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Bhool Chuk Maaf movie review: Genre mashup stumbles despite spirited performances

Despite spirited performances and vibrant visuals, Bhool Chuk Maaf fails to impress with its muddled narrative and genre overload.

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Bhool Chuk Maaf, the latest release starring Rajkummar Rao and Wamiqa Gabbi, is a film that aspires to blend comedy, fantasy, and social commentary but ends up lost in a maze of overambitious ideas. Helmed by Karan Sharma and produced by Maddock Films, the movie tries to recreate the magic of previous horror-comedy hits, yet falters under the weight of its convoluted narrative.

An intriguing premise that quickly derails

At its core, Bhool Chuk Maaf is a time-loop comedy about Ranjan Tiwari (Rajkummar Rao), a young man from Banaras desperate to secure a government job so he can marry his girlfriend, Titli Mishra (Wamiqa Gabbi). However, things go haywire when he finds himself trapped in a bizarre loop, reliving the day before his wedding over and over again.

While the setting in the chaotic yet charming streets of Banaras provides a rich visual backdrop, the film fails to maintain coherence in its storytelling. The plot, riddled with narrative gaps and odd tonal shifts, spins in circles, echoing the protagonist’s own confusing journey through time.

Strong performances, weak foundation

Rajkummar Rao infuses energy into his role, portraying the helpless yet hopeful Ranjan with conviction. Wamiqa Gabbi complements him with a balanced performance, portraying Titli as both strong-willed and emotionally grounded. Supporting cast members like Seema Pahwa, Raghubir Yadav, and Sanjay Mishra (in a brief but entertaining appearance) add flair, though they’re underutilized due to a script that lacks focus.

Despite the evident acting prowess on display, the film’s screenplay, also written by Karan Sharma, fails to give these characters the depth or evolution they deserve. Scenes shift from humorous to somber without smooth transitions, making the viewing experience jarring.

Visuals shine, story slips

Cinematographer Sudeep Chatterjee beautifully captures the spirit of Banaras — its ghats, bustling markets, and spiritual energy. However, the charm of the city is not enough to compensate for the film’s narrative missteps. The inclusion of a surprise bachelor party and a repetitive item number feels forced and adds little to the storyline.

Ultimately, Bhool Chuk Maaf tries to be too many things at once — a rom-com, a family drama, a social satire, and a fantasy film. Unfortunately, it doesn’t succeed in any of these genres convincingly. While the central concept of a time loop could have offered an engaging cinematic experience, the film’s lack of a solid script, excessive twists, and unsteady tone make it a frustrating watch.

Entertainment

120 Bahadur box office day 1: Farhan Akhtar’s film starts slow with Rs 2.35 crore opening

Farhan Akhtar’s new release 120 Bahadur opened to Rs2.35 crore, while De De Pyaar De 2 continued its strong hold on day eight.

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Farhan Akhtar’s latest release 120 Bahadur hit theatres on November 21 but registered a dull opening on its first day, earning Rs 2.35 crore. In comparison, De De Pyaar De 2, which is now in its second week, continues to show stronger hold at the box office.

Slow start for 120 Bahadur on day one

The action-drama opened to modest numbers on Friday, collecting Rs2.35 crore on its first day. Despite pre-release buzz around Farhan Akhtar’s performance, the film has begun its run on the lower side.

De De Pyaar De 2 maintains its advantage

Meanwhile, De De Pyaar De 2 continues its steady run. On its eighth day, the film maintained an edge over 120 Bahadur in overall earnings, according to media. The strong hold of the Ajay Devgn-led sequel appears to have impacted the new release’s opening day business.

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Family Man 3 ending triggers online backlash despite strong reviews

The Family Man 3 has impressed viewers with its performances and storytelling, but its abrupt ending has sparked online criticism, leaving fans demanding closure.

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Fans of The Family Man 3 are celebrating the gripping new season, but a large section of viewers has taken to social media to criticise what they describe as an “abrupt” and “unsatisfying” ending. The latest season, which released on Amazon Prime Video on Friday, has drawn praise for its emotional depth and high-stakes storytelling, yet its final moments have left many feeling short-changed.

