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Yeh Jawaani Hai Deewani re-release revives nostalgia for Bollywood’s romcom era

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Yeh Jawani Hai Deewani turns 10: Ranbir Kapoor, Deepika, Aditya Roy Kapur and Kalki Koechlin reunite

The re-release of Yeh Jawaani Hai Deewani (YJHD) has sparked a wave of nostalgia for Bollywood’s golden era of romcoms, drawing attention away from the ongoing dominance of massy, pan-India films. The 2013 blockbuster, which starred Ranbir Kapoor and Deepika Padukone, continues to capture hearts, even as the film industry shifts towards larger-than-life, multi-lingual films aimed at a pan-Indian audience.

Despite both Kapoor and Padukone boasting impressive filmographies, it’s YJHD that remains a standout—both for its heartwarming reunion of the on-screen ex-couple and its ability to resonate with multiple generations, especially Gen Z. The film’s re-release, which launched in select theaters, has already sold over 26,000 tickets, according to trade reports. This impressive number rivals or surpasses the ticket sales of some recent massy action films, despite YJHD also being available for streaming on OTT platforms.

What’s remarkable is that this success highlights the ongoing appeal of Bollywood’s romcom era, when films were built around relatable characters and emotional narratives, as opposed to the grand spectacle of pan-India blockbusters. Fans have taken to social media, recalling their experiences of eagerly waiting in line for YJHD’s original release. One fan commented, “I remember waiting in a long line to buy tickets for this film when it released, and there were people behind me who had to leave because the show became housefull…it was crazy!”

Others have expressed their desire for the return of this genre, which, according to many, offered good music and simple yet meaningful writing. “We need to bring romcoms back! Come on, bring back good music, decent writing—no one is expecting too much,” wrote one user. This sentiment is echoed by many who feel that while pan-India films are ambitiously scaled up in terms of production value, they often fail to evoke the same emotional connection or offer the same comfort as a classic romcom.

Some comments have pointed out that despite the cinematic excellence of pan-India films—featuring star-studded casts, acclaimed directors, and high-budget productions—they don’t always deliver on their lofty promises. “Just a feel-good, comforting film. I’m sick of the larger-than-life, pan-India films. They have all the big actors, directors with good track records, top-class music directors; yet they don’t quite hit the note,” one fan wrote, highlighting the disconnect some audiences feel.

While Bollywood’s exploration of diverse genres is undoubtedly exciting, fans seem to be yearning for comfort films that offer a break from the overwhelming spectacle of action-packed, multi-language blockbusters. For example, the upcoming horror-comedy films in Maddock’s universe, which boasts an impressive lineup of stars like Shraddha Kapoor, Kriti Sanon, and Alia Bhatt, have generated excitement. However, some fans have also expressed concerns about over-saturation of the genre, with one commenting, “Aren’t they over-saturating and milking this horror genre too much now?”

Additionally, the first looks of Sidharth Malhotra and Janhvi Kapoor’s Param Sundari have reminded fans of the early 2010s, a time when Bollywood was in its romcom heyday. The similarities to films from that period have only fueled further nostalgia.

In essence, while Bollywood continues to evolve and experiment, the Yeh Jawaani Hai Deewani re-release has reminded fans of a simpler, more heartfelt era of filmmaking—one that they’re eager to revisit. As the film industry pushes boundaries with large-scale, multi-lingual projects, there is a clear call for the return of feel-good, relatable stories that once defined the industry. The success of this re-release might just signal the beginning of a resurgence in romantic comedies for modern audiences.

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Usha Nadkarni reflects on living alone at 80, abusive childhood and sacrifices behind her acting career

Veteran actor Usha Nadkarni reflects on living alone since 1987, her abusive childhood, motherhood and the struggles behind her successful acting career.

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Veteran actor Usha Nadkarni, known for her memorable performances in Marathi and Hindi films, television and theatre, has opened up about the personal struggles that shaped her life. From surviving an abusive childhood to living alone for decades and balancing motherhood with a demanding acting career, the 80-year-old actor shared intimate details of her journey in recent and past interviews.

Despite the hardships, Nadkarni says she continues to work and live independently in Mumbai while embracing the life she has built over nearly seven decades in the entertainment industry.

Usha Nadkarni says she has lived alone since 1987

Speaking in a recent interview with Rajshri Marathi, Nadkarni revealed that she has been living alone since 1987. With her son now settled overseas and her siblings no longer alive, she has gradually become comfortable with solitude.

She recalled that she initially feared staying alone and would ask the building’s security guard to accompany her to her apartment. Over time, however, those fears disappeared.

The veteran actor also spoke candidly about ageing and mortality, saying she occasionally thinks about death because she lives alone but does not fear it. She added that she believes death comes differently for everyone and has accepted that reality.

Her son was raised by her mother during her busiest years

Nadkarni also reflected on her personal life, sharing that she separated from her husband many years ago. She said there is no bitterness between them and that she has maintained cordial relations with his family over the years.

