With the advent of OTT platforms in India, the Indian audience bid adieu to the ‘saas-bahu drama’ on television. Myriad shows, dedicated to the OTT audience, have been released for the past few years, especially during the coronavirus pandemic.
The audience got the substance and relatability they needed in the content they consumed and were freed from stereotypical and regressive content served on Hindi channels.
Production houses released web shows and films on OTT platforms every week which is overwhelming for the audience. There are shows that created a hullabaloo among fans with their first part and on the flip side, there are shows that fizzled out after their first episode. And there are also shows with out-of-the-box marketing on social media but didn’t turn out to be worth the hype.
With the N-number of OTT platforms around, it was natural that there would be N-number of shows. If you are a sucker for Indian web shows, you might have friends who can’t stop talking about a particular show and made you binge-watch it but you were disappointed! This article is for you poor souls who end up choosing overrated shows going by social media trends.
5 overrated Indian shows to flee from
Fabulous Lives of Bollywood Wives
Nepotism has many negative sides but Karan Johar took the cliche and turned it upside down. He featured his four best buddies Seema Kiran Sajdeh, Neelam Kothari, Bhavana Pandey, and Maheep Kapoor and doled out a 21st-century favour to them by helping them retain their long-lost fame or the fame their husbands never enjoyed.
Fabulous Lives of Bollywood Wives is like a drunk mistake everyone regrets the next morning. And they had the audacity to come up with a second season? Why? Why was this series even made? Netflix! Why so tasteless?
Modern Love Mumbai
Bankrolled by Pritish Nandy, this Amazon Prime Video series brings you six stories of human connection. The six-story series has been directed by Shonali Bose, Hansal Mehta, Alankrita Shrivastava, Vishal Bhardwaj, Nupur Asthana, and Dhruv Sehgal.
Inspired by Modern Love by John Carney, Modern Love Mumbai has beautiful stories but what’s new. Similar themes and content have been seen in Lust Stories and Made in Heaven and films like Kapoor And Sons and Tamasha. Six stories dealing with people’s complexities and finding love and connection are monotonous and can be seen in every other OTT series. Yawn!
Four More Shots Please!
Starring Bani J, Sayani Gupta, Kirti Kulhari, and Maanvi Gagroo in the lead, Four More Shots Please is an utter waste of time. It’s a weak-ass watered-down version of Sarah Jessica Parker’s Sex And The City. The acting, plot, and dialogues seem to be written by the scriptwriter under extreme duress, such as at gunpoint. And the drama in the show will remind you of the much-criticised portrayal of feminism in Rhea Kapoor’s film Veerey Di Wedding.
Little Things
Starring Mithila Palkar and Dhruv Sehgal, Little Things has very little substance. Same old mundane urban relationship and cohabitation scuffle. The show is popular among the young, but again the story is as stale as a week-old loaf of bread. Palkar has already appeared in similar content produced by Filter Copy and TVF. Moreover, the makers came up with sequels which kind of pulverised the little substance the show had into nothing.
Aarya
The crime-thriller might have changed Sushmit Sen’s life for good but the show is just another casual watch on Hotstar. With shows like Criminal Justice, Made In Heaven, The Great Indian Murder, et al, Aarya is like a showpiece in your living room, gathering dust and no one caring to clean it. The only watchable thing about Aarya is Sen who returned to the screen after years of hiatus.
Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.
If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.
Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.
Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).
The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.
Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.
As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.
FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.
The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.
FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.
However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.
Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.
FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.
As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.
Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine
Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.
The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.
Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.
Pushpa 2 earns screenplay and costume design honours
Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.
The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.
Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition
Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.
Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).
Committee Kurrollu wins Best Telugu Film
Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.
Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.
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