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Panchayat season 4 review: Satire deepens but the soul starts to flicker

Panchayat season 4 deepens its political narrative, losing some of its earlier charm but maintaining key character moments and emotional arcs.

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Panchayat Season 4

Panchayat Season 4, now streaming on Prime Video, continues its journey through the dusty lanes of Phulera village, bringing back the familiar faces and their interwoven dynamics. But as the political games grow more intense, the show’s original warmth and charm seem to fade — leaving a series that still entertains but lacks the emotional punch of its earlier seasons.

Panchayat humour still survives, but in fragments

Though the heart of Panchayat has always rested in its rustic humour and subtle emotional moments, season 4 continues a tonal shift that began in its predecessor. Jitendra Kumar’s Sachiv Ji, Raghubir Yadav’s Pradhan Ji, and the ensemble retain their charm, but the narrative leans more into political turf wars than simple village life.

There are moments of relief — the laugh shared by Prahlad Cha (Faisal Malik), the unexpected “Aye sasur!” in front of an actual father-in-law, and Pradhan Ji’s legendary group text “Hi” that signals their drunken rants — all keep the spirit alive. But these are few and scattered, like laughter echoing in a tense room.

Dirty politics, quirky symbols, and a dash of drama

Politics has become the beating heart of season 4. The battle between the lauki (ruling party) and pressure cooker (opposition) symbols mirrors the struggle for power between Manju Devi’s camp and Kranti Devi’s rising influence. The show dives into tactics involving everything from samosa diplomacy to laddoo logic — showcasing how even food turns into political currency.

A harsh attack on Khushboo, a pregnant woman, marks a sharp turn in the show’s political storytelling, exposing the kind of calculated character assassinations that rural politics often witnesses.

Emotional layers and side characters come alive

Despite the heavier tone, Panchayat gives some of its secondary characters more meaningful arcs. Opposition members Binod and Madhav are fleshed out beyond their comic roles. Meanwhile, Neena Gupta’s Manju Devi attempts to lure rivals with sweet seviyan and warm hospitality, reflecting the layered strategies of village politics.

The story also touches upon grief — Faisal Malik’s Prahlad Cha continues to carry the emotional weight of his son’s loss in season two, often using humour as a coping tool. These character moments balance the rising political drama.

Abhishek and Rinky: love lingers, but choices loom

With Abhishek and Rinky finally admitting their feelings, season 4 offers a personal subplot that’s been building over three seasons. But with Abhishek’s CAT results on the horizon and political uncertainty ahead, their relationship enters a delicate phase. Their bond, tender yet restrained, mirrors the village’s own state — torn between ambition and belonging.

Verdict: should you watch Panchayat season 4?

For long-time fans, season 4 is a continuation worth following, especially with its setup for a potential fifth season. But new viewers might find the slower pace and heavier politics a departure from what made Panchayat special. It still entertains, but the charm no longer flows as effortlessly.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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