jessica Parker’s Sex And The City. The acting, plot, and dialogues seem to be written by the scriptwriter under extreme duress, such as at gunpoint. And the drama in the show will remind you of the much-criticised portrayal of feminism in Rhea Kapoor’s film Veerey Di Wedding.

Little Things

Starring Mithila Palkar and Dhruv Sehgal, Little Things has very little substance. Same old mundane urban relationship and cohabitation scuffle. The show is popular among the young, but again the story is as stale as a week-old loaf of bread. Palkar has already appeared in similar content produced by Filter Copy and TVF. Moreover, the makers came up with sequels which kind of pulverised the little substance the show had into nothing.

Aarya

The crime-thriller might have changed Sushmit Sen’s life for good but the show is just another casual watch on Hotstar. With shows like Criminal Justice, Made In Heaven, The Great Indian Murder, et al, Aarya is like a showpiece in your living room, gathering dust and no one caring to clean it. The only watchable thing about Aarya is Sen who returned to the screen after years of hiatus.

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Batwara 1947 box office failure: Shabana Azmi says audiences couldn’t accept Sunny Deol as Muslim

Shabana Azmi has reflected on Batwara 1947’s poor box office performance, suggesting that audiences may have struggled to accept Sunny Deol as a Muslim character.

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Batwara 1947 has had a disappointing run at the box office, and actor Shabana Azmi has now shared her thoughts on why the film may not have connected with audiences. According to Azmi, one possible reason could be the difficulty some viewers had in accepting Sunny Deol as a Muslim character.

The film, which also features Preity Zinta and Shabana Azmi, was released on August 14. It has reportedly earned around Rs 53 crore so far, while Awarapan 2, which released on the same day, has crossed the Rs 200 crore mark.

Shabana Azmi on Sunny Deol’s Muslim character

Discussing the film’s response, Shabana Azmi questioned whether audiences were able to accept Sunny Deol in a Muslim role.

She compared the situation with Amitabh Bachchan’s earlier performances in which he portrayed Muslim characters. Azmi pointed to Deewaar, where Bachchan’s character is associated with the number 786, and said such portrayals had been accepted by audiences.

Azmi also suggested that there may have been confusion among some viewers about Sunny Deol’s character in Batwara 1947. She said that even some people who had watched the film believed Deol was playing a Pakistani character, whereas, according to her, he plays an Indian Muslim.

What Shabana Azmi said about the film’s reception

Azmi said she was surprised by the contrast between the appreciation she had heard from people who watched the film and its weak theatrical performance.

According to her, viewers who discussed the film with her had praised its message of humanity, but that appreciation did not translate into enough people going to theatres.

She also questioned whether audiences were uncomfortable with the film’s India-Pakistan subject. Azmi maintained that the film’s message was not politically incorrect and praised Sunny Deol’s performance.

Batwara 1947 vs Awarapan 2 at the box office

The poor performance of Batwara 1947 has become more noticeable because the film released alongside Awarapan 2. While Batwara 1947 has struggled commercially, Awarapan 2 has performed significantly better at the box office.

The contrast has added to the discussion around the reception of the Sunny Deol-starrer, particularly after Azmi offered her view on why audiences may not have connected with the film.

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Aasha Jaiswal Singh, Known for mimicking Meena Kumari, dies in Mumbai

Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son Akkash Bharadwaj confirmed the news and remembered her contribution to acting and mimicry.

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Veteran actor and mimicry artist Aasha Jaiswal Singh died in Mumbai on August 22. Her son, Akkash Bharadwaj, shared the news and remembered her for her work as an actor, social worker and mimicry artist.

Aasha Jaiswal Singh was particularly known for her ability to mimic the voice of legendary actor Meena Kumari. According to details shared by her son, she was also credited as India’s first female mimicry artist and worked as a character actor.

Aasha Jaiswal Singh’s death confirmed by son

Akkash Bharadwaj announced his mother’s death in a social media post. Remembering her, he described her as a “karmath loh-mahila”, or “iron lady”, and urged people to pray for her soul.

He also asked people to remember Aasha Jaiswal Singh by revisiting her work and contributions rather than only mourning her death.

According to the details shared by her son, Aasha Jaiswal Singh died on August 22. Her last rites were held at the Pawan Hans crematorium in Vile Parle West, Mumbai, on August 23 at 10 am.

Aasha Jaiswal Singh was known for Meena Kumari mimicry

Aasha Jaiswal Singh’s work as a mimicry artist was an important part of her public identity. She was recognised for recreating the voice of Meena Kumari, one of Hindi cinema’s celebrated actors.

Alongside mimicry, she worked as a character actor and social worker. Her son also said that she was the founder, owner and operator of Aasha Events and Films.

Her death marks the loss of an artist remembered for combining acting with mimicry and social work.

Aasha Jaiswal Singh’s final rites held in Mumbai

The family conducted her last rites on August 23 at the Pawan Hans crematorium in Vile Parle West. The rites took place at 10 am, according to details shared by her son.

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Kriti Sanon’s Raksha Bandhan ad draws criticism over modern festive look

Kriti Sanon’s Raksha Bandhan advertisement has sparked an online debate, with some social media users questioning her contemporary festive outfit and the campaign’s concept.

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Kriti Sanon’s latest festive appearance has triggered a debate on social media after the actor featured in a Raksha Bandhan advertisement wearing a contemporary outfit.

In the advertisement, Kriti Sanon is seen in an off-white bralette-style blouse paired with a cape and a draped skirt. While the actor has previously experimented with contemporary interpretations of traditional fashion, some social media users criticised her look in the festive campaign.

The criticism was directed particularly at the choice of outfit for a Raksha Bandhan-themed advertisement, with several users questioning whether the look was appropriate for the occasion.

Advertisement’s pet dog sequence also draws reactions

The concept of the advertisement also became a point of discussion online. In the campaign, Kriti is seen tying a traditional rakhi on a dog after the pet barks at her.

The advertisement presents the ritual as a way of including the pet in the family’s Raksha Bandhan celebrations. However, several social media users questioned the decision to include the dog in the festive ritual.

Some commenters accused the brand of making a mockery of Indian festivals, while others said they disagreed with the overall concept of the advertisement.

Social media users criticise Kriti Sanon’s festive look

Kriti Sanon’s outfit became one of the main talking points among those criticising the advertisement. Some users described the outfit as inappropriate for a Raksha Bandhan campaign.

One social media user wrote that Kriti was tying rakhi in a “bra kinda attire” and questioned the use of such an outfit during the festival.

Another commenter compared the treatment of Raksha Bandhan with other festivals and criticised the advertisement’s presentation of the celebration.

Other reactions focused on traditional elements associated with Raksha Bandhan. One user questioned the absence of a puja thali and tilak while also criticising Kriti’s outfit.

A separate comment objected to the inclusion of the dog, arguing that the campaign was not representative of the traditional spirit of Raksha Bandhan.

These comments reflect the views of individual social media users and do not establish a broader consensus about the advertisement.

Kriti Sanon yet to respond to criticism

The Raksha Bandhan advertisement continues to receive mixed reactions on social media. While some users have criticised the actor’s outfit and the campaign’s concept, Kriti Sanon is yet to respond to the criticism.

The debate comes as brands increasingly use contemporary interpretations of traditional festivals in advertising, with the campaign’s presentation becoming a subject of discussion among social media users.

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