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Scripting for animation series is different, you have to push your imagination, says Motu Patlu writer Niraj Vikram

Niraj Vikram, writer of Motu Patlu talked with APN News and shared how working in the animation industry is kinda different than scripting for live-action shows.

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Niraj Vikram is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

The animation industry in India has witnessed a considerable amount of growth in the last few years, especially the cartoon series. Some of the most popular animated cartoon series like Motu Patlu, Dabangg, and Gattu Battu have dominated the cartoon industry and notably, this industry has become the best medium of creative expression these days. Content preferences among kids have changed over the years.

While live-action television shows ruling the Indian entertainment industry for a long time, these animated series created a strong impression in recent years. The influence of animation is growing every day in India. But animating shows does not only mean good illustrations but also a captivating story and close attention to details.

We always chase people who are on camera but the real heroes are actually those who are behind the camera, who infatuate the viewers with their writing. And one such person is Niraj Vikram, the man behind the stories of India’s most popular animated show Motu Patlu, who works round the clock to connect with the kids to bring the best each time.

In a conversation with APN News, Neeraj Vikram shared how writing for animation shows is different from scripting for live-action shows.

Motu Patlu was already a popular franchise of Lotpot Comics and when we asked him how he felt when he was approached for this show, he said “I was really excited to write for Motu Patlu. Lotpot Comics is one of our favourite comics and we’ve grown up reading it. So, when I was approached for Motu Patlu, I was thrilled and ecstatic.”

Talking about the responsibility to maintain characters’ legacy, he said, “It’s very important to create the show without retouching the characters. Initially and even now I feel it’s a big responsibility as most of us have already read the comic and we feel connected to the characters. So, the first thing I keep in mind while writing for this show, is the characters’ style, habits and patterns.”

Niraj Vikram has also scripted for Shararat and Son Pari

Before scripting for Motu Patlu, Niraj Vikram had already scripted for big shows like Shararat, Shaka Laka Boom Boom, and Son Pari, and when we asked him how difficult was for him to shift from live-action shows to animation shows, he said, “Animation isn’t monotonous like live-action shows. You can stretch the animation to any level whereas in live-action shows it is a bit difficult to show your creativity as you have to write it according to the storyline. For me, it wasn’t really difficult as I always wanted to be in animation because it pushes your imagination”, he added.

One must write a motion script in accordance with the target audience, and a motion script writer requires a great deal of skill and dedication. Talking about this, he said, “There have been times when I write a certain script but it doesn’t turn out the same way I wanted it. I feel bad sometimes, but I don’t lose hope as I know that shows need to undergo certain production levels and there’s a limited-time delivery.

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Niraj Vikram on Agnipath scheme

Niraj Vikram has also served in the Indian army for five years before entering the world of entertainment. We also asked him about the ongoing protests related to the Agnipath recruitment scheme, he said, “Government must have made the scheme after listing down its pros and cons. Instead of protesting, students need to give it a try. As the government has already said that if you don’t like the scheme, don’t join it. But I feel implementation is a must.”

Motu Patlu’s wax statue at Madame Tussauds

Talking about the achievements he is most proud of, he said “Having Motu Patlu’s wax statues at Madame Tussauds, New Delhi is literally the proudest moment as they are the first Indian animated character to have it installed at the wax museum. Other than this, Motu Patlu is completing its 10 years in October and has successfully completed 1,000 episodes.” He has also won the Best Writers Award in the Kids Choice Award in 2015 organized by Viacom 18.

Niraj is currently writing for Motu Patlu. He has 2-3 projects lined up including Pandavas for Pogo.

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Vijay’s last film Jana Nayagan poised for massive opening, Rs 100 crore business expected on Day 1

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Tamil Nadu Chief Minister Vijay’s final film, Jana Nayagan, is expected to make a record-breaking start at the box office, with trade analysts predicting an opening-day collection of around Rs 100 crore worldwide.

If the prediction proves accurate, the film could surpass the opening-day collections of blockbuster films such as Jailer, The Greatest of All Time (GOAT), and Pathaan, making it one of the biggest openings in Indian cinema.

Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan was Vijay’s final film before his full-time entry into politics. The movie also stars Pooja Hegde, Bobby Deol, Mamitha Baiju, Prakash Raj, Priyamani, and Gautham Vasudev Menon in key roles. The film is scheduled for a worldwide theatrical release on July 23, 2026.

Advance bookings for Jana Nayagan have shown an overwhelming response in India and overseas. Trade reports indicate that the film has sold more than 6.45 lakh tickets in advance, generating over Rs 16 crore in pre-sales across India. Industry analysts note that the advance booking figure is still lower than those of Vijay’s earlier blockbuster releases, Leo and The Greatest of All Time (GOAT).

