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Kamod’s Nameplate Girls

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The door to Sarpanch Sudarshan Kumar’s home in Kamod village

[vc_row][vc_column][vc_column_text]Rio and Dangal have energised and mobilised Meri Beti Meri Pehchan, a campaign for gender equality in the badlands of Haryana

By Karan Kaushik

It’s a hazy and cold afternoon in Kamod, a village in the Charkhi Dadri district of Haryana, about 90 km from the national capital. A tractor offers me a lift to the sarpanch’s house from the spot on the highway where I have been dropped by a state bus.

Buffalos seem to be in a lazy mood as they relish their freshly cut fodder. A snake-charmer and his pets are entertaining the village folk. Kids clap and smartly click pictures of the show on their mobiles. While tradition still rules, this tiny village is determined to usher in a significant social change—that of equal respect, freedom and opportunity for girls and boys, men and women.

And for this, they have taken the important first step—nameplates on the houses here will sport the name of the eldest daughter, followed by those of his mother and father, under the Meri Beti Meri Pehchan campaign, which owes much of its momentum to the Aamir Khan starrer wrestling biopic—Dangal.

Now, Haryana has always had this image of a state unfair, even misogynistic, towards its women. Having one of the worst sex ratios, it has been witness to rapes, honour killings, cultural oppression of women, and more. But social change has been taking place, incrementally as well as radically, quite inexorably, with the rise of the Phogat sisters, Rohtak sisters and the Selfie with Your Daughter campaign, and now this, and Kamod is an apt example.

Shruti Kumar, daughter of Sudarshan

Shruti Kumar, daughter of Sudarshan

Meet nine-year-old Shruti Kumar, who studies in Third C. The little lady is excited to have ‘occupied’ the nameplate of her house. But it is the excitement of a child. Her father Sudarshan Kumar, the village sarpanch, however, shares with us the rationale of the move. He also lets us know how the campaign will pan out.

The gram panchayat has started with houses belonging to 20 anganwadi workers first and plans to expand it to include 500 anganwadi workers’ homes.

“Our village has taken this initiative because we saw that in the Rio Olympics, it was our women who saved the day,” says Kumar. “In our own village a few days ago, a girl named Preeti won a prize for making a documentary about legal literacy on female foeticides. Our daughters have also won first position in sports at state level,” he recounted, adding, significantly, “We, too, here recognise that women are not far behind than men in any field.”

It was Aamir Khan’s blockbuster Dangal that inspired many in the village though Kumar adds that the campaign had been planned before the film’s release. Says he: “The movie made us think, if we can use our daughters to do all the daily chores, why can’t we give them a chance to prove themselves in other fields?”

“Since the Sarpanch has initiated this campaign, everyone is excited and motivated,” says Jagdish Chahar, a village landlord.

Rajwani, Poonam and Sujata pose for a photograph

Rajwani, Poonam and Sujata pose for a photograph

Rajwanti Devi, who is in her late 50s, is one of the anganwadi workers whose home sports her granddaughter’s name on the door and who has played an active role in the campaign. “We want to set an example for other villages,” says she. She, too, admits, that the “story of the Balali sisters” inspired her and her daughter-in-law Poonam Devi, Sujata’s proud mother.

Cinema is a powerful catalyst for social change and Kamod’s story proves it. Having an impressive child sex ratio (0-6 years) of 1,300 girls against 1,000 boys (When the panchayat was formed, members had decided they will honor those homes where a girl was born during Independence Day and Republic Day, says Kumar), Kamod village has around 450 houses and a population of 2,100. It is 15km from Balali village, where wrestler sisters Geeta and Babita live with their father Mahavir Singh Phogat.

The man who started it all, Mahavir Phogat of Balali village

The man who started it all, Mahavir Phogat of Balali village

Mahavir Phogat told India Legal: “This is a great initiative. It will set a good example for the rest of the villages so that they can give their daughters the real honour that they deserve. Through this initiative, girls will claim their identity. When such initiatives are started, it also gives the girls a chance to remain in news and be treated equally also by the media.” In chaste Haryanvi, the proud father added: “Dekho bhai nameplate pe naam aaega to charche to honge hi. Isse badi kya baat ho sakti hai bacchio ke liye? (When their names will appear on the nameplates, it will definitely bring much-needed attention to the girls, and what could be better?)”

