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Padmavati Controversy: Fair Is Foul And Foul Is Fair

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Padmavati

By Saeed Naqvi

Padmavati, in a sense, is a neighbourhood story. My village, Mustafabad, happens to be in Rae Bareli, which embraces numerous Chishtiya Sufi shrines or places where the saints spent some time, including Khwaja Ashraf Jehangir Semnani, the saint Malik Mohammad Jaisi, the author of Padmavat, was devoted to. Jaisi would faint at the controversy surrounding his masterpiece.

From nearby, Salon, Naeem Ata Shah in his flowing orange robes and headgear often visited Mustafabad. Jaisi, who preceded Tulsidas, in the list of great poets of Awadhi, was an endless source of quotations. So was Tulsidas, whose correspondence with emperor Akbar’s premier courtier, Abdul Rahim Khan e Khana, on meter and structure of poetry one heard about later and which is something one would have expected more scholarship on.

To a most unexpected source I owed my acquaintance with the fact that Rahim, known for his dohas, wrote devotional poetry on Lord Rama in Sanskrit. The source happened to be Vishnu Kant Shastri, former Vice Chancellor of Banaras Hindu University, Governor of UP. It always puzzled me how a man of such catholic interests – knew Jaisi as well as Akbar Allahabadi backwards – had actually emerged from the RSS stable.

If Jaisi’s flight of fancy can create so much mayhem, I shudder to contemplate the fate of the 1960 classic, Mughal-e-Azam in a similar circumstance. By today’s yardstick, that was the original, unadulterated case of “Love Jihad”. In fact the settled conventional wisdom in the 60s conceded Akbar victory at Haldighati. The national mood today has reversed the outcome of that battle in favour of Maharana Pratap. There have been suggestions that New Delhi’s Akbar Road be renamed “Maharana Pratap Road”. In other words revenge with retrospective effect is in order. To give this trend a more contemporary twist, Vishwa Hindu Parishad has demanded that an FIR be lodged against Mulayam Singh Yadav for ordering the police to fire on Kar sewaks in 1990. In that framework, it can be argued that producer K. Asif glorified Akbar’s love jihad. For that unforgiveable guilt, copies of the film must be consigned to the flames by way of historical revenge. Dilip Kumar, who played Prince Salim, is lying in coma otherwise he could have been brought into focus of public ire with great effectiveness on the eve of key elections with a singular purpose – polarize the poll.

At a time when logic has been crowded out by a rush of non sequitur, some pundits have attempted common sense. It will not work.

The new cultural brigade destroyed the grave of Wali Dakhni who showered adoration on this land with such verses as:

“Koocha e yaar ain Kashi hai

Jogiya dil wahaan ka baasi hain.”

(The lane where my beloved lives is like holy Varanasi;

The yogi of my heart has made it his dwelling place.) The sentiments the poet represents did not deter the vandals seething with anger against past historical injustices. 

Never will the bandish Munmohan Braj ke rasiya in Raag Paraj, steeped in Krishna lore, be sung better than by Ustad Faiyyaz Khan. They tried to desecrate his grave in Vadodara, regardless.

Rasoolan Bai’s plaintive appeals to Rama, in so many of her songs, did not protect her house from being gutted during the 1969 Gujarat riots. It did not matter that the Congress was in power then. What is being tapped into is something which gained a lease of life after Partition and which invites instant, angry, passionate response at the street level. In his very first speech in Parliament after the 2014 elections, this was precisely the nerve Narendra Modi touched: “the nation has to recover from the subjugation of 1200 years”. This is what differentiates the present government from previous regimes. Congressmen may have privately believed in “1200 year of subjugation”, but they considered it tactically proper to speak only of the British as foreigners.

Let us, meanwhile, revert to Jaisi’s purpose in Padmavati. The sentiment is common in western poetry too.

The “desire of the moth for the star, of the night for the morrow.

The devotion to something afar from the sphere of our sorrow”

Shelley’s lines are an ultra simplified version of the interplay between love and beauty which Jaisi is delineating. Padmini and Khalji are secular symbols of Jaisi’s elaboration of the theme on an epic scale.

Keat’s “Beauty is truth, truth beauty, that is all ye know on earth and all ye need to know” can also be tossed in to simplify communicating Jaisi.

Maulana Hasrat Mohani communicates the mood thus:

“Maslak I Ishq hai parastish e husn

Hum naheen jaante azaab-o-sawab.”

(Love’s purpose is adoration of beauty.

Gains and losses I do not measure.)

 Should the ever expanding tribe of the new cultural warriors run out of ideas, here are some on offer, gratis. They should denigrate with retrospective effect those Muslims who dared to take liberties with Hindu Gods. Remember, how India’s greatest modern painter, Maqbool Fida Hussain was exiled for his supreme guilt: excessive adoration of Goddesses. His “adoration” was considered lewd by the protectors of culture and faith.

Well, in like fashion, Maulana Hasrat Mohani deserves to be shamed retrospectively. He wrote a great deal about Krishna in Urdu, but in his Bhasha or Braj verses he takes liberties:

“Mose ched karat Nandlal”

(Krishna teases me all the time)

“hum hoon jo dei liptai ke Hasrat

Saari yeh chalbal nikaal”

(One day I shall embrace him tight and squeeze out all his mischief)

“Squeeze out”, in a tight embrace, has erotic connotations which should be unacceptable to the new cultural brigade.

2024 Lok Sabha Elections

Bollywood actor Neha Sharma campaigns for her father Ajit Sharma in Bhagalpur, Bihar

The Bollywood actor posted a video on her Instagram handle which showed her journey through various districts of Bihar, including Kishanganj, Banka, Purnea and Katihar. She was dressed in a traditional salwar kameez and was seen greeting and encouraging the public to cast their votes.

