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Jallikattu: symptom of cultural pathology

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Jallikattu: symptom of cultural pathology

[vc_row][vc_column][vc_column_text]The near-urban protestors at Chennai seem to be angry about something altogether

Parsa Venkateshwar Rao Jr

Tempers are running high, and rhetoric is soaring around the issue of Jallikattu. Most of the protesters at the Marina Beach in Chennai seem to be urbanites with not much acquaintance with the country-sport or festivals. Of course, India as an emerging market, is also trying to get away from the pastoral lifestyle into the digital fast lane. Of course, we are still an agricultural country, where 70 per cent of the 1.2 billlion people live in villages that are not wholly the villages of old. It is a mix of rural and urban—not yet urban but getting there. The mobile phone network is only half of what it is in the cities and towns.

So what is the significance of jallikattu? And how many indeed dare take part in it? Does it still play an important role in agricultural rituals? It appears that it does to some extent. The talk about Tamil cultural pride in connection with the bull-run is a little exaggerated, not that it is untrue. The fiery and ardent defenders of Tamil culture have to know that there is more to their culture than jallikattu. It may have been an important part of the rural culture of the region when agriculture was the mainstay of the economy as well as lifestyle.

It is also true that in many parts of the country, the village is still an important part of popular culture and this can be seen in films. Hindi films have become urban, but films made in Tamil and Telugu, Malayalam and Kannada, even Marathi and Odiya, still carry the semi-picturesque but a trifle impoverished village life.

It can also be seen that livestock in terms of cattle, sheep, camels and horses is much too numerous, and therefore a part of the life picture. And domesticated livestock are part of the festival cycle in more ways than one. The killing of goats near the Kali temple in Kolkata or goats and sheep for Eid-ul-Adha, or the decoration of bulls in rural Andhra and Telangana during Sankranti, the bullock-cart races during Baisakhi in rural Punjab, which has been party transformed into a tractor race, as shown in the popular television serial, Veera some years ago, retain their strong traces of the rural and agricultural past. It is in this context that jallikattu can be seen as part of the cultural menu.

So the angry protests in Chennai can be seen as a legible signature but nothing more than that.

Instead of banning it in a blinker’s bureaucratic fashion what governments and courts had to do was to see to it that there was no cruelty shown to the bulls during the bull-run. That could have been ensured. And it appears that the rules of the game already specify that the bulls cannot be ridden roughshod and that the bull-tamers can only hold on to the hump, not to the horns, not to the sides, not to the tail and all that. The track is barricaded on both sides. This is something similar to the bull-run in Pamplona, Spain. It should be possible to retain jallikattu as a colourful rural sport, and new rules would have evolved.

Cultural psychologists need to analyse why jallikattu protests erupted in urban Chennai and from the quite-urban youth, who do not any more share the rural life rhythms or rural pastimes. There is something else on the mind of thousands of protestors. Something else is indeed simmering in the minds of the Tamil Nadu’s urban youth. As historian Ramachandra Guha tweeted, it could be about “jobless growth” as in the case of Jat and Patidar agitations for reservations. But it could be something deeper as well. There might be a genuine unease at the fading cultural heritage, and nothing genuine has taken its place. The cultural vacuum in the hearts and minds of people is much more frightening, and therefore the reaction is angrier, and the issue of jallikattu was just the trigger.

Unfortunately in India, the economists and political scientists and jurists cannot grasp the intangibles of cultural discontent. And there are not many cultural anthropologists in the country, though economic anthropology is gaining a little ground here and there. Freudian analysis would not be of much help because despite the attachment to psychoanalysis in the West, Freudianism has not been embedded sufficiently in Indian cultural analyses. So we need to hunt for ways to understand our collective alienation, which cannot be explained in universal terms of the psychoanalytic triad of id-ego-superego, or that of sublimation, or Marxian reification. All these terms have fallen by the wayside. There is a crying need to understand ourselves, especially our cultural pathologies, and we need terms of reference to which one can relate to, connect with, so that we can find some solace, some catharsis, some resolution of sorts.[/vc_column_text][/vc_column][/vc_row]

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Ensure nutrition supplement ad wins hearts, Tweeple say video taught them a lot | WATCH

In this era of ads where some advertisements are really praised for their inclusivity while the others are being criticised, Ensure (an American brand of nutritional supplements) have also come up with a very heart touching advertisement in this festive season.

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Ensure nutrition supplement ad

By Tarannum

In this era of ads where some advertisements are really praised for their inclusivity while the others are being criticised, Ensure (an American brand of nutritional supplements) have also come up with a very heart touching advertisement in this festive season.

The video is on fleek and it’s being liked and shared by people a lot on social media, soon it came out. Tweeple are appreciating and twitting this viral video with good compliments.