Viewers disappointed with the “sudden” conclusion

Soon after the release, frustrated fans began sharing their reactions online. One viewer wrote that the season “ends so abruptly it feels like the makers simply packed up and went home,” calling the lack of closure “exhausting”. Another comment read, “#TheFamilyMan3… ahh ending entra. Fully disappointed.”

Some tried to strike a balanced tone, acknowledging the well-crafted emotional arc and a comic cameo stretch that offered relief. However, the overall complaint remained the same — that the season cuts off just when the tension reaches its peak. “Why make us watch the entire season if the makers plan to keep the best part hanging for the next one?” a user questioned.

Still, many fans have labelled the show “engaging” and applauded the team for delivering another compelling chapter.

Season 3: Srikant caught between personal turmoil and a national crisis

The new season places Srikant Tiwari (Manoj Bajpayee) in one of the most complicated phases of his life. His relationship with Suchitra (Priyamani) appears strained, marked by distance and unspoken tension. Even as his home life falters, a series of coordinated blasts in the Northeast within 48 hours threatens a major peace initiative led by Prime Minister Basu (Seema Biswas).

Srikant and his senior officer Gautam Kulkarni (Dalip Tahil) travel to Nagaland to salvage Project Sahakar, relying on regional leader David Khuzou (Sunil Thapa) to bring warring sides to agreement. But the fragile situation collapses after a deadly ambush by drug kingpin Rukma (Jaideep Ahlawat), leaving David and Kulkarni dead. Srikant survives but soon becomes a suspect as investigators scrutinise how he was the only one aware of the convoy’s route.

Meanwhile in Mumbai, Suchitra faces her own crisis after the government bans 69 Chinese apps, including her platform ShrinkMe, sparking online targeting that impacts her family.

With an arrest warrant issued against him, Srikant chooses to escape with his family, setting off a tense chase as he tries to prove his innocence. Each twist raises new questions — who planned the ambush, and why is Srikant being framed?

Final reactions

While audiences largely appreciated the writing, performances and momentum, the widespread sentiment remains that the season’s final act lacked the closure fans expected. Many now hope the next instalment arrives sooner and concludes the arc that Season 3 left unresolved.

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Entertainment

Satish Shah, beloved Sarabhai vs Sarabhai actor, passes away at 74 in Mumbai due to kidney failure

Veteran actor Satish Shah, celebrated for his iconic comic roles in Sarabhai vs Sarabhai and Jaane Bhi Do Yaaro, passed away in Mumbai at the age of 74 due to kidney failure.

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Satish Shah

Veteran Bollywood actor Satish Shah, best known for his memorable comic roles in films and television, passed away on Saturday in Mumbai. He was 74.

Filmmaker Confirms The News

Confirming the tragic news, filmmaker Ashoke Pandit expressed grief over the actor’s demise, saying that Shah died around 2:30 pm following kidney failure. His condition reportedly worsened at home before being rushed to the hospital, where he could not be revived. His cremation is expected to take place later today.

“It’s a very big loss for the industry. I have worked with him on many projects,” said the filmmaker, recalling that he learned about Shah’s death shortly after attending adman Piyush Pandey’s last rites.

A Legacy Of Laughter

Born on June 25, 1951, in Bombay (now Mumbai), Satish Shah hailed from a Kutchi Gujarati family. His career began in 1978 with Arvind Desai Ki Ajeeb Dastaan, but it was his portrayal of Municipal Commissioner D’Mello in the 1983 satire Jaane Bhi Do Yaaro that brought him widespread recognition.

Over a remarkable film career spanning decades, Shah appeared in more than 250 movies, including Hum Saath Saath Hain (1999), Kal Ho Naa Ho (2003), Mujhse Shaadi Karogi (2004), and Om Shanti Om (2007).

Television Stardom

Shah also left a lasting impact on Indian television. His 1984 sitcom Yeh Jo Hai Zindagi became iconic, where he played a new character in each of its 55 episodes. His role as Indravadhan Sarabhai in Sarabhai vs Sarabhai (2004), opposite Ratna Pathak Shah, remains one of the most loved comic portrayals in Indian TV history.

He also starred in Filmy Chakkar (1995) and later judged comedy-based reality shows such as Comedy Circus, continuing his association with humour and entertainment.

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