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Bollywood actor Neha Sharma’s recent participation in a roadshow in Bihar has taken the internet by storm. Sharma, known for her roles in films like Tum Bin 2 and Crook, was seen supporting her father, Ajit Sharma, who is contesting from Bhagalpur Lok Sabha seat on a Congress ticket. The roadshow came amid speculations that the actor might enter politics. But, it is now clear that she was just campaigning for her father.

neha sharma

The Bollywood actor posted a video on her Instagram handle which showed her journey through various districts of Bihar, including Kishanganj, Banka, Purnea and Katihar. She was dressed in a traditional salwar kameez and was seen greeting and encouraging the public to cast their votes.

The actor received a warm reception and love from a large crowd in Pirpainti and Kahalgaon during her roadshow. She wrote on Instagram that it is said when someone gives one a place in their heart, then they live there forever. She said her heart is full of all the love and support she was receiving from the people. She thanked the people for the warm welcome she got in Pirpainti and Kahalgaon. Aapka pyar sar ankhon par.

Another video, circulating on social media showed the actor actively participating in her father’s election campaign in Bhagalpur. The election to the Bhagalpur Lok Sabha seat is set to take place in the 2nd phase on April 26. Ajit Sharma is representing the Congress and is up against JDU’s Ajay Kumar Mandal in this seat.

Earlier, there had been rumours and speculations that Neha Sharma might join politics. But many reports have clarified that she is not making her political debut yet. The Bollywood actor had been offered the opportunity to join politics by her father Ajjit Sharma but she is currently focusing on her acting career.

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Education

Farmer’s son Nilkrishna Gajare Nirmalkumar from Maharashtra scores 100 NTA score in IIT-JEE Mains 2024

Nilkrishna Gajare’s father is a farmer and had to discontinue his own education after Class 12 as he faced financial difficulties. Gajare faced financial challenges growing up. However, his unwavering dedication and strategic approach to preparation set him apart from the crowd.

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Nilkrishna Gajare, who hails from Maharashtra’s Washim, achieved an extraordinary feat by securing a perfect score of 100 in the JEE Main 2024 examination. His journey from humble beginnings to the pinnacle of success is a source of inspiration for many people.

Nilkrishna Gajare’s father is a farmer and had to discontinue his own education after Class 12 as he faced financial difficulties. Gajare faced financial challenges growing up. However, his unwavering dedication and strategic approach to preparation set him apart from the crowd, which resulted in his remarkable achievement of emerging as topper of one of India’s toughest Engineering entrance exams.

Nilkrishna Gajare had a strategic plan that helped him succeed in IIT-JEE 2024. According to Nilkrishna persistence is important and one should never stop trying until they understand a topic. He said being curious and asking questions are important traits of a good student.  He said one should not be ashamed of asking questions.

Nilkrishna spent around 10-15 hours every day studying on his own for the JEE Main exam. He mentioned that he used his class notes for Physics and Physical Chemistry. For organic chemistry and inorganic chemistry, he relied on both notes and practice questions.

As for Mathematics, he believed that practicing regularly was the most important thing for him. Other interests of Nilkrishna include archery. He has participated at both state and national levels, and he finds joy in the sport.  He said archery helps him understand the importance of focusing his attention on his goals. Nilkrishna likes watching movies and said they are a great source of enjoyment and relaxation.

He likes to watch a movie after exams and occasionally treats himself to one each week too. Gajare aims to keep up the pace for the JEE-Advanced exam and hopes to get into the IITs. He said he wants to secure admission in IIT-Bombay in the computer science branch.

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2024 Lok Sabha Elections

Lok Sabha elections: Samajwadi Party chief Akhilesh Yadav files nomination from Kannauj

The Samajwadi Party has announced Akhilesh Yadav as its official candidate for the Kannauj Lok Sabha seat today

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Samajwadi Party (SP) chief Akhilesh Yadav, submitted his nomination for the Kannauj Lok Sabha constituency ahead of tomorrow’s second round of voting. In front of Ram Gopal Yadav and other party leaders, the chief of the SP, who had previously contested the seat in 2000, 2004 and 2009, submitted the nomination.

Speaking with media, Ram Gopal Yadav said that SP would win the seat by a huge margin. The BJP candidate might lose his deposit in the seat, he said.

The Samajwadi Party has completely reversed its earlier plan to field former Mainpuri MP Tej Pratap Singh Yadav as their candidate, which is a significant political development.

Earlier, Akhilesh Yadav told reporters, people will find out when the nomination takes place, in reference to the speculations that he will contest for the seat. The historic victory of Kannauj is the subject of inquiry.

The former chief minister continued, the people have decided that the India bloc is coming as the future and the BJP will be history in this election.

Notably, elections for the Kannauj seat are scheduled for May 13, which would intensify the political drama that is now playing out in Uttar Pradesh. Previously regarded as the Samajwadi Party’s stronghold, the seat was lost by the party in the 2019 election when Subrat Pathak of the BJP won with a resounding victory.

The candidates competing for the following Uttar Pradesh seats will find out their destiny in the second round of voting, which is scheduled for tomorrow, Amroha, Meerut, Mathura, Baghpat, Aligarh, Ghaziabad, Gautam Buddh Nagar, and Bulandshahar.

Notably, two Bollywood celebrities running as BJP candidates in the second round are Hema Malini from Mathura and Arun Govil from Meerut. There are 91 contestants from UP competing in the second phase.

The seats in Gautam Buddha Nagar and Mathura are up for grabs, with a maximum of 15 applicants per seat. In Bulandshahr, six candidates are vying for the presidency. There are twelve contenders running in Amroha, eight in Meerut, seven in Baghpat, and fourteen in Ghaziabad and Aligarh.

1,67,77,198 votes will decide these candidates’ fates.

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