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Aap Jaisa Koi review: R Madhavan and Fatima Sana Shaikh shine in a bold yet talkative rom-com

Netflix’s Aap Jaisa Koi is a well-intentioned feminist rom-com that stars R Madhavan and Fatima Sana Shaikh. Though conceptually strong, the film falters due to its didactic execution.

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Aap Jaisa Koi, streaming on Netflix and produced under Dharmatic Entertainment, attempts to dive deep into the nuanced themes of female sexual desire, autonomy, and modern relationships. Directed by Vivek Soni, the film brings together R Madhavan and Fatima Sana Shaikh in a romantic comedy that defies conventional Bollywood norms—but not without its share of narrative excess.

A modern mismatch wrapped in old dilemmas

Set between Jamshedpur and Kolkata, the story introduces us to Shrirenu Tripathi (R Madhavan), a 42-year-old introverted Sanskrit teacher, and Madhu Bose (Fatima Sana Shaikh), a confident 32-year-old French teacher. Despite their contrasting personalities—he’s a reserved virgin, she’s an assertive, sexually liberated woman—their worlds collide in a tea-flavored twist of destiny and shared longing.

While on paper the pairing feels like an unconventional rom-com setup, the film smartly explores themes like mutual respect, emotional equality, and the cultural baggage women carry even in modern India. Madhu’s character is refreshingly bold, representing the voice of today’s independent woman unafraid to assert her identity, ambitions, or desires. Her response to Shrirenu’s patronizing comment—”And why will you decide my limits?”—hits the core of the film’s feminist messaging.

A heavy hand in delivering the right message

The heart of Aap Jaisa Koi is in the right place. Its plea for equal love, freedom of choice for women, and breaking away from gendered expectations is both relevant and necessary. However, much like certain previous titles from the same production house, the film stumbles due to its overly verbose and didactic tone.

The narrative feels cluttered at times, as it tries to tick off multiple themes—patriarchy, consent, political awareness, sexuality—all while keeping up the tempo of a romantic comedy. This occasionally leads to dialogues that sound more like lectures than conversations, which might test the patience of viewers looking for a light-hearted watch.

Performances and cultural throwbacks add charm

What helps Aap Jaisa Koi stay engaging are its performances and cleverly placed cultural references. R Madhavan delivers a sincere portrayal of a man coming to terms with his outdated beliefs, while Fatima Sana Shaikh impresses with her grounded and fearless depiction of a modern woman.

There are plenty of hat-tips—from the film’s title being inspired by Nazia Hassan’s iconic track, to shout-outs to Stree, Mahendra Singh Dhoni’s avocados, and even R Madhavan’s real-life Jamshedpur roots. The music by Justin Prabhakaran, especially tracks like Mila Tujhe and Saare Jag Mein, composed with Raj Shekhar’s lyrics, add emotional depth to the screenplay.

Aap Jaisa Koi tries to reinvent the romantic comedy for the contemporary Indian audience with a feminist lens. It asks important questions and offers a genuine attempt to reshape the narrative around love and gender. But in doing so, it sometimes forgets that showing is stronger than telling.

Entertainment

120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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