She explained that her son spent much of his childhood with her mother while she remained occupied with Marathi theatre and acting commitments. In an earlier interview, she had revealed that he also stayed at her brother’s house because it offered more space.

Looking back, Nadkarni shared that her son still tells her she only gave birth to him and that his real mother was actually his grandmother, who raised him during those formative years.

Actor recalls growing up with a violent father

Nadkarni has also spoken publicly about the difficult environment in which she grew up. She described her father, an Air Force officer, as a man with a violent temper whose anger often left the family frightened.

According to the actor, even minor household matters, such as an untidy newspaper or improperly arranged schoolbooks, could trigger angry outbursts.

She also recounted an incident in which she tried to protect her brother from being beaten and was injured on her arm after her father attacked her with a curved farming blade. Despite the injury, she went ahead with a stage performance the following day.

Family opposed her dream of becoming an actor

The actor said her passion for acting began in childhood, but pursuing that ambition was far from easy.

She recalled first confiding in her mother, hoping for support, but instead faced strong opposition. According to Nadkarni, her mother threw her belongings out of the house, forcing her to stay with a friend for nearly a week before eventually returning home.

Reflecting on those years, she said societal opinions did not stop her from following her dream. Nadkarni noted that she first performed on stage while studying in the fourth standard and continues acting even at the age of 80.

Career built on determination

Over nearly 70 years, Usha Nadkarni has established herself as one of the most respected actors in Marathi and Hindi entertainment.

She has previously acknowledged that there were periods when she accepted projects primarily for financial reasons, even when she felt she was not receiving the professional respect she deserved. Despite those challenges, she has continued to remain active in films, television and theatre, building a career defined by perseverance and resilience.

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Veteran actor Pradeep Rawat, known for Ghajini and Lagaan, dies at 74 after cancer battle

Veteran actor Pradeep Rawat, celebrated for his roles in Ghajini, Lagaan and Mahabharat, died at the age of 74 while undergoing treatment for cancer.

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Veteran actor Pradeep Rawat, best known for his performances in Ghajini, Lagaan and the television epic Mahabharat, died on Tuesday evening while undergoing treatment for cancer. He was 74.

Rawat breathed his last at around 6 pm. He had initially been admitted to Kokilaben Dhirubhai Ambani Hospital in Mumbai before being shifted to a cancer hospital in Bhiwandi around 10 days ago for further treatment. He is survived by his wife and son, Vikramaditya.

Yashpal Sharma pays tribute

Actor Yashpal Sharma paid tribute to Pradeep Rawat through a post on his Instagram handle following the veteran actor’s demise.

Career spanning more than three decades

Pradeep Rawat built a successful acting career across Hindi, Telugu, Tamil, Kannada and Malayalam cinema over more than three decades.

He gained widespread recognition for portraying the ruthless antagonist in the 2005 Tamil film Ghajini. The performance earned him the opportunity to reprise the same role alongside Aamir Khan in the Hindi remake released in 2008.

Before Ghajini, Rawat had shared screen space with Aamir Khan in the 2001 film Lagaan.

Many television viewers also remember him for portraying Ashwatthama, the son of Dronacharya, in BR Chopra’s iconic television series Mahabharat. Although he made his film debut with Meri Jung in 1985, the television role brought him widespread recognition.

Memorable performances across languages

Throughout his career, Rawat appeared in several notable films, including Sarfarosh, The Hero: Love Story of a Spy, Stalin, Veeram, 1: Nenokkadine, Loukyam, Nenu Sailaja, Sarrainodu, Nene Raju Nene Mantri, Aayirathil Iruvar, Market Raja MBBS and Miss Match.

A significant milestone came with SS Rajamouli’s Sye (2004), which marked his debut in Telugu cinema.

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Dhanush’s call for public service fuels speculation on entry into politics

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Tamil actor Dhanush has sparked political rumours after urging his fan clubs to focus on public service and “find a purpose” beyond celebrating his films during a blood donation camp in Chennai.

While his remarks triggered widespread discussion online, the actor hasn’t formally announced his political entry.

Addressing members of his fan associations, Dhanush encouraged them to channel their collective strength towards welfare initiatives that could positively impact society. He urged his supporters to identify the needs of people in their local communities and extend help wherever possible, saying he wanted his fans to be known for their service rather than just their support for his films.

The speech quickly gained attention on social media, with several users drawing comparisons between Dhanush and actor-politician Vijay, whose fan clubs had similarly expanded their welfare activities before he formally entered politics. Many online users interpreted Dhanush’s emphasis on organised social work as a possible indication of future political ambitions.

Dhanush did not make any reference to joining politics or launching a political outfit during his address. His speech remained focused on encouraging fans to undertake blood donation drives, charitable work and other community welfare initiatives.

The actor’s fan clubs have long been involved in social service activities, including relief work, blood donation camps and assistance during natural disasters. His latest remarks have, however, brought back online discussions over whether he could eventually follow the path taken by Vijay and several other Tamil cinema personalities who entered public life.

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