Manju Rani travels daily to the city to attend her BA first year classes. All she wants is employment and autonomy before she gets married, she says. Then there is Vandana, an eighth grader, who wants to be a doctor because she likes studying. The teen feels that Dangal is a “wonderful film which left a mark” on her mind.

The village struggles with its own share of problems.  Lack of an internet connection, no hospital and no playground (eventhough the panchayat has purchased sports gear for youngsters) are some of them.

Sarpanch Kumar and his team are working on these. As of now, they are getting a new sewerage system laid. A playground is next on their agenda.[/vc_column_text][/vc_column][/vc_row]

India News

Election Commission responds after Kejriwal questions BJP’s involvement in home voting process

Upon approval, a polling team, comprising election officials and security personnel, will visit the voter’s residence prior to election day to facilitate the voting process.

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The Election Commission of India (ECI) issued a detailed clarification regarding the home voting facility for the upcoming Delhi Assembly elections scheduled for February 5, 2025. This initiative, designed to enhance accessibility for senior citizens (over 85 years old) and persons with disabilities (PwD), requires eligible voters to submit Form 12D to apply.

Upon approval, a polling team, comprising election officials and security personnel, will visit the voter’s residence prior to election day to facilitate the voting process.

Crucially, the ECI clarified that candidates or their authorized representatives will be permitted to accompany the polling team during these home visits. This provision addresses concerns raised by Aam Aadmi Party (AAP) leader Arvind Kejriwal, who had previously highlighted a video showing BJP representatives present during a home voting event.

While the ECI statement did not directly mention Kejriwal or any specific political party, the inclusion of candidate representatives aims to ensure transparency and alleviate concerns about potential irregularities. The commission’s statement emphasizes that the presence of representatives is permissible to uphold fairness and prevent any accusations of undue influence.

The ECI has received a significant number of applications for this facility: 6,447 from senior citizens and 1,058 from PwD voters. To date, 1,271 senior citizens and 120 PwD voters have already cast their ballots through this home voting system. The process itself involves the polling team providing the voter with a ballot paper, overseeing the casting of the vote, and ensuring strict adherence to ECI guidelines regarding confidentiality. To maintain transparency and accountability, the entire process is recorded on video.

The ECI unequivocally stated that participation in the home voting option is entirely voluntary. Voters choosing this method will not be allowed to cast their vote at a regular polling station on election day.

The commission reiterated its commitment to conducting free and fair elections and underscored the importance of this initiative in promoting inclusive participation in the democratic process. Voters facing any difficulties are urged to contact their local Returning Officer (RO) or district Election Officer (DEO), or utilize the central helpline at 1950.

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India News

76th Republic Day: US sends warm wishes to India, says defining relationship of the 21st century

The meeting with his Quad counterparts—External Affairs Minister S Jaishankar of India, Takeshi Iwaya of Japan, and Penny Wong of Australia—focused on enhancing economic opportunities and ensuring peace and security in the Indo-Pacific. It served as a practical demonstration of the commitment to the strategic vision articulated in his Republic Day statement.

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The United States marked India’s 76th Republic Day with effusive praise, highlighting the enduring strength of the world’s largest democracy and the burgeoning partnership between the two nations. Secretary of State Marco Rubio, in a statement released on the occasion, extended warm congratulations to the people of India, emphasizing the significance of the Indian Constitution as the bedrock of this vibrant democracy. He went beyond simple well-wishes, however, painting a picture of a rapidly strengthening bilateral relationship destined for even greater heights.

Rubio’s statement explicitly described the US-India partnership as “the defining relationship of the 21st century,” a bold assertion reflecting the growing strategic alignment and mutual economic interests between the two nations. This statement was not merely ceremonial; it underscored the deepening cooperation across various sectors, from space research to joint efforts within the Quadrilateral Security Dialogue (Quad).

