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Uttar Pradesh civic polls: BJP was ahead of rival parties, BUT…

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Uttar Pradesh civic polls: BJP indeed was a clear winner, but...

[vc_row][vc_column][vc_column_text]In the noise about BJP ‘sweeping’ the Uttar Pradesh civic body elections on Friday, some aspects got overlooked in the initial reports. Elections to local bodies seldom evoke such interest, but since the UP chief minister Yogi Adityanath and the party leadership right up to Prime Minister Narendra Modi attached such significance to them, a relook at the polls would be in order.

The first is about the questions raised about the genuineness of the results: the issue of electronic voting machines (EVMs) and whether they had been tampered with. Notably, over 500 EVMs out of more than 30,000 deployed in UP civic polls had to be replaced.

While this issue has been raised by political opponents as well, their complaint cannot be dismissed simply as case of sour grapes, as the BJP alleges.

Mayawati has challenged the BJP and said her party would sweep the 2019 Lok Sabha polls if voting is done on ballot papers. “If BJP is honest and believes in democracy then discard EVMs and conduct voting on ballot papers. General Elections are due in 2019. If BJP believes people are with them, they must implement it. I can guarantee if ballot papers are used, BJP won’t come to power,” the BSP chief told mediapersons on Saturday.

Samajwadi Party chief Akhilesh Yadav also said that the BJP had performed well only on seats where EVMs were used for polling. “BJP has only won 15% seats in ballot paper areas and 46% in EVM areas,” Yadav said. He did not elaborate or provide data for his claim, though.

There were at least two specific instances which lend strength to doubts over EVMs.

Apoorva Verma, the Samajwadi Party candidate from Janakipuram alleged that EVMs were tampered with and, earlier, an independent candidate from Saharnapur, Shabana, had levelled the same charge.

Apoorva Verma said, “Har pratyashi, chahe wo BSP se ho ye Congress se ho ya SP se ho ya AAP se ho, ka ek hi mat hai ki ye chunaav radd kiya jaye aur phir se ho (Every candidate (non-BJP), wishes for cancellation of this election (UP civic polls) and everyone in unison is demading for a re-election).”

In a video doing rounds in the social media, she claims that even her vote wasn’t registered as she has got zero votes. “No impartial election is being conducted, all the elections are being orchestrated to help the BJP win,” she says.

Earlier, an independent candidate from Saharanpur, Shabana had protested: “At least my family had voted for me, how can I get zero votes?” Her husband had added, “Where did my vote vanish?”

“We at least had three votes from our family, but we must at least have had 900 votes,” claimed her husband in the video posted by an Aaj Tak journalist. “EVM me sarasar gadbadi hai,” he added.

BJP’s political rivals are not the only ones complaining. Voters, too, complained. A friend from Lucknow also said he voted Congress BJP but it went to BJP. “Same thing happened to votes cast by others in the family,” he added.

He said the EVMs had no VVPAT (Voter Verifiable Paper Audit Trail) facility, although he had doubts about that, too. “It is only a matter of programming. The paper trail can be programmed to print the correct vote while the vote registered electronically can be different,” he said.

Besides, he pointed out, there were reports that the paper trail from EVMs in Himachal Pradesh Assembly elections was such that the print tended to fade away after some days. That would render a recount later infructuous.

A report in thewire.in said the BJP won the Ayodhya Municipal Corporation seat where polling was conducted through EVM machines, but it suffered heavy losses in rural and semi urban seats where elections were conducted via ballot papers.

In seven districts adjoining Ayodhya, most BJP candidates lost the local elections, the report said. Out of 33 municipal board seats in rural and semi-urban areas of Faizabad, Ambedkar Nagar, Basti, Gonda, Balrampur,  Bahraich and Sultanpur districts of eastern Uttar Pradesh, the BJP won only 6 seats. The Samajwadi Party managed to win 12 seats, the BSP 5 seats, the Congress 3 seats while independents won 7 seats.

In Faizabad, Bahraich and Balrampur districts, the BJP could not manage to open its account.

“The popularity of the BJP government … could not help the party’s candidates in the rural and semi urban seats of Faizabad despite the presence of BJP MLAs from in those areas,” said the report.

In fact, APN had reported complaints about malfunctioning of EVMs from several places in the very first phase of polls on November 22. There were also complaints about entire localities missing from the voters’ list.

