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Yeh Jawaani Hai Deewani re-release revives nostalgia for Bollywood’s romcom era

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Yeh Jawani Hai Deewani turns 10: Ranbir Kapoor, Deepika, Aditya Roy Kapur and Kalki Koechlin reunite

The re-release of Yeh Jawaani Hai Deewani (YJHD) has sparked a wave of nostalgia for Bollywood’s golden era of romcoms, drawing attention away from the ongoing dominance of massy, pan-India films. The 2013 blockbuster, which starred Ranbir Kapoor and Deepika Padukone, continues to capture hearts, even as the film industry shifts towards larger-than-life, multi-lingual films aimed at a pan-Indian audience.

Despite both Kapoor and Padukone boasting impressive filmographies, it’s YJHD that remains a standout—both for its heartwarming reunion of the on-screen ex-couple and its ability to resonate with multiple generations, especially Gen Z. The film’s re-release, which launched in select theaters, has already sold over 26,000 tickets, according to trade reports. This impressive number rivals or surpasses the ticket sales of some recent massy action films, despite YJHD also being available for streaming on OTT platforms.

What’s remarkable is that this success highlights the ongoing appeal of Bollywood’s romcom era, when films were built around relatable characters and emotional narratives, as opposed to the grand spectacle of pan-India blockbusters. Fans have taken to social media, recalling their experiences of eagerly waiting in line for YJHD’s original release. One fan commented, “I remember waiting in a long line to buy tickets for this film when it released, and there were people behind me who had to leave because the show became housefull…it was crazy!”

Others have expressed their desire for the return of this genre, which, according to many, offered good music and simple yet meaningful writing. “We need to bring romcoms back! Come on, bring back good music, decent writing—no one is expecting too much,” wrote one user. This sentiment is echoed by many who feel that while pan-India films are ambitiously scaled up in terms of production value, they often fail to evoke the same emotional connection or offer the same comfort as a classic romcom.

Some comments have pointed out that despite the cinematic excellence of pan-India films—featuring star-studded casts, acclaimed directors, and high-budget productions—they don’t always deliver on their lofty promises. “Just a feel-good, comforting film. I’m sick of the larger-than-life, pan-India films. They have all the big actors, directors with good track records, top-class music directors; yet they don’t quite hit the note,” one fan wrote, highlighting the disconnect some audiences feel.

While Bollywood’s exploration of diverse genres is undoubtedly exciting, fans seem to be yearning for comfort films that offer a break from the overwhelming spectacle of action-packed, multi-language blockbusters. For example, the upcoming horror-comedy films in Maddock’s universe, which boasts an impressive lineup of stars like Shraddha Kapoor, Kriti Sanon, and Alia Bhatt, have generated excitement. However, some fans have also expressed concerns about over-saturation of the genre, with one commenting, “Aren’t they over-saturating and milking this horror genre too much now?”

Additionally, the first looks of Sidharth Malhotra and Janhvi Kapoor’s Param Sundari have reminded fans of the early 2010s, a time when Bollywood was in its romcom heyday. The similarities to films from that period have only fueled further nostalgia.

In essence, while Bollywood continues to evolve and experiment, the Yeh Jawaani Hai Deewani re-release has reminded fans of a simpler, more heartfelt era of filmmaking—one that they’re eager to revisit. As the film industry pushes boundaries with large-scale, multi-lingual projects, there is a clear call for the return of feel-good, relatable stories that once defined the industry. The success of this re-release might just signal the beginning of a resurgence in romantic comedies for modern audiences.

Entertainment

Gaurav Khanna wins Bigg Boss 19, lifts trophy and Rs 50 lakh prize

Gaurav Khanna has been crowned the winner of Bigg Boss 19, securing the trophy and Rs 50 lakh after a competitive finale.

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Television actor Gaurav Khanna has been declared the winner of Bigg Boss 19, bringing the curtain down on a season packed with drama, intense face-offs and emotional moments. He secured the top spot after a closely fought finale, with Farhana Bhatt finishing as the first runner-up.

Gaurav Khanna’s steady game pays off

Premiering on August 24 with 18 contestants, the season showcased shifting alliances, sharp strategies and memorable confrontations. Despite being seen as quiet in the early weeks, Gaurav Khanna gradually emerged as one of the strongest voices inside the house. His composed demeanour and calculated task performance helped him build momentum through the competition.

Farhana Bhatt ends as runner-up

Farhana Bhatt, known for her dynamic presence and determination throughout the season, finished second. Although she narrowly missed the title, her journey remained one of the standout tracks of the show.

Finale eliminations

The grand finale began with multiple eliminations — Amaal Mallik was the first finalist to bow out, followed by Tanya Mittal, and then Pranit More, leaving Gaurav and Farhana as the top two contenders.
Gaurav ultimately lifted the trophy and took home a cash prize of Rs 50 lakh.

With the conclusion of Bigg Boss 19, the show wraps another season marked by strategy, rivalry and heartfelt moments that kept viewers engaged from start to finish.

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Dhurandhar review: Ranveer Singh roars back, Akshaye Khanna shines in intense spy thriller

Ranveer Singh returns with a ferocious performance in Dhurandhar, supported by Akshaye Khanna, Sanjay Dutt, and a gripping espionage storyline set against real historical events.

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Dhurandhar review

Ranveer Singh makes a striking return to the big screen with Dhurandhar, delivering a fierce, layered performance in Aditya Dhar’s ambitious spy thriller. Blending historical terror incidents with a fictional revenge saga, the film explores India’s covert response to cross-border terrorism through the secret project ‘Dhurandhar’.

A brutal world built around revenge and espionage

Set around the IC-814 Kandahar hijack and the 2001 Parliament attack, Dhurandhar opens with Ajay Sanyal, an Intelligence Bureau officer played by R Madhavan, who strongly opposes releasing captured terrorists. Despite his resistance, bureaucracy prevails, setting the stage for the covert mission he later leads.

The project introduces its central weapon — Humza Ali Mazari, later revealed to be Jaskirat Singh Rangil — portrayed by Ranveer Singh with ferocity and emotional depth. Dropped straight into Karachi’s dangerous Lyari district, Humza navigates a nexus of gangs, politicians, and the ISI, with the narrative also touching upon tensions between local Pakistanis and Baloch communities.

Performances that elevate the film

Akshaye Khanna nearly steals the spotlight as a feared Lyari gangster inspired by Rehman ‘Dakait’ Baloch. Sanjay Dutt’s portrayal of SP Chaudhry Aslam brings an intimidating presence, while Arjun Rampal’s Major Iqbal leaves a lingering impact despite limited screen time.

Sara Arjun plays Yalina with conviction, and the film also features an unrecognisable Gaurav Gera in a surprise appearance.

Music, violence, and a split narrative

Shashwat Sachdev’s background score stands out, weaving classic Pakistani melodies with Indian retro hits to complement the film’s shifting tones. Viewers should be prepared for intense brutality, graphic torture scenes, and sudden shifts in narrative style — especially in a second half that feels markedly different from the first.

The episodic structure, archival footage, and mix of real and fictional characters add layers, though some may find the format distracting.

Ending that sets up part two

While the film does not end on a dramatic cliffhanger, its teaser for the second part — scheduled for March 19, 2026 — ensures audiences will return to witness the conclusion of Humza’s journey.

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Entertainment

120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan akhtar

Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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