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Thandel Review: Naga Chaitanya, Sai Pallavi’s chemistry shines amidst a struggling plot

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Naga Chaitanya and Sai Pallavi in a romantic scene from the movie "Thandel."

The much-anticipated romantic action thriller Thandel, starring Naga Chaitanya and Sai Pallavi, finally graced the big screen on February 7, 2025. Directed by Chandoo Mondeti, the film sets out to deliver a compelling story of love and survival but ends up leaving much to be desired, particularly in its latter half.

The plot:

Set against the backdrop of a fishing community from Srikakulam, Thandel follows the lives of Raju (Naga Chaitanya) and Satya (Sai Pallavi), who come from a group of fishermen working in the waters of Gujarat for most of the year. With only three months to spend with their families, their lives are dictated by the rhythms of the sea. The film starts as a tender romance, focusing on the emotional connection between Raju and Satya despite their separation.

However, the plot takes a sharp turn when Raju, during one of his voyages, is accidentally captured after straying into Pakistani waters. What follows is a blend of action, survival, and patriotism, as Raju’s quest to escape captivity becomes the core of the story. The suspense around whether Raju will ever reunite with Satya is what propels the movie forward.

The good:

Where Thandel truly excels is in its portrayal of the romance between Raju and Satya. Their love story, though set in a world of hardship, remains sincere and emotionally powerful. Naga Chaitanya and Sai Pallavi’s performances are undoubtedly the highlight of the film. Chaitanya’s portrayal of Raju, a man deeply tied to his roots and his love for Satya, is heartfelt and authentic. Sai Pallavi, as always, brings her charm and depth to the character of Satya, making their on-screen chemistry palpable.

The first half of the film offers a breezy and refreshing take on love, with the cinematography by Shamdat Sainudeen bringing a lush and evocative quality to the visuals. The romantic sequences are enhanced by the music of Devi Sri Prasad, whose melodies complement the emotional tone of the film beautifully.

The bad:

Unfortunately, the film’s potential begins to unravel in the second half. What starts as a nuanced exploration of love and sacrifice turns into a generic survival story drenched in patriotism. The transition from romance to action feels forced, and the overly dramatic narration detracts from the emotional core established earlier. The introduction of unnecessary characters, like Karunakaran and Divya Pillai, further dilutes the impact, leaving the viewer detached from the story.

The pacing slows down considerably in the latter part of the film, with the plot getting bogged down by cliché heroism and uninspired drama. What could have been an intriguing exploration of survival in hostile conditions becomes a tedious exercise in formulaic storytelling.

The performances:

While the film falters in many areas, the performances of Naga Chaitanya and Sai Pallavi continue to elevate it. Chaitanya is convincing as Raju, a man torn between his love and the dangers of his profession, while Sai Pallavi brings her characteristic warmth and sincerity to Satya. Together, they form the emotional core of the movie, making it easy for the audience to invest in their journey.

On the other hand, the performances of the supporting cast, particularly Karunakaran and Divya Pillai, fail to leave any lasting impact. Their characters feel like unnecessary additions to the narrative, and their performances do little to advance the story.

Watch the Thandel trailer here:

Thandel Trailer

The verdict:

Thandel starts with great promise, offering a fresh take on love and the sacrifices it demands. However, the film loses its way when it pivots to a more conventional action-thriller plot. While the lead performances are strong, the second half’s lackluster storytelling and the film’s over-reliance on patriotism and heroism make it a difficult watch for anyone hoping for a more cohesive narrative.

If you’re a fan of Naga Chaitanya and Sai Pallavi, or if you’re in the mood for a romantic tale with a touch of action, Thandel might still be worth a visit to the theater. But for those seeking a tightly written, engaging story from start to finish, this film may not be the one to satisfy your cinematic cravings.

Entertainment

Dhurandhar review: Ranveer Singh roars back, Akshaye Khanna shines in intense spy thriller

Ranveer Singh returns with a ferocious performance in Dhurandhar, supported by Akshaye Khanna, Sanjay Dutt, and a gripping espionage storyline set against real historical events.

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Dhurandhar review

Ranveer Singh makes a striking return to the big screen with Dhurandhar, delivering a fierce, layered performance in Aditya Dhar’s ambitious spy thriller. Blending historical terror incidents with a fictional revenge saga, the film explores India’s covert response to cross-border terrorism through the secret project ‘Dhurandhar’.

A brutal world built around revenge and espionage

Set around the IC-814 Kandahar hijack and the 2001 Parliament attack, Dhurandhar opens with Ajay Sanyal, an Intelligence Bureau officer played by R Madhavan, who strongly opposes releasing captured terrorists. Despite his resistance, bureaucracy prevails, setting the stage for the covert mission he later leads.

The project introduces its central weapon — Humza Ali Mazari, later revealed to be Jaskirat Singh Rangil — portrayed by Ranveer Singh with ferocity and emotional depth. Dropped straight into Karachi’s dangerous Lyari district, Humza navigates a nexus of gangs, politicians, and the ISI, with the narrative also touching upon tensions between local Pakistanis and Baloch communities.

Performances that elevate the film

Akshaye Khanna nearly steals the spotlight as a feared Lyari gangster inspired by Rehman ‘Dakait’ Baloch. Sanjay Dutt’s portrayal of SP Chaudhry Aslam brings an intimidating presence, while Arjun Rampal’s Major Iqbal leaves a lingering impact despite limited screen time.

Sara Arjun plays Yalina with conviction, and the film also features an unrecognisable Gaurav Gera in a surprise appearance.

Music, violence, and a split narrative

Shashwat Sachdev’s background score stands out, weaving classic Pakistani melodies with Indian retro hits to complement the film’s shifting tones. Viewers should be prepared for intense brutality, graphic torture scenes, and sudden shifts in narrative style — especially in a second half that feels markedly different from the first.

The episodic structure, archival footage, and mix of real and fictional characters add layers, though some may find the format distracting.

Ending that sets up part two

While the film does not end on a dramatic cliffhanger, its teaser for the second part — scheduled for March 19, 2026 — ensures audiences will return to witness the conclusion of Humza’s journey.

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120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan akhtar

Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Family man

Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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