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If I can’t stop namaz on roads then I have no right to stop Janmashthami in thanas: Yogi

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CM Yogi

The Uttar Pradesh chief minister also bats for unruly kanwars and asserts that there can be no kanwar yatra without the beating of drums, song and dance, use of microphones

Stoking off yet another controversy, Uttar Pradesh chief minister Yogi Adityanath said while addressing a public event in Lucknow, on Wednesday, that if he cannot stop the offering of namaz on roads during Eid, he has no right to stop celebration of Janmashtami at police stations.

The chief minister’s comments that have evoked a sharp retort from Opposition parties and various Islamic organizations come at a time when his government is already busy fending off attacks over the deaths of nearly 71 children at Baba Raghav Das (BRD) hospital in Gorakhpur due to lack of oxygen. Gorakhpur has been Adityanath’s constituency ever since he entered politics and he has represented the seat in Lok Sabha for five terms since 1998.

A known Hindutva hardliner, Adityanath said at the event jointly organised by the Prerna Jansanchar Evam Sidh Sansthan, Noida and Lucknow Jansanchar Evam Patrakarita Sansthan: “Agar mai sadak par Eid ke din namaz padhne pe rok nahi laga sakta to mujhe koi adhikar nahi ki mai thano mein janmashtami ke parv ko rokun.”

The chief minister said that when his officials recently red-flagged the use of microphones, DJs and music systems during the kanwar yatra – the annual pilgrimage of Shiv devotees  which in recent years has been in news for the law and order issues it causes – he told them to ensure that microphones are banned everywhere and no sound emanates from any place of worship.

However, Adityanath added that he also told the officers that if this ban cannot be uniformly implemented on all religious events and structures then it should not be applied to the kanwar yatra too.

“Maine prashasan se kaha… mere saamne ek aadesh paarit kariye… mike har jagah ke liye partibandhit hona chahiye… har jagah ban karo… aur yeh tay kariye ki kisi bhi dharmsthal mein… uski premises ke bahar, uski awaaz aani hi nahi chahiye… kya isko laagu kar payenge? Agar laagu nahin kar sakte hain to phir isko bhi hum laagu nahi hone denge… yatra chalegi,” the Yogi is learnt to have said.

Likening a kanwar yatra which has no music, dance and use of microphones with a funeral procession, Adityanath said: “Maine kaha ki ye kanwar yatra hai ya shav yatra?… Arrey woh kanwar yatra mein baaje nahin bajenge, damru nahin bajega, dhol nahin bajega, chimte nahin bajenge, log nachenge-gayenge nahin, mike nahi bajega to woh yatra kanwar yatra kaise hogi.”

(I asked if this was a kanwar yatra or a funeral procession. If they don’t play music and drums, don’t dance and sing, don’t use the mike, how will it be a kanwar yatra).

Stressing that he isn’t against the celebration of festivals of other faiths or the offering of namaz by Muslims, Adityanath said: “we are for everything…you can celebrate Christmas and no one will stop you. You can offer namaz too but within the premise of the law… if the law is broken then it leads to confrontation.”

Often at the receiving end of an attack from Opposition parties, social activists and liberal intellectuals for his ostensibly provocative speeches and comments, Adityanath said that “If I say that I take pride in saying I am a Hindu, I will be called communal” while adding that in Nepal, Mauritius or any other country where Hindus of Indian origin live, they feel proud to be called Hindus.

Targeting the previous Samajwadi Party government under former chief minister Akhilesh Yadav which the BJP comprehensively defeated in the assembly polls earlier this year, Adityanath said those who called themselves Yaduvanshis had banned the celebration of Janmashtami at police stations and police lines. He said he was of the belief that “prayers and kirtan may bring improvement in the police system”.

Zafaryab Jilani of the All India Muslim Personal Law Board criticised the chief minister’s comments, saying : “he (Adityanath) occupies a very important office and should now that the occupant of that office is not the representative of one religion… his comments are meant to create divisions within the society and not unite people…they are very unfortunate.”

The Congress party too has hit out at Adityanath not just for his comments but also for having recently ordered “grand celebrations” of Janmashtami across all police station of UP. “There has been a tragedy in the CM’s backyard …several children have died and are still dying at the BRD hospital but Adityanath is more concerned about Janmashtami celebrations and kanwar yatras,” said senior Congress leader and former MLA Akhilesh Pratap Singh.

Adityanath had courted controversy last week too when he ordered “grand but dignified celebrations” of Janmashtami across UP – including at police stations. The previous SP government had stopped celebrations of the festivals at police stations and other establishments that are meant to ensure law and order.

Bollywood news

The Bhootnii social media reviews: Fans say horror isn’t scary, even ghosts deserve better scripts

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Bollywood’s fascination with horror-comedy remains undimmed, and The Bhootnii, starring Sanjay Dutt, Mouni Roy, Palak Tiwari, Sunny Singh, and Beyounick, dives headfirst into this quirky genre. Helmed by director Sidhaant Sachdev, the film unfolds a peculiar tale of a college tree that conjures a ghost named Mohabbat each Valentine’s Day, blending supernatural antics with a romantic twist.

Released on April 25, 2025, The Bhootnii has sparked a whirlwind of reactions, with Mouni Roy’s standout performance earning raves even as the film grapples with a faltering storyline.

Online chatter has zeroed in on Roy’s captivating portrayal of Mohabbat, with fans showering her with praise. One enthused, “Mouni Roy is pure magic—her ghost is the soul of the film!” Another marveled at her dedication, noting, “Spending 45 days in a harness paid off; she’s mesmerizing in every frame.” A third fan gushed, “Mouni’s Mohabbat makes this chaotic horror-comedy worth watching—she’s a genre gem!” Roy’s ability to infuse the spectral role with both charm and intensity has cemented her as the film’s saving grace, striking a chord with viewers.