In this inspiring advertisement, we can see a man making a list of guests, asking her wife for one of his specific friends on the occasion of the festival but her wife denies informing him about the long list and work overload, the man then make her a cup of hot tea made of Ensure milk powder, saying that we should thank the people who took time for us when nobody did. This cute message is liked by the people and Twitter is flooded with appreciation posts with the hashtag StrongerInsideOut.

One person tweeted that this video taught him to come up front, help people and celebrate. Have a look :

The other Twitter user wrote about the amazing initiative of this video and appreciated this.

https://twitter.com/Gopika55/status/1457671525209833479

What is Ensure?

Ensure is an American for nutritional supplements and replacements for meals. This brand, Ensure is manufactured by Abbott Laboratories.

Read Also: Amazon updates Alexa: Now you can move music between multiple echo devices, here’s how to do it!

Ensure Original contains 220 calories, six grams of saturated fat, 15 grams of sugar, and nine grams of protein in a 237-ml (8-fl oz) bottle. Water, corn maltodextrin, sugar, milk protein concentrate, canola oil, and soy protein isolate are the top six ingredients in Ensure original. For people with lactose intolerance can also take this as Ensure is considered lactose-free.

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Bollywood news

Tip Tip Barsa Paani: Raveena Tandon or Katrina Kaif? Mohra star likes tweets hailing original song

Apart from the movie’s plot, Sooryavanshi is ruling the hearts of the audience with its peppy songs. Recently, the makers have dropped the remake of the iconic 90s song Tip Tip Barsa Paani that has been recreated by Katrina and Akshay.

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By Tarannum

The much-awaited film from Rohit Shetty’s cop universe, Sooryavanshi hit the silver screens on November 5. Apart from the movie’s plot, the Akshay Kumar and Katrina Kaif starrer is ruling the hearts of the audience with its peppy songs. Recently, the makers have dropped the remake of the iconic 90s song Tip Tip Barsa Paani that has been recreated by Katrina and Akshay.

The original Tip Tip Barsa Paani song from Mohra film was voiced by the singers, noted singers Udit Narayan and Alka Yagnik. It came out in the year 1994 wherein the audience had witnessed the sizzling chemistry between Raveena Tandon and Akshay Kumar.

Raveena Tandon likes tweets hailing original Tip Tip Barsa Paani

Soon after the song was released, fans started comparing it to the original song from the film Mohra, which featured Raveena Tandon and Akshay Kumar. The recreated version by Kat and Akki sent the mercury soaring and is receiving rave reviews, however, a section of fans had conflicting opinions about Katrina’s performance. While some of them admired her performance, others felt that it did not match the original version.

One of the fans tweeted that the original tip tip barsa pani is something else, that too in the early 90s. The Tip Tip Barsa Pani star has liked the tweets wherein the audience have praised the original version of the song.

Tip Tip song from Sooryavanshi

In the song, Katrina Kaif can be seen donning a silver metallic saree and her scintillating moves will surely make you fall head over heels in love with her. While Katrina is dancing in the rain, Akshay can be seen admiring her. The song has a carnival set up and has been recreated by Tanishk Bagchi.

Watch the Tip Tip song here

In other news, Telugu actor Anushka Shetty gave a return gift to her fans on the occasion of her 40th birthday. The Baahubali star has announced her new project with Mahesh Babu P.

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Cinema news & gossip

Bheemla Nayak’s latest song out: Pawan Kalyan’s new power look in the lungi

Finally the wait is over, after a long time this new song Lala Bheemla has been released today. It is debuted by the filmmakers of the upcoming film Bheemla Nayak, which stars superstar Pawan Kalyan.

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By Tarannum

Finally, the wait is over, after a long time this new song Lala Bheemla has been released today. It is debuted by the filmmakers of the upcoming film Bheemla Nayak, which stars superstar Pawan Kalyan.

Lala Bheemla is a song with such a high level of energy and music. The song is composed by S Thaman and released on the occasion of Trivikram’s birthday who is a lyricist and dialogue writer for the film.

Manobala Vijayabalan tweeted about the song release with the date, song name and the name of filmstar Pawan Kalyan.

The song is based on strong composition, intense lyrics, aggressive vocals, and hair-raising imagery which absolutely meets beyond the expectations.

It’s a treat to watch Pawan Kalyan dressed as a cop in a mass avatar in Lungi. The female dancers from Odisha in the background are also enhancing the mass appeal.

The fact that Trivikram Srinivas, who produced the film’s screenplay and dialogues, also wrote the song’s lyrics is intriguing. Because of his energetic singing, Arun Kaundinya totally changed the mood of the song which is an absolute game-changer.

If we talk about the production of the film, Naga Vamsi has produced the film under the company Sithara Entertainments. Fans of the actor Pawan Kalyan are amazed to hear this incredible song. Therefore, Bheemla Nayak is set to hit the theatres in Sankranthi 2022.

Nithya Menen also plays the lead role in Bheemla Nayak. S Thaman is in charge of the film’s musical score, while Ravi K. Chandran and Naveen Nooli are the cinematographer and editor, respectively.

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