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From Modern Love Mumbai to Four More Shots, a look at overrated Indian shows

5 overrated Indian shows to flee from.

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Modern Love Mumbai

With the advent of OTT platforms in India, the Indian audience bid adieu to the ‘saas-bahu drama’ on television. Myriad shows, dedicated to the OTT audience, have been released for the past few years, especially during the coronavirus pandemic.

The audience got the substance and relatability they needed in the content they consumed and were freed from stereotypical and regressive content served on Hindi channels.

Production houses released web shows and films on OTT platforms every week which is overwhelming for the audience. There are shows that created a hullabaloo among fans with their first part and on the flip side, there are shows that fizzled out after their first episode. And there are also shows with out-of-the-box marketing on social media but didn’t turn out to be worth the hype.

With the N-number of OTT platforms around, it was natural that there would be N-number of shows. If you are a sucker for Indian web shows, you might have friends who can’t stop talking about a particular show and made you binge-watch it but you were disappointed! This article is for you poor souls who end up choosing overrated shows going by social media trends.

5 overrated Indian shows to flee from

Fabulous Lives of Bollywood Wives

Nepotism has many negative sides but Karan Johar took the cliche and turned it upside down. He featured his four best buddies Seema Kiran Sajdeh, Neelam Kothari, Bhavana Pandey, and Maheep Kapoor and doled out a 21st-century favour to them by helping them retain their long-lost fame or the fame their husbands never enjoyed.

Fabulous Lives of Bollywood Wives is like a drunk mistake everyone regrets the next morning. And they had the audacity to come up with a second season? Why? Why was this series even made? Netflix! Why so tasteless?

Modern Love Mumbai

Bankrolled by Pritish Nandy, this Amazon Prime Video series brings you six stories of human connection. The six-story series has been directed by Shonali Bose, Hansal Mehta, Alankrita Shrivastava, Vishal Bhardwaj, Nupur Asthana, and Dhruv Sehgal.

Inspired by Modern Love by John Carney, Modern Love Mumbai has beautiful stories but what’s new. Similar themes and content have been seen in Lust Stories and Made in Heaven and films like Kapoor And Sons and Tamasha. Six stories dealing with people’s complexities and finding love and connection are monotonous and can be seen in every other OTT series. Yawn!

Four More Shots Please!

Starring Bani J, Sayani Gupta, Kirti Kulhari, and Maanvi Gagroo in the lead, Four More Shots Please is an utter waste of time. It’s a weak-ass watered-down version of Sarah Jessica Parker’s Sex And The City. The acting, plot, and dialogues seem to be written by the scriptwriter under extreme duress, such as at gunpoint. And the drama in the show will remind you of the much-criticised portrayal of feminism in Rhea Kapoor’s film Veerey Di Wedding.

Little Things

Starring Mithila Palkar and Dhruv Sehgal, Little Things has very little substance. Same old mundane urban relationship and cohabitation scuffle. The show is popular among the young, but again the story is as stale as a week-old loaf of bread. Palkar has already appeared in similar content produced by Filter Copy and TVF. Moreover, the makers came up with sequels which kind of pulverised the little substance the show had into nothing.

Aarya

The crime-thriller might have changed Sushmit Sen’s life for good but the show is just another casual watch on Hotstar. With shows like Criminal Justice, Made In Heaven, The Great Indian Murder, et al, Aarya is like a showpiece in your living room, gathering dust and no one caring to clean it. The only watchable thing about Aarya is Sen who returned to the screen after years of hiatus.

Entertainment

Aamir Khan set to wed Gauri Spratt on July 5

Actor Aamir Khan is reportedly preparing to marry longtime partner Gauri Spratt in a private ceremony on July 5. While the couple has not officially confirmed the wedding, reports suggest the celebration will be a low-key affair attended by close family and friends.

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Actor Aamir Khan is readying to finally marry his longtime partner, Gauri Spratt, in a private ceremony on July 5. Unlike other high-profile Bollywood weddings, the couple is expected to celebrate the occasion with close family members and a handful of friends, choosing a simple gathering over a lavish event. 

The reported wedding has attracted widespread attention from fans and the film industry, with many taking to social media to congratulate the couple. While neither Aamir nor Gauri has shared extensive details about the ceremony, reports suggest the celebrations will remain intimate and focused on family.

The actor was first married to Reena Dutta, and they have two children together. In 2005, Aamir married filmmaker Kiran Rao. The couple announced their separation in 2021 but have continued to maintain a friendly relationship and jointly raise their son while working together on select projects.

Gauri Spratt has largely stayed away from the limelight. Despite growing public interest in their relationship, she has preferred to keep her personal life private. Reports indicate that Gauri and Aamir have known each other for several years before deciding to take the next step in their relationship.

Known for balancing a successful film career with a private personal life, Aamir Khan has often avoided discussing family matters in public. His reported decision to opt for a low-key wedding is in line with his long-standing preference for privacy. 

As news of the upcoming ceremony continues  to make headlines, fans are eagerly waiting for an official glimpse of the celebrations. Whether through a family photograph or a public statement, many hope to see the couple share the joyful occasion with their well-wishers.

With this wedding, Aamir Khan appears ready to embrace a new phase in his life while continuing to focus on both his personal happiness and his significant contribution to Indian cinema.  

