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UP: 4 women cops in Ayodhya face suspension orders after their video goes viral | WATCH

The SSP transferred the four constables who were stationed at Ram Janambhoomi to the district police lines after the video became viral earlier this week and gave additional SP (security) Pankaj Pandey control of the investigation.

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women cops in Ayodhya

After a video apparently showing 4 women police constables dancing to a Bhojpuri song appeared online, they were suspended from their duties as part of the security at the Ram Janmabhoomi site, officials said on Friday.

According to them, the suspended constables were not wearing their uniforms in the video that was widely disseminated on social media.

Watch the viral video here:

Based on an inquiry report submitted by Additional SP (security), Pankaj Pandey on Thursday, Senior Superintendent of Police (SSP) Muniraj G ordered the suspension of constables Kavita Patel, Kamini Kushwaha, Kashish Sahni, and Sandhya Singh.

Read Also: Kanpur Police make criminals take oath to not commit crime in future, video viral | Watch

The Ayodhya’s senior superintendent of police Muniraj G reportedly ordered the suspension after seeing a video of one of them dancing to the Bhojpuri song “Patli Kamariya Mori” as the other two support her on social media. There was no official comment, however it was claimed that the fourth constable took the footage.

The SSP transferred the four constables who were stationed at Ram Janambhoomi to the district police lines after the video became viral earlier this week and gave additional SP (security) Pankaj Pandey control of the investigation.

After the video went viral, the social media users started pouring comments and were seen standing in support of the cops.

A social media user wrote that the action taken against these women cops was wrong, as they should also be allowed to enjoy.

Another Twitter user wondered what was wrong in dancing without a uniform. He urged Ayodhya Police to rather focus on their work instead of taking stringent actions against their own officers.

A social media user, going by the name of Ravish Bharti wrote that Ayodhya Police had such narrow mindset, and that the SSP must be a hardcore Taliban fan, he added.

Notably, the reels on Bhojpuri song ‘Patli Kamariya Mori’ are becoming popular on several social media platforms and that these women cops had shot a video on the same song.

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Is CSK’s style of play outdated? Fleming fires back at reporters, Ruturaj says just 50 runs

CSK’s Stephen Fleming snaps at a journalist calling their game outdated, while Ruturaj Gaikwad’s “just 50 runs” remark leaves fans confused.

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By Mohammad Javed Rasheedi

It was anything but a calm post-match press conference after Chennai Super Kings’ (CSK) 50-run defeat to Royal Challengers Bengaluru (RCB) at Chepauk on Friday. When a journalist raised a pointed question about CSK’s approach being outdated,” the CSK head coach Stephen Fleming didn’t hold back.

In a post match conference, the journalist cited CSK’s slow chase of 156 in the first game and a score of 146 against RCB, asking Fleming if the team’s conservative batting approach was losing relevance in modern T20 cricket. Fleming, visibly annoyed, shot back:

The question that sparked it all?

“In the first game, you chased 156 in almost 20 overs. Today, you scored 146. I know this is your way of playing cricket, but do you think it’s kind of getting outdated?”

That didn’t go well with Fleming. His response? Sharp and direct: “What do you mean by my way of playing? We’ve got firepower all the way through. Just because we don’t swing from ball one… just wait till the end, see who wins. It is a positive brand of cricket. Don’t discount us.”

And when the journalist tried to clarify, Fleming shut it down: “You sort of are. Silly question.”

Chepauk advantage?

Interestingly, the loss was CSK’s first of the IPL 2025 season, and RCB’s first win at Chepauk since 2008. But Fleming says there’s no such thing as home advantage anymore. “We’ve told you for years — we can’t read these wickets. It’s not the Chepauk of old. We’re trying to figure it out every single game,” the CSK head coach admitted.

Ruturaj Gaikwad’s surprising take on loss

The CSK skipper believed 170 was a par score and blamed fielding errors for the defeat. “We dropped catches, gave away boundaries. The wicket wasn’t easy to bat on. But it wasn’t a huge loss… just 50 runs,” Gaikwad said.