Complaints about such rigging part, there are certain aspects about the results that missed the eye. The easy, quick look figure was BJP winning 14 out of 16 mayor posts – in a four-way contest. Other statistics are not so rosy for the party:

  • Of the 1,300 municipal corporation posts, the BJP won 596: less than half (45.85%).
  • It won 70 out of 198 nagar palika parishad chairman posts – a little more than one-third. (35.35%).
  • The BJP got less that one-fourth of nagar panchayat chairperson posts, winning 100 out of 438 (22.83%).

True, the BJP was ahead of all its rivals:

The SP won 202 corporation wards, 45 nagar palika parishad chairperson seats and 83 nagar panchayat chairperson posts.

The BSP won two mayor posts, 147 municipal corporation wards, 29 nagar palika parishad chairperson posts, and 45 nagar panchayat chairperson posts.

The Congress won 110 municipal corporation wards, 9 nagar palika parishad chairperson posts, 17 nagar panchayat chairperson posts.

Independents did well: The independent candidates combined won the highest number of Nagar Panchayat chairman seats, 184 and Nagar Panchayat members, 3875.[/vc_column_text][/vc_column][/vc_row]

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Ratan Tata featured in Jharkhand’s Republic Day tableau, pic surfaces

By celebrating both its industrial achievements and its vibrant cultural traditions, the tableau offered a nuanced and multifaceted portrayal of Jharkhand, highlighting its progress while deeply respecting its heritage.

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Jharkhand’s Republic Day tableau, a vibrant spectacle of colour and movement, presented a compelling narrative of the state’s journey from its rich heritage to its remarkable progress. The tableau, aptly titled “Swarnim Jharkhand: A Tradition of Heritage and Progress,” served as a powerful visual testament to the state’s multifaceted identity. Central to this narrative was the pivotal role played by the late industrialist, Ratan Tata, whose visionary leadership laid the groundwork for much of Jharkhand’s subsequent development.

The tableau’s design was meticulously crafted to showcase this multifaceted narrative. At its heart was Jamshedpur, India’s first planned industrial city, a legacy of Tata’s pioneering efforts. This iconic city, depicted in vivid detail, served as a powerful symbol of industrial growth and modernization. However, the tableau astutely avoided portraying a solely industrial narrative. It carefully integrated elements celebrating Jharkhand’s cultural richness and its commitment to social progress.

A striking image of two young girls engaged with laptop computers underscored Jharkhand’s significant strides in education. This symbolized the state’s dedication to expanding educational access, particularly for tribal children in both urban and rural areas, representing a crucial investment in the future.

The tableau cleverly juxtaposed this modern image with vibrant representations of traditional art forms. Sohrai and Khobar paintings, meticulously crafted by tribal artists, were displayed prominently, showcasing the enduring legacy of Jharkhand’s artistic heritage. Adding to the spectacle, performers enacted the energetic Chhau dance of Seraikela, a captivating dance form deeply rooted in the state’s cultural identity.

The tableau also subtly highlighted the contributions of women in Jharkhand’s economic landscape, acknowledging their significant role in generating employment and driving economic growth. This balanced depiction of industrial progress and cultural preservation made the tableau a truly comprehensive representation of Jharkhand’s identity.

By celebrating both its industrial achievements and its vibrant cultural traditions, the tableau offered a nuanced and multifaceted portrayal of Jharkhand, highlighting its progress while deeply respecting its heritage.

The inclusion of the Jaduguda uranium plant subtly acknowledged the state’s contribution to India’s nuclear energy program. In essence, the tableau was a powerful and memorable celebration of Jharkhand’s journey, skillfully weaving together its past, present, and future.

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Karnataka’s Republic Day tableau depicts artistic temples of Lakkundi

Beyond its religious significance, Lakkundi’s historical importance cannot be overstated. Once a flourishing commercial hub between the 10th and 12th centuries AD, the city flourished under the rule of various dynasties, with the Chalukyas leaving an indelible mark on its cultural landscape.

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Karnataka’s 76th Republic Day tableau paid a vibrant tribute to Lakkundi, a historical city nestled in Gadag district, approximately 70 km from Hubballi. Acclaimed as the “Cradle of Stone Craft,” Lakkundi’s architectural splendour took centre stage in the parade along Kartavya Path.

The tableau’s design masterfully captured the essence of Lakkundi’s rich heritage. The forefront showcased the majestic Brahma statue from the Brahma Jinalaya temple, the oldest Jain shrine in the city, dedicated to Lord Mahaveera. Its intricate details and imposing presence immediately drew the viewer’s attention, setting the tone for the tableau’s narrative.

