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Babil Khan breaks down, slams Ananya Panday, Arjun Kapoor, other Bollywood celebrities, deletes Instagram account

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On the morning of May 4, Babil Khan, actor and son of the late Irrfan Khan, sent shockwaves through social media with a series of emotional Instagram stories, tearfully denouncing Bollywood as the “fakest industry” he has ever encountered.

The 26-year-old, visibly distraught, later deleted his Instagram account, leaving fans and netizens worried about his well-being and speculating about potential industry pressures or mental health struggles.

In the now-viral videos, Babil expressed frustration, stating, “Bollywood is the most fake, fake, fake industry I’ve been part of. But there are a few who want it to be better. I have so much more to show, so much to give.”

In another story, he named actors like Ananya Panday, Shanaya Kapoor, Arjun Kapoor, Siddhant Chaturvedi, Raghav Juyal, Adarsh Gourav, and singer Arijit Singh, adding, “Bollywood is so messed up.” The remarks led fans to wonder if Babil was facing bullying or isolation in the industry.

The outburst triggered widespread online discussion, with some users interpreting it as a cry for help. Hours later, Ananya Panday posted Instagram pictures, including one with a Harry Potter quote: “What’s coming will come, and we’ll meet it when it does.”

Many speculated this was a subtle response to Babil’s comments, fueling further debate. Bollywood’s competitive landscape, often criticized for its cliques and nepotism, has long been a topic of public scrutiny, and Babil’s remarks reignited these conversations.

Just a week prior, on April 29, 2025, Babil paid a heartfelt tribute to his father Irrfan Khan on his fifth death anniversary, writing, “With you, without you. Soon I’ll be there, and we’ll run, fly, and laugh like we used to. I miss you.” The post, shared across platforms, highlighted Babil’s ongoing grief, which may have contributed to his emotional state.

Babil debuted in the 2022 film Qala, followed by Friday Night Plan (2023) with Juhi Chawla. His breakthrough came with the Prime Video series The Railway Men, and he recently starred in ZEE5’s thriller Logout. As fans await updates on his well-being, Babil’s candid critique has cast a spotlight on the pressures faced by young actors in Bollywood’s high-stakes world.

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The Family Man 3 first glimpse: Jaideep Ahlawat, Nimrat Kaur join action thriller series

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Streaming platform Prime Video unveiled the first look of the much-anticipated third season of The Family Man on Friday, introducing actors Jaideep Ahlawat and Nimrat Kaur as formidable new adversaries to Manoj Bajpayee’s iconic spy, Srikant Tiwari.

The action-packed thriller, created and directed by Raj Nidimoru and Krishna DK, will see Bajpayee reprise his role as Tiwari, a middle-class man navigating the high-stakes world of espionage. The new season, penned by Suman Kumar in collaboration with Raj & DK, will also feature returning cast members Priyamani, Sharib Hashmi, Ashlesha Thakur, and Vedant Sinha.

In a joint statement, Raj & DK expressed their excitement about elevating the series. “Each season, we strive to raise the bar with a more gripping story, grander scale, and sharper performances. We’re thankful for our fans’ patience. Season 3 will push Srikant and his team to their limits, immersing them in a world of intense danger and personal turmoil that tests their bonds. While juggling a new family dynamic, Srikant will face off against powerful new antagonists, brought to life by the incredibly talented Jaideep Ahlawat and Nimrat Kaur. Our collaboration with Prime Video has been instrumental in shaping this season,” they said.

The upcoming season will follow Srikant as he tackles a looming threat to national security while grappling with the challenges of family life, striving to repair his strained relationship with his wife, Suchitra, played by Priyamani. Details about the roles of Ahlawat, known for Paatal Lok, and Kaur, celebrated for The Lunchbox and Airlift, remain undisclosed, adding to the anticipation.

The Family Man debuted to widespread acclaim in 2019, with its second season, featuring Samantha Ruth Prabhu, earning similar praise in 2021. As excitement builds for the third installment, the addition of Ahlawat and Kaur promises to intensify the stakes for Srikant Tiwari’s latest mission.