Wait, just 50 runs?

That comment raised a few eyebrows, especially in the context of T20, where a 50-run margin is quite significant. Fans online were quick to call out the casual tone.

So, is CSK really outdated? Or just warming up the vintage engine?

One loss doesn’t define CSK — but the questions around their approach and consistency may linger. Are they ready to bounce back? Only time (and the next match) will tell. But if you’re planning to question Stephen Fleming again — maybe bring a helmet.

What’s next for CSK?

As they prepare to travel to Guwahati for their next match, Gaikwad said the focus is clear: “We need major improvement in fielding. It’s about turning up mentally strong and fixing the areas we’re lacking in.”

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Prashant Koratkar’s police remand extended March 30 over remarks on Shivaji, Sambhaji Maharaj

Prashant Koratkar’s police remand has been extended till March 30 following his arrest over controversial remarks on Chhatrapati Shivaji Maharaj and Sambhaji Maharaj.

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The Kolhapur court on Friday extended the police custody of former journalist Prashant Koratkar till March 30, in connection with his controversial remarks against Chhatrapati Shivaji Maharaj and his son Sambhaji Maharaj.

Koratkar was arrested earlier this week by Maharashtra police from Telangana after a phone conversation surfaced online in which he allegedly made derogatory comments and issued threats.

The case stems from a telephonic exchange between Koratkar and Kolhapur-based historian Indrajeet Sawant. The conversation, which Sawant later shared on social media, sparked widespread public outrage. Koratkar has been booked under provisions of the Bharatiya Nyaya Sanhita for promoting enmity between groups.

During his appearance in Kolhapur court on Friday, tensions flared as a lawyer verbally abused him while he was being escorted out of the court complex. However, police confirmed that no physical altercation took place.

Koratkar had earlier been granted interim protection from arrest until March 1 by Additional Sessions Judge D.V. Kashyap. However, following the interim relief, Kolhapur police moved the Bombay High Court seeking cancellation of the order. The Bombay HC directed the local sessions court to examine the matter.

Subsequently, on March 18, Judge D.V. Kashyap rejected Koratkar’s anticipatory bail plea, leading to his arrest.

The defence argued in court that Koratkar is the sole earning member of his family, and prolonged detention would cause undue hardship. However, the court upheld the prosecution’s request for extended remand to continue investigations.

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From Pushpa reels to a Tollywood deal, David Warner bags crores for 3 minutes role in Robinhood

David Warner just made the most expensive cameo in Telugu cinema—Rs 2.5 crore for less than 3 minutes in Robinhood. That’s not a role, that’s a retirement plan.

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The Australian cricketer David Warner, known for his explosive batting and dancing moves on Pusha song, has officially stepped into the acting world with a cameo in the Telugu film Robinhood. However, the cricketer’s acting dubute is not a big news at all but his paycheck is making bigger headlines than the film itself.

In the Telugu action film Robinhood, starring Nithiin and Sreeleela, Warner made a guest appearance for which the cricketer charged a staggering Rs 2.5 crore for a 2-minute-50-second cameo. That’s right—less than three minutes of screen time, and he’s laughing all the way to the bank.

That’s around Rs 14 lakh per second, or what most of us make in, well… a decade.

Warner shot his scene over just 2 days, at a reported Rs 1.25 crore per day. It’s unclear if he had any lines or just gave his trademark grin and left, but clearly, he bowled Tollywood over without even lifting a bat.

The film, directed by Venky Kudumula, released on March 28 and has been getting solid reviews. But let’s be honest—Warner’s cameo is grabbing more headlines than the villain’s plot.

Also featuring Vennela Kishore, Rajendra Prasad, and others, Robinhood tells the story of an orphaned Robin Hood-type hero… and somewhere in there, Warner pops in, waves hello (we assume), and probably left for biryani before the credits rolled.

Fans are loving it. Accountants are weeping. And Warner? He’s now officially Tollywood’s highest-paid cameo artist.

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