Following the Brahma statue was a depiction of the open-pillared mantapa of the Brahma Jinalaya temple, a testament to the sophisticated architectural techniques employed during the era. The open structure, with its elegant pillars and intricate carvings, added another layer of visual appeal to the tableau’s composition.

The tableau’s main section provided a breathtaking glimpse into the grandeur of Lakkundi’s most prominent temples. The Kashi Vishweshwara temple, dedicated to Lord Shiva, stood as a symbol of architectural mastery. Its ornate carvings and imposing structure were vividly represented, highlighting the city’s rich religious and cultural tapestry. Completing the ensemble was the Nanneshwara temple, another significant Shiva temple in Lakkundi, further emphasizing the city’s devotion to Lord Shiva.

The temples of Lakkundi are not merely structures of stone; they are living testaments to the syncretic nature of Karnataka’s culture. They reflect a harmonious blend of different faiths and traditions, showcasing the state’s long-held reputation for religious tolerance and peaceful coexistence. Karnataka, known as the “SarvaJanangadaShaanthiya Thota” or “garden of peace,” embraces diversity, and Lakkundi’s temples embody this spirit.

Beyond its religious significance, Lakkundi’s historical importance cannot be overstated. Once a flourishing commercial hub between the 10th and 12th centuries AD, the city flourished under the rule of various dynasties, with the Chalukyas leaving an indelible mark on its cultural landscape.

The city’s legacy extends beyond its temples; its numerous step wells and inscriptions serve as invaluable historical records. With over 50 temples, most dedicated to Lord Shiva, 101 stepwells, and 29 inscriptions, Lakkundi presents a captivating journey through time, an unparalleled treasure trove for history and architecture enthusiasts. The tableau served as a powerful reminder of Lakkundi’s enduring legacy, highlighting the artistic prowess and cultural richness of the Kalyani Chalukyas.

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K M Cherian, eminent Indian cardiac surgeon, passes away

He was a Fellow of the Royal Society of Medicine in London, an Honorary Member of the Malaysian Association for Thoracic and Cardiovascular Surgery, and a recipient of the prestigious Padma Shri award from the Government of India in 1991.

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Dr. K.M. Cherian, a towering figure in Indian medical history and a renowned cardiac surgeon, passed away on Saturday night in Bengaluru at the age of 82. His sudden death cast a pall over the nation, leaving a void in the field of cardiology and beyond. He had travelled to Bengaluru to attend a wedding when he unexpectedly collapsed.

His daughter, Sandhya Cherian, confirmed the tragic news, stating that he was rushed to Manipal Hospitals, where he was pronounced dead at 11:55 pm. The medical community mourns the loss of a true giant, a pioneer whose contributions reshaped the landscape of cardiac surgery in India.

Dr. Cherian’s legacy extends far beyond his impressive list of accomplishments. His pioneering spirit led him to achieve what was once considered impossible in India. In 1975, he etched his name into the annals of medical history by becoming the first surgeon in the country to successfully perform a coronary artery bypass surgery (CABG).

This groundbreaking achievement marked a turning point, paving the way for countless life-saving procedures and advancements in the field. His expertise and dedication earned him international acclaim, transcending geographical boundaries and establishing him as a leading authority in cardiac surgery.

His profound impact on the medical landscape is further exemplified by his instrumental role in the establishment and growth of the Madras Medical Mission (MMM) in Chennai. As Founder, Vice President, and Director of this leading healthcare institution, Dr. Cherian spearheaded its development into a centre of excellence for cardiac care. His vision and leadership nurtured a culture of innovation and excellence, shaping generations of medical professionals and leaving an indelible mark on the institution.

Beyond his professional achievements, Dr. Cherian was recognised for his exceptional qualities and numerous accolades. He was a Fellow of the Royal Society of Medicine in London, an Honorary Member of the Malaysian Association for Thoracic and Cardiovascular Surgery, and a recipient of the prestigious Padma Shri award from the Government of India in 1991. These honours reflected not only his exceptional surgical skills but also his unwavering commitment to medical excellence and ethical practice.

Even in his final days, Dr. Cherian’s dedication to his profession and his unwavering belief in the importance of compassionate patient care shone through. Just a day before his passing, he participated in the Kerala Literature Festival in Kozhikode, where he shared his insights and experiences, emphasizing the crucial role of empathy in the doctor-patient relationship.

His words resonated deeply with the audience, underscoring his dedication to ethical medical practice and leaving a lasting impression. The nation mourns the loss of a remarkable individual, a medical visionary whose contributions continue to shape the future of cardiac care in India. His memory will be cherished by all who had the privilege of knowing him.

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