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Nolan’s Odyssey set to release July 17, hype machine kicks in

Christopher Nolan’s The Odyssey is scheduled to release on July 17. Featuring an all-star cast led by Matt Damon, the film is the first feature ever shot entirely with full-frame IMAX film cameras, bringing Homer’s legendary epic to the big screen.

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Oscar-winning director Chris Nolan’s highly anticipated epic The Odyssey will have its world premiere on July 17 , 2026, taking audiences on an unforgettable ride into Homer’s timeless Greek epic.

The film tells the tale of the difficult journey King Odysseus undertook to return home after the Trojan War and is replete wiht mythical adventures and divine intervention in the seas.

Matt Damon plays Odysseus with Tom Holland as Telemachus and Anne Hathaway as Penelope. The movie also stars Zendaya, Robert Pattinson, Lupita Nyong’o, and Charlize Theron among others. Nyong’o’s casting as Helen of Troy has had social media in ferment the moment her casting was announced.

Said to have been produced with a budget of around $250 million, The Odyssey is Nolans’s most expensive film so far. It has also managed to create history as it has become the first feature film ever to be shot using full-frame IMAX film cameras.

The film represents Nolan’s comeback to history and myth making after the success of his previous offering, Oppenheimer. Odyssey is expected to set the bar even higher for epic movies through the combination of classic literature and modern technology.

The movie has been highly anticipated and has become one of the highly anticipated films of 2026 because of its director, cast, and large production scope. The Odyssey will also be introducing the Greek epic to a new generation.

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Entertainment

Alpha movie review: Alia Bhatt powers through an entertaining but familiar spy spectacle

Alia Bhatt impresses with her action-packed performance in Alpha, but a predictable script and familiar superhero-inspired narrative stop the YRF Spy Universe film from becoming truly memorable.

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Alpha review

The YRF Spy Universe expands once again with Alpha, marking the franchise’s first female-led action film. After years of male spies dominating the cinematic universe, Alia Bhatt steps into the spotlight as Sita, a genetically enhanced operative entrusted with carrying an ambitious action entertainer almost entirely on her shoulders. While the actor succeeds in making the character memorable through her energetic screen presence and committed action performance, the film’s predictable storyline prevents it from reaching its full potential.

Directed by Shiv Rawail, Alpha combines large-scale action, espionage and superhero-style storytelling. However, despite its impressive visuals and action choreography, the film struggles to offer a fresh narrative in an increasingly crowded spy franchise.

Alia Bhatt delivers one of the film’s biggest strengths

Alia Bhatt undergoes a convincing physical transformation for the role and brings an expressive quality rarely seen in mainstream action heroes. Instead of maintaining a stoic expression throughout combat sequences, she allows her emotions to surface, making every confrontation feel personal.

Her character, Sita, balances confidence, wit and emotional vulnerability. As an orphan raised under extraordinary circumstances, she carries emotional scars beneath her fearless exterior, and Alia effectively captures both sides of the character.

The emotional depth she adds helps elevate scenes that otherwise rely heavily on stylised action.

Familiar story limits the excitement

Despite its promising premise, Alpha follows a storyline that feels heavily inspired by familiar superhero films. Written by Uday Chopra, Shridhar Raghavan and Ishita Moitra, the narrative blends elements of Indian mythology with comic-book style storytelling but offers few genuine surprises.

The story follows Fateh, played by Bobby Deol, a military officer who develops a secret project to create genetically enhanced super soldiers using a serum known as Alpha. After the experiment fails, circumstances lead to the serum being injected into the unborn daughter of Kaul’s wife, altering the child’s genetics before birth.

That child eventually grows up to become Sita, a highly trained operative raised under Fateh’s control.

While the concept has potential, much of the film’s central mystery is revealed through its promotional campaign, leaving only a few surprises for audiences during the actual film.

Action sequences remain consistently engaging

Where Alpha truly succeeds is in its action. The hand-to-hand combat sequences are choreographed with intensity and supported by an energetic background score that keeps the momentum alive.

Sharvari proves to be an equally capable action performer, matching Alia’s intensity in both emotional and combat scenes. Their chemistry suggests an engaging partnership, although the screenplay does not spend enough time exploring their relationship before moving on to larger action set-pieces involving gunfights and helicopters.

Bobby Deol and Anil Kapoor add dramatic weight

The supporting cast significantly strengthens the film.

Bobby Deol makes a commanding antagonist whose calm demeanour contrasts effectively with sudden bursts of violence. His restrained performance makes Fateh an intimidating villain, although the screenplay stops short of giving him a deeper emotional backstory.

Anil Kapoor also leaves a solid impression as Kaul, bringing authority and emotional conviction to his scenes. Together, both actors provide much-needed dramatic weight that helps compensate for the screenplay’s shortcomings.

Verdict

Alpha delivers polished action, committed performances and slick production values, but its familiar superhero-inspired plot prevents it from becoming one of the strongest entries in the YRF Spy Universe. Alia Bhatt leads confidently, Sharvari proves to be an impressive action partner, while Bobby Deol and Anil Kapoor elevate the material whenever they appear. However, the franchise may need fresher storytelling if it hopes to keep audiences invested beyond the spectacle.

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