The excitements surrounding Jana Nayagan is driven not only by Vijay’s popularity but also by the emotional significance of it being his last film. Fans have been booking first-day-first-show tickets in large numbers, especially in Tamil Nadu and Karnataka.

Trade experts believe that if positive audience reviews and word-of-mouth follow the release, Jana Nayagan could become one of the highest-grossing Tamil films of the year.

As of now, the film is gearing up for its July 23 release, with distributors and exhibitors expecting packed theatres across the country. Whether Jana Nayagan crosses the Rs 100 crore mark on its opening day and breaks the records of Jailer and GOAT, and Pathaan will become clear once box-office figures are released after its premiere.

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FIFA World Cup final halftime show divides fans despite stars

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FIFA’s decision to introduce a halftime show during the 2026 FIFA World Cup final has sparked mixed reactions among football fans around the world. While the announcement of stars Shakira, Justin Bieber, Madonna, and BTS generated excitement, many supporters questioned whether a concert-style performance belongs in football’s biggest event.

The 2026 FIFA World Cup, jointly hosted by the United States, Canada, and Mexico, concluded with the final at MetLife Stadium in New Jersey in the small hours of Monday. For the first time in the tournament’s history, FIFA held an entertainment show during halftime, similar to the Super Bowl tradition in the United States.

FIFA president Gianni Infantino said the halftime show was intended to make the World Cup final a larger global entertainment event and attract a wider audience. The performance featured internationally recognized artists, including Shakira, known for her iconic World Cup songs Waka Waka and La La La, former boy wonder Justin Bieber along with pop legend Madonna and South Korean music group BTS. FIFA said the event will celebrate football, music, and culture on one stage.

However, the announcement has divided fans and football experts. Many welcomed the idea, saying it would make the final more entertaining and help attract younger audiences. They said the presence of world-famous artists will increase the tournament’s global appeal and create an unforgettable experience for spectators.

Others, including seminal punk rock band The Cure frontman Robert Smith, strongly criticized the decision, arguing that football traditions should not be changed. Critics fear that extending the halftime break for a concert could affect players’ physical rhythm, preparation, and match intensity. Some fans also said the focus should remain on the sport rather than celebrity performances.

FIFA assured that the performance was carefully planned to avoid disrupting the match while maintaining high production standards. Security, stage setup, and broadcast arrangements were also coordinated to ensure a smooth event.

As of now, the halftime show remains one of the most talked-about aspects of the 2026 FIFA World Cup final apart from the boorish behavior of the Argentine squad.

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Telugu cinema bags nine honours at 72nd National Film Awards as Kalki 2898 AD and Pushpa 2 shine

Telugu cinema secured nine honours at the 72nd National Film Awards, with Kalki 2898 AD, Pushpa 2: The Rule, Committee Kurrollu, 35-Chinna Katha Kaadu and Lucky Baskhar emerging among the key winners.

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The Telugu film industry emerged as one of the standout performers at the 72nd National Film Awards, securing a total of nine honours for films certified by the Central Board of Film Certification (CBFC) between January 1 and December 31, 2024.

Leading the tally was director Nag Ashwin’s Kalki 2898 AD, which received the award for Best Popular Film Providing Wholesome Entertainment. The film also earned Best Production Design for Nitin Zihani Choudhary, whose work brought to life the contrasting worlds of Kasi, Shambala and the futuristic Complex.

Pushpa 2 earns screenplay and costume design honours

Director Sukumar’s blockbuster Pushpa 2: The Rule added two National Awards to its achievements. Sukumar won Best Original Screenplay, while costume designers Deepali Noor and Sheetal Sharma were honoured with the Best Costume Design award for their work on the film.

The film was among the biggest commercial successes of 2024 and was recognised for its storytelling and visual presentation.

Lucky Baskhar and 35-Chinna Katha Kaadu receive national recognition

Director Venky Atluri received the Best Dialogue Writer award for Lucky Baskhar, starring Dulquer Salmaan in the lead role.

Meanwhile, 35-Chinna Katha Kaadu, directed by Nanda Kishore Emani, was named Best Children’s Film. Child actor Arundev was honoured as Best Child Artist, sharing the award with Riddhiman Banerjee, Topomoy Deb, Gitashree Chakraborty (for Onko Ki Kothin) and Athish S. Shetty (for Mithya).

Committee Kurrollu wins Best Telugu Film

Debut director Yadhu Vamsi’s Committee Kurrollu was recognised as the Best Telugu Film at the awards. The nostalgic drama, produced by Niharika Konidela, also earned P. Ravi Kumar the Best Make-Up Artist award.

Following the announcement, the teams behind the award-winning films expressed their gratitude to the National Film Awards jury and audiences through social media posts celebrating the recognition.

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