Critics, however, have skewered the film’s lackluster script, which struggles to balance scares and humor. One review sighed, “The horror fizzles, the comedy feels stale, and the plot wanders like a lost spirit.” Another jabbed, “The Bhootnii stumbles where Stree danced—its ghost needs a sharper story.” Sanjay Dutt’s belated appearance as an eccentric ghostbuster, armed with oddball tools and arcane wisdom, injects fleeting energy but fails to rescue the narrative. Faisal Khan’s sporadic comedic bits offer mild relief, yet many deem the film a disjointed effort, with one viewer quipping, “I left more haunted by the script than the ghost.”

Amid India’s thriving horror-comedy wave, The Bhootnii has fueled spirited online debates, reflecting the genre’s pull despite its uneven execution. While unlikely to claim cinematic glory, Roy’s luminous performance offers a beacon for fans willing to navigate its bumpy ride. For others, the film’s narrative pitfalls render it a spectral disappointment, underscoring the challenges of crafting a cohesive spooky-laugh riot.

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Instagram head Adam Mosseri dances with influencers Sakshi Shivdasani, Naina Bhan to Bollywood song, video surfaces

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Adam Mosseri, the head of Instagram, showcased his playful side by joining actors Sakshi Shivdasani and Naina Bhan for a lively dance reel that lit up social media. Posted collaboratively on their Instagram accounts, the trio danced to the infectious Luv Letter by Kanika Kapoor from The Legend of Michael Mishra, a track dominating Instagram trends.

With Mosseri flanked by Sakshi and Naina, he gamely followed their choreography, bringing a lighthearted charm to the clip. Sakshi captioned the post with a cheeky nod to their podcast MOS, writing, “Naina and Sakshi have a podcast called MOS, so my name is @mosseri (we’re delusional).”

The reel sparked a flurry of reactions, with fans flooding the comments with laughter and admiration. One user exclaimed, “This video is unreal!” while another praised, “Love how carefree you all are!” A third simply declared, “Absolutely obsessed!” The spontaneous moment highlighted Instagram’s role as a platform for creative connections, bridging global executives with local talent.

Mosseri’s India visit, centered around the WAVES 2025 Summit in Mumbai, has been a whirlwind of star-studded interactions.

On Wednesday, he dined with Bollywood power couple Deepika Padukone and Ranveer Singh at Bandra’s Papa’s restaurant, sharing a selfie on Instagram captioned, “Met the charismatic @deepikapadukone and @ranveersingh in Bombay, savoring incredible food at @papasbombay.”

Deepika responded playfully, “What happens at @papasbombay stays there!” with emojis, while Ranveer added, “Good times!” with heartfelt emojis, reflecting their warm camaraderie.

That same day, Mosseri met content creator Prajakta Koli, who posted a photo on Instagram, writing, “Grateful for the chat, @mosseri!” His packed itinerary culminates on Friday with a high-profile interaction alongside actor Shraddha Kapoor at the WAVES Summit, a global platform celebrating media and innovation.

Mosseri’s engagement with India’s entertainment scene underscores Instagram’s growing influence in the country, where millions use the platform to share stories and connect. His visit, blending professional commitments with cultural immersion, highlights the app’s role in fostering creativity and collaboration across borders, resonating with India’s dynamic digital community.

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India News

Water row: Bhagwant Mann says won’t tolerate robbery of Punjab’s rights

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The Bhakra Beas Management Board (BBMB) sparked a fierce controversy by approving the release of 8,500 cusecs of water to Haryana, prompting a sharp rebuke from Punjab Chief Minister Bhagwant Mann.

Labeling the move a “robbery” of Punjab’s water rights, Mann vowed to resist what he described as an unjust decision driven by the BJP-led central government and Haryana.

The decision, finalized during a marathon five-hour BBMB technical committee meeting, has ignited tensions over water distribution from the Bhakra, Pong, and Ranjit Sagar dams, which serve Punjab, Haryana, and Rajasthan for irrigation and other needs.

Punjab officials at the meeting vehemently opposed the allocation, arguing that Haryana had already exhausted its water quota, while water levels in the Pong and Ranjit Sagar dams were lower than the previous year.

Despite their objections, Rajasthan, governed by the BJP, reportedly backed Haryana’s demand, intensifying Punjab’s sense of betrayal.

Mann, in a fiery post on X, declared, “Punjab stands united against this theft of our water rights. The BJP and Haryana are colluding against us, but we will not allow another injustice. The BJP must face our opposition.”

The Aam Aadmi Party (AAP), led by Mann, announced statewide protests against the BJP, accusing it of pressuring the BBMB to favor Haryana.

Earlier, on April 29, Mann had rejected Haryana’s request for additional water, noting that the state had already consumed 103% of its share by March 31. He highlighted Punjab’s critical need for water for the upcoming paddy sowing season, stating that not a single drop could be spared.

Mann also revealed that Punjab had provided 4,000 cusecs daily to Haryana from April 6 as a humanitarian gesture, despite its own constraints.

This year, the BBMB allocated 3.318 million acre-feet (MAF) to Rajasthan, 2.987 MAF to Haryana, and 5.512 MAF to Punjab, but Haryana’s overutilization has fueled the dispute. AAP leaders, including Cabinet Minister Aman Arora, condemned the BJP’s “coercive tactics,” vowing a strong response to protect Punjab’s interests.

Finance Minister Harpal Singh Cheema accused the BJP of “anti-Punjab” bias, further escalating the political showdown. The controversy underscores the delicate balance of water-sharing agreements in India, where inter-state disputes often reflect deeper regional tensions, drawing significant public and political attention.

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