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Aamir Khan starrer Sitaare Zameen Par crosses Rs 90-crore mark

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Aamir Khan’s latest cinematic offering, Sitaare Zameen Par, has amassed a nett collection of ₹90 crore domestically within its debut week. Directed by R S Prasanna, the film hit cinemas on 20 June 2025, serving as a spiritual successor to the widely acclaimed 2007 release Taare Zameen Par, and has struck a chord with audiences.

According to Sacnilk, the film opened strongly with ₹10.7 crore nett at the domestic box office, setting the stage for a solid run. Touted as a heartfelt exploration of neurodivergence, Sitaare Zameen Par features Aamir as a basketball coach guiding ten differently-abled individuals towards triumph.

The cast includes Genelia D’Souza alongside fresh talents Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra, and Simran Mangeshkar, with the screenplay penned by Divy Nidhi Sharma. The project is a collaborative production by Aamir Khan, Aparna Purohit, and Ravi Bhagchandka under Aamir Khan Productions.

Critics have noted its connection to the 2018 Spanish drama Campeones (remade in English in 2023 with Woody Harrelson), echoing Taare Zameen Par’s mission to raise awareness about neurodiversity. However, some reviews suggest a didactic approach, with one stating, “Every scene is crafted to deliver a lesson, often tipping the balance from entertaining to preachy, which can frustrate viewers despite Aamir’s knack for edifying cinema.”

The film’s narrative, centred on mentorship and inclusion, has resonated emotionally, contributing to its box office success. Its opening figures and positive word of mouth hint at a potential surge over the weekend.

Earlier today, Aamir participated in a virtual fan meet to celebrate the milestone, sharing anecdotes from the set and praising the young cast’s dedication. “Their energy inspired every frame,” he remarked, boosting fan excitement online. The session, joined by enthusiastic supporters, highlighted the film’s impact, with many lauding its uplifting message.

As Sitaare Zameen Par progresses into its second week, its ₹90 crore haul underscores Aamir Khan’s enduring appeal. Whether it maintains this momentum amidst mixed critical reception remains to be seen, but its strong start has certainly reignited interest in his storytelling legacy.

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Rajkumar Hirani, Shoojit Sircar, Anjali Menon and Onir collaborate to direct second part of My Melbourne

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Acclaimed Indian filmmakers Rajkumar Hirani, Shoojit Sircar, Anjali Menon, and Onir are teaming up for the second edition of My Melbourne, an Indo-Australian anthology film project that celebrates cultural diversity and strengthens cinematic ties between India and Australia, according to a press release.

Produced by Mind Blowing Films and presented by the Indian Film Festival of Melbourne (IFFM), the anthology builds on the success of its inaugural edition, released in March 2025. The first film featured short stories by directors Rima Das, Imtiaz Ali, Kabir Khan, and Onir, exploring themes of identity, gender, race, sexuality, and disability.

Mitu Bhowmick Lange, CEO of Mind Blowing Films and the project’s creative producer, described the response to the first My Melbourne as “immensely gratifying.” She said, “The film showed that authentic, heartfelt stories can resonate across borders. We’re privileged to have some of India’s most celebrated filmmakers contribute their vision to this second chapter. This initiative continues to champion inclusivity and collaboration, offering a platform for emerging talents from underrepresented communities.”

Rajkumar Hirani, renowned for blockbusters like Munna Bhai, 3 Idiots, PK, Sanju, and Dunki, expressed enthusiasm for the project. “My Melbourne is a unique canvas for crafting stories that are personal yet universal, bridging cultures through cinema,” he said.

Anjali Menon, known for her nuanced storytelling, highlighted the project’s alignment with her creative vision. “The themes of My Melbourne resonate deeply with my approach to storytelling—narratives that foster empathy and connect people across divides. I’m excited to be part of this cross-continental collaboration,” she said.

Shoojit Sircar, whose diverse filmography includes Vicky Donor, Madras Cafe, Piku, October, and Sardar Udham, emphasized the universal appeal of the anthology. “Stories transcend borders. My Melbourne is a powerful reminder that locally rooted narratives can carry global impact,” he said.

Onir, returning for the second edition, described the project as “an evolving journey.” He added, “Working with fresh themes and voices while continuing this meaningful initiative is profoundly fulfilling.”

The second instalment of My Melbourne promises to further the anthology’s mission of weaving diverse narratives, fostering cross-cultural dialogue, and spotlighting new voices in cinema.

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