The Quad, comprising the US, India, Japan, and Australia, received significant attention in Rubio’s remarks. He emphasized the alliance’s crucial role in promoting a “free, open, and prosperous” Indo-Pacific region, a clear signal of the shared commitment to counterbalancing China’s influence in the region.

This emphasis was reinforced by Rubio’s actions earlier in the week, hosting a crucial meeting of Quad foreign ministers at the US Department of State. This meeting, his first official engagement as Secretary of State, underscored the immediate priority given to strengthening the Quad alliance and its collaborative efforts.

The meeting with his Quad counterparts—External Affairs Minister S Jaishankar of India, Takeshi Iwaya of Japan, and Penny Wong of Australia—focused on enhancing economic opportunities and ensuring peace and security in the Indo-Pacific. It served as a practical demonstration of the commitment to the strategic vision articulated in his Republic Day statement.

Furthermore, Secretary Rubio’s bilateral meeting with External Affairs Minister Jaishankar in Washington D.C. further cemented the strengthening ties between the two countries. The discussions covered a broad range of topics, including regional issues and avenues for further deepening the US-India relationship.

A notable point of discussion, as highlighted in an official press release, included a shared commitment to addressing concerns related to irregular migration, an area of mutual interest requiring collaborative solutions. This commitment, alongside the focus on economic ties, demonstrated the multifaceted nature of the burgeoning partnership, extending beyond strategic security concerns.

India’s own Republic Day celebrations showcased the nation’s unique blend of cultural diversity, unity, and military strength. The grand parade on Kartavya Path served as a vivid display of national pride and the successful integration of diverse elements into a cohesive and powerful nation. The presence of Indonesian President Prabowo Subianto as the Chief Guest further underscored India’s growing global influence and its capacity to foster strong relationships with key international partners.

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India News

Ratan Tata featured in Jharkhand’s Republic Day tableau, pic surfaces

By celebrating both its industrial achievements and its vibrant cultural traditions, the tableau offered a nuanced and multifaceted portrayal of Jharkhand, highlighting its progress while deeply respecting its heritage.

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Jharkhand’s Republic Day tableau, a vibrant spectacle of colour and movement, presented a compelling narrative of the state’s journey from its rich heritage to its remarkable progress. The tableau, aptly titled “Swarnim Jharkhand: A Tradition of Heritage and Progress,” served as a powerful visual testament to the state’s multifaceted identity. Central to this narrative was the pivotal role played by the late industrialist, Ratan Tata, whose visionary leadership laid the groundwork for much of Jharkhand’s subsequent development.

The tableau’s design was meticulously crafted to showcase this multifaceted narrative. At its heart was Jamshedpur, India’s first planned industrial city, a legacy of Tata’s pioneering efforts. This iconic city, depicted in vivid detail, served as a powerful symbol of industrial growth and modernization. However, the tableau astutely avoided portraying a solely industrial narrative. It carefully integrated elements celebrating Jharkhand’s cultural richness and its commitment to social progress.

A striking image of two young girls engaged with laptop computers underscored Jharkhand’s significant strides in education. This symbolized the state’s dedication to expanding educational access, particularly for tribal children in both urban and rural areas, representing a crucial investment in the future.

The tableau cleverly juxtaposed this modern image with vibrant representations of traditional art forms. Sohrai and Khobar paintings, meticulously crafted by tribal artists, were displayed prominently, showcasing the enduring legacy of Jharkhand’s artistic heritage. Adding to the spectacle, performers enacted the energetic Chhau dance of Seraikela, a captivating dance form deeply rooted in the state’s cultural identity.

The tableau also subtly highlighted the contributions of women in Jharkhand’s economic landscape, acknowledging their significant role in generating employment and driving economic growth. This balanced depiction of industrial progress and cultural preservation made the tableau a truly comprehensive representation of Jharkhand’s identity.

By celebrating both its industrial achievements and its vibrant cultural traditions, the tableau offered a nuanced and multifaceted portrayal of Jharkhand, highlighting its progress while deeply respecting its heritage.

The inclusion of the Jaduguda uranium plant subtly acknowledged the state’s contribution to India’s nuclear energy program. In essence, the tableau was a powerful and memorable celebration of Jharkhand’s journey, skillfully weaving together its